Spain at the Eurovision Song Contest
- Broadcasting company
- First participation
- 1961
- Number of participations
- 59 (as of 2019)
- Highest ranking
- 1 ( 1968 , 1969 )
- Highest Score
- 125 ( 1973 )
- Lowest Score
- 0 ( 1962 , 1965 , 1983 )
- Points average (since first post)
- 47.41 (as of 2019)
- Average points per voting country in the 12-point system
- 1.85 (as of 2019)
This article deals with the history of Spain as a participant in the Eurovision Song Contest .
Regularity of participation and successes in competition
Spain first took part in the Eurovision Song Contest in 1961. At that time, however, the success was manageable. In the end, the Spanish contribution landed in the midfield in 9th place out of 16. In 1962, on the other hand, the country only reached the last place with 0 points, but shared this with Belgium, the Netherlands and Austria. In 1963 and 1964, Spain landed in the lower midfield, 12th out of 16. In 1965, the country again reached last place without receiving a single point. This time Spain shared it with Belgium, Germany and Finland. In 1966, Spain achieved its best position in the competition to date, ranking 7th out of 18. There was also a good result in the following year. Finally, the singer Raphael, who represented Spain the previous year, came in 6th out of 17. In 1968 Spain celebrated its first victory in the competition. The singer Massiel won the competition with just one point ahead of the United Kingdom. In 1969, when the competition first took place in Madrid, Spain was able to win the competition again, making it the first country to win twice in a row. However, the Spanish winner Salomé with Vivo cantando had to share first place with her colleagues from Great Britain, France and the Netherlands. In 1970, however, the Spanish success continued when the singer Julio Iglesias reached number 4 out of 12. In 1971, Spain was also successful in the competition and came second for the first time. With 116 points, the singer Karina also got a new high score for the country. In 1972, however, Spain's success came to an end when singer Jaime Morey only landed 10th out of 18 in midfield. In 1973, on the other hand, Spain achieved another successful placement. The band Mocedades could reach 2nd place and got a total of 125 points. To date, it is Spain's highest score in the competition. From 1974, however, Spain could no longer build on the previous successes.
In 1974, the Spanish contribution only landed 9th out of 17 in the midfield. In 1975, the duo Sergio y Estíbaliz was only able to land 10th out of 19 in the midfield. In 1976, Spain achieved its worst position in eleven years. Finally, the singer Braulio only reached third from last place. In 1977 and 1978, Spain only finished 9th in the middle of the field. In 1979 the country was able to record another success in the competition. So the singer Betty Missiego reached another second place for Spain. Nevertheless, the success could not last and so in 1980 the country landed again only in the midfield on position 12 out of 19. In the following year, the Spanish contribution only reached the lower midfield with position 14 out of 20. Also in 1982 there was only one place in the midfield Place 10 out of 18. 1983 was followed by the third last place for Spain. Again he did not receive a single point. Nevertheless, this last place was shared again, in this case with Turkey. The country was all the more successful again in 1983. Spain achieved third place with the band Bravo. In 1985 the country was again less successful and only landed 14th out of 19 in the lower midfield. In 1986, Spain only landed 10th out of 20 in the midfield. In 1987, the singer Patricia Kraus again only achieved a placement in the lower midfield at 19th place 22. In 1988, the Spanish contribution only reached 11th place out of 21. It was not until 1989 that the country was more successful again.
In 1989 the singer Nina reached 6th place for the country and thus got the best placement since 1984. In the following year the duo Azúcar Moreno achieved an even better placement and landed on 5th place. In 1991 the upward trend continued and Spain landed on place 4. In 1992, however, this ended again and the country landed again in the midfield at 14th place out of 23. In 1993, Spain only just missed a place in the top ten and landed at 11th place. In 1994, however, the country landed again in the lower midfield and only reached place 18 out of 25. The Spanish contribution was all the more successful in 1995. The singer Anabel Conde achieved second place, the best result since 1979. In the following year, however, the country was again less successful and landed in 20th place out of 23. 1997, however, managed it Spain back in the top ten, reaching number 6. In addition to this good position, the country was in 1997 part of the imported "Grand" - Big Four (Germany, France, Great Britain, Spain), since 2011 Big Five (with Italy), the largest EBU contributors - and thus always has a guaranteed final place. This measure was introduced to ensure the long-term participation of the large donors (Spain, Great Britain, France and Germany, from 2011 also Italy) and thus the survival of the contest. In 1998, however, the singer Mikel Herzog again only achieved a position in the midfield and took 16th place out of 25. In 1999, Spain finally achieved its worst placement since 1983 and ended up in last place for the first time. This time the contribution received at least one point. In 2000, too, the country was only able to achieve 18th place out of 24. It was not until 2001 that the country was successful again in the competition.
Finally, the singer David Civera reached 6th place and thus the best result since 1997. Spain was also able to place in the top ten in the following years. The singer Rosa got 7th place in 2002, the singer Beth 8th place in 2003 and the singer Ramón 10th place in 2004. It was the first time since 1974 that Spain had been placed in the top ten more than three times in a row. After this successful period, Spain was no longer so successful in the competition. The Spanish entries in 2004 and 2005 only reached 21st place respectively. In 2007 there was a similar placement with 20th place. In 2008, however, there was again a placement in the midfield with 16th place. In 2009, however, Spain was only penultimate. In 2010 there was another placement in midfield with 15th place. In 2011, Lucía Pérez ended up third from last. In 2012 Pastora Soler achieved the best placement since 2004, as she finished 10th at the end. In 2013, however, Spain was less successful again and was again penultimate. In 2014, however, Ruth Lorenzo was able to repeat the success of Pastora Soler in 2012 and ended up in 10th place. In 2015, the Spanish contribution landed again in the lower midfield with 21st place, while in 2016 a similar ranking was achieved with 22nd place. In 2017, however, Spain achieved its worst position since 1999 and finished last for the fifth time. In 2018 and 2019, positions 23 and 22 were again only placed in the lower part of the table.
A total of 27 of the 59 entries ended up in the left half of the table. In addition, the country landed in last place five times. With two wins, four second places and one third place, Spain is one of the average successful countries in the competition. Nevertheless, it is the weakest participating country overall of all Big5 participants. It should also be noted, however, that Spain, alongside Albania, Australia, Azerbaijan, Moldova and Belarus, has never withdrawn from the competition since its first participation. However, this is particularly noteworthy in Spain. After all, Spain has been participating since 1961, while Albania, Australia, Azerbaijan, Moldova and Belarus have all only participated in the Song Contest since the 2000s. In addition, Spain is the country that has been waiting the longest for its next victory. As of 2019, Spain has been waiting for its next victory for 50 years.
List of posts
Color legend: - 1st place. - 2nd place. - 3rd place. - Equal points with last place. - Eliminated in the semifinals / in the qualification / in the Eastern European preliminary decision. - no participation / not qualified. - Cancellation of the Eurovision Song Contest.
year | Interpreter | Song Music (M) and Text (T) |
language | translation | final | Semi-final / qualification |
National preliminary decision | ||
---|---|---|---|---|---|---|---|---|---|
space | Points | space | Points | ||||||
1961 | Conchita Bautista |
Estando contigo M: Augusto Algueró; T: Antonio Guijarro |
Spanish | To be with you | 9/16 | 8th | Direct participation | Final nacional 1961 | |
1962 | Victor Balaguer |
Llámame M: Mario Selles; T: Miguel Portoles |
Spanish | Call me | 13/16 | 0 | Final nacional 1962 | ||
1963 | José Guardiola |
Algo prodigioso M: Fernando García Morcillo; T: Camillo Murillo Janero |
Spanish | Something wonderful | 12/16 | 2 | internal selection | ||
1964 | Go TNT |
Caracola M / T: Fina de Calderón |
Spanish | slug | 12/16 | 1 | Gran Parada 1964 | ||
1965 | Conchita Bautista |
¡Qué bueno, qué bueno! M / T: Antonio Figueroa Egea |
Spanish | How good, how good! | 15/18 | 0 | Eurofestival 1965 | ||
1966 | Raphael |
Yo soy aquél M / T: Manuel Alejandro |
Spanish | I am the one | 7/18 | 9 | internal selection | ||
1967 | Raphael |
Hablemos del amor M / T: Manuel Alejandro |
Spanish | Let's talk about love | 6/17 | 9 | internal selection | ||
1968 | Massiel |
La, la, la M / T: Manuel de la Calva, Ramón Arcusa |
Spanish | La, la, la | 1 /17 | 29 | internal selection | ||
1969 | Salomé |
Vivo cantando M: Maria José de Cerato; T: Aniano Alcalde |
Spanish | I live singing | 1 /16 | 18th | Festival de la canción española 1969 | ||
1970 | Julio Iglesias |
Gwendolyne M / T: Julio Iglesias |
Spanish | Gwendolyne | 4/12 | 8th | Festival de la canción española 1970 | ||
1971 | Karina |
En un mundo nuevo M: Rafael Trabucchelli; T: Tony Luz |
Spanish | In a new world | 2/18 | 116 | Pasaporte a Dublín | ||
1972 | Jaime Morey |
Amanece M: Augusto Algueró; T: Ramón Arcusa |
Spanish | It dawns | 10/18 | 83 | internal selection | ||
1973 | Mocedades |
Eres tú M / T: Juan Carlos Calderón |
Spanish | You are | 2/17 | 125 | internal selection | ||
1974 | Peret |
Canta y sé feliz M / T: Pedro Pubill Calaf |
Spanish | Sing and be happy | 9/17 | 10 | internal selection | ||
1975 | Sergio y Estíbaliz |
Tú volverás M / T: Juan Carlos Calderón |
Spanish | You will come back | 10/19 | 53 | internal selection | ||
1976 | Braulio |
Sobran las palabras M / T: Braulio Antonio García Bautista |
Spanish | Words are superfluous | 16/18 | 11 | Voces a 45 | ||
1977 | Mickey |
Enséñame a cantar M / T: Fernando Arbex |
Spanish | Teach me to sing | 9/18 | 52 | internal selection | ||
1978 | José Vélez |
Bailemos un vals M / T: Manuel de la Calva, Ramón Arcusa |
Spanish | Let's dance a waltz | 9/20 | 65 | internal selection | ||
1979 | Betty Missiego |
Su canción M / T: Fernando Moreno |
Spanish | Your song | 2/19 | 116 | internal selection | ||
1980 | Trigo Limpio |
Quédate esta noche M / T: José Antonio Martin |
Spanish | Stay tonight | 12/19 | 38 | internal selection | ||
1981 | Bacchelli |
Y sólo tú M / T: Amado Jaen |
Spanish | And only you | 14/20 | 38 | internal selection | ||
1982 | Lucía |
El M: Francisco Cepero; T: Ignacio Román |
Spanish | He | 10/18 | 52 | internal selection | ||
1983 | Remedios Amaya |
¿Quién maneja mi barca? M: José Miguel Evóras; T: Isidro Muñoz |
Spanish | Who controls my ship? | 19/20 | 0 | internal selection | ||
1984 | Bravo |
Lady, Lady M: Miguel Blasco; T: Amaya Saizar |
Spanish | Lady, lady | 3/19 | 106 | internal selection | ||
1985 | Paloma San Basilio |
The fiesta terminó M / T: Juan Carlos Calderón |
Spanish | The party is over | 14/19 | 36 | internal selection | ||
1986 | Cadillac |
Valentino M / T: José María Guzmán |
Spanish | Valentino | 10/20 | 51 | internal selection | ||
1987 | Patricia Kraus |
No estás solo M: Rafael Martínez, Rafael Trabucchelli; T: Patricia Kraus |
Spanish | You're not alone | 19/22 | 10 | internal selection | ||
1988 | La Década Prodigiosa |
La chica que yo quiero (Made in Spain) M: Enrique Piero; T: Francisco Dondiego |
Spanish | The girl I love (Made in Spain) | 11/21 | 58 | internal selection | ||
1989 | Nina |
Nacida para amar M / T: Juan Carlos Calderón |
Spanish | Born to love | 6/22 | 88 | internal selection | ||
1990 | Azúcar Moreno |
Bandido M: Raúl Orellana, Jaime Stinus; T: José Luis Abel |
Spanish | bandit | 5/22 | 96 | internal selection | ||
1991 | Sergio Dalma |
Bailar pegados M: Julio Seijas; T: Luis Gomez Escolar |
Spanish | Dancing closely | 4/22 | 119 | internal selection | ||
1992 | Serafín Zubiri |
Todo esto es la música M: Luis Miguélez, Alfredo Valbuena; T: Luis Miguélez |
Spanish | That is all the music | 14/23 | 37 | internal selection | ||
1993 | Eva Santamaría |
Hombres M: Christian de Walden, Ralf Steinman, Carlos Toro; T: Carlos Toro |
Spanish | Men | 11/25 | 58 | internal selection | ||
1994 | Alejandro Abad |
Ella no es ella M / T: Alejandro Abad |
Spanish | She is not her | 18/25 | 17th | Qualified directly for the final | internal selection | |
1995 | Anabel Conde |
Vuelve conmigo M / T: José María Purón |
Spanish | come back to me | 2/23 | 119 | internal selection | ||
1996 | Antonio Carbonell |
¡Ay, qué deseo! M / T: Antonio Carmona, Josemi Carmona, Juan Carmona |
Spanish | Oh, what a pleasure! | 20/23 | 17th | 14/29 | 43 | internal selection |
1997 | Marcos Llunas |
Sin rencor M / T: Marcos Llunas |
Spanish | Without resentment | 6/25 | 96 | Qualified directly for the final | internal selection | |
1998 | Mikel Duke |
¿Qué voy a hacer sin ti? M: Alberto Estébanez; T: Mikel Herzog |
Spanish | What should i do without you | 16/25 | 21st | internal selection | ||
1999 | Lydia |
No quiero escuchar M / T: Carlos López González, Adolfo Carmona Zamarreño, Fernando Rodríguez Fernández, Alejandro Piqueras Ramírez |
Spanish | I don't want to hear | 23/23 | 1 | internal selection | ||
2000 | Serafín Zubiri |
Colgado de un sueño M / T: José María Purón |
Spanish | Hanging on a dream | 18/24 | 18th | Eurocanción 2000 | ||
2001 | David Civera |
Dile que la quiero M / T: Alejandro Abad |
Spanish | Tell her i love her | 6/23 | 76 | Eurocanción 2001 | ||
2002 | pink |
Europe's Living a Celebration M: Toni Ten; T: Xasqui Ten |
Spanish a. | Europe lives a celebration | 7/24 | 81 | Operación Triunfo 2001 | ||
2003 | Beth |
Dime M / T: Jesús María Pérez, Amaya Martínez |
Spanish | tell me | 8/26 | 81 | Operación Triunfo 2002 | ||
2004 | Ramón |
Para llenarme de ti M / T: Kike Santander |
Spanish | To fill me with you | 10/24 | 87 | Operación Triunfo 2003 | ||
2005 | Son de Sol |
Brujería M / T: Alfredo Panebianco |
Spanish | witchcraft | 21/24 | 28 | Eurovisión 2005: Elige nuestra canción | ||
2006 | Read ketchup |
Un Bloody Mary M / T: Queco |
Spanish | A Bloody Mary | 21/24 | 18th | internal selection | ||
2007 | D'Nash |
I Love You mi vida M: Thomas G: son , Andreas Rickstrand; T: Tony S.-Ohlsson, Rebeca Pous del Toro |
Spanish | I love you, My life | 20/24 | 43 | Misión Eurovisión | ||
2008 | Rodolfo Chikilicuatre |
Baila el Chiki Chiki M / T: Rodolfo Chikilicuatre & Friends |
Spanish, English | Dance the chiki-chiki | 16/25 | 55 | Salvemos Eurovisión | ||
2009 | Soraya |
La noche es para mí M: Jason Gill, Dimitri Stassos, Irini Michas; T: Felipe Pedroso |
Spanish, English | This night is for me | 24/25 | 23 | Eurovisión 2009: El retorno | ||
2010 | Daniel Diges |
Algo pequeñito M / T: Jesús Cañadilla, Luis Miguel de la Varga, Alberto Jodar, Daniel Diges |
Spanish | Something tiny | 15/25 | 68 | Eurovisión 2010: Destino Oslo | ||
2011 | Lucía Pérez |
Que me quiten lo bailao M / T: Rafael Artesero |
Spanish | I was having fun, what do I care about the rest | 23/25 | 50 | Destino Eurovisión | ||
2012 | Pastora Soler |
Quédate conmigo M: Thomas G: son , Erik Bernholm, Antonio Sánchez; T: Antonio Sánchez |
Spanish | stay with me | 10/26 | 97 | Eurovisión: Pastora Soler | ||
2013 | El Sueño de Morfeo |
Contigo hasta el final M / T: David Feito, Raquel del Rosario , Juan Luis Suárez |
Spanish | With you to the end | 25/26 | 8th | El Sueño de Morfeo: Destino Eurovisión | ||
2014 | Ruth Lorenzo |
Dancing in the Rain M / T: Ruth Lorenzo , James Lawrence Irvin, Julian Emery |
English Spanish | Dancing in the rain | 10/26 | 74 | Mira quién va a Eurovisión | ||
2015 | Edurne |
Amanecer M / T: Thomas G: son , Tony Sánchez-Olsson, Peter Boström |
Spanish | sunrise | 21/27 | 15th | internal selection | ||
2016 | Barely |
Say yay! M / T: Bárbara Reyzabál , Rubén Villanueva, Víctor Púa Vívo |
English | Say hurray! | 22/26 | 77 | Objetivo Eurovisión 2016 | ||
2017 | Manel Navarro |
Do It for Your Lover M / T: Manel Navarro , Antonio Rayo "Rayito" |
Spanish, English | Do it for your lover | 26/26 | 5 | Objetivo Eurovisión 2017 | ||
2018 | Alfred & Amaia |
Tu canción M / T: Raul Gomez Garcia, Sylvia Ruth Santoro Lopez |
Spanish | Your song | 23/26 | 66 | Operación Triunfo 2017 | ||
2019 | Miki |
La venda M / T: Adrià Salas |
Spanish | The blindfold | 22/26 | 54 | Operación Triunfo 2018 | ||
|
Blow Cantó |
Universo M: Blas Cantó , Dan Hammond, Ash Hicklin , Mikolaj Trybulec, Dangelo Ortega; T: Blas Cantó , Dan Hammond |
Spanish | universe |
Cancellation due to the COVID-19 pandemic by the EBU |
internal selection | |||
2021 | Blow Cantó | Qualified directly for the final |
internal selection
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National preliminary decisions
Most of the Spanish entries to the Eurovision Song Contest were selected internally, namely in the years 1963, 1966 to 1968, 1972 to 1975, 1977 to 1999 and 2015. In the remaining years, national preliminary rounds were held, with TVE using many different systems:
Preliminary decisions in the 1960s
For the first contribution in 1961, a preliminary round was held with six participants who had previously been selected from a total of ten singers in a semi-final, and the jury voted. In 1962 the preliminary decision was similar, this time the semi-finals were played on the radio with 16 participants and the top ten qualified. The jury consisted of members who appeared on behalf of various radio stations. In 1964, the ten songs of the preliminary decision were performed independently by two singers. In Copenhagen , the winning title Caracola was finally presented by Los TNT, who had not even taken part in the preliminary round. For the first time, the audience was allowed to vote, namely by postcard . In 1965 a total of 54 songs were presented over several weeks before the final, of which the best thirteen made it to the final. A jury was allowed to vote again. In 1969, Salomé was already known as the representative for Spain before the final, only the song was to be selected by a jury from ten. All songs were presented once by Salomé and once by any other artist.
Preliminary decisions in the 1970s
In 1970, the system from 1964 was used, but this time with an upstream semi-final with ten eliminated songs. In 1971 a completely new concept - nationally and internationally - was implemented: only the singer, who was later to submit a title, was chosen on television. A total of 10 artists were available. For ten weeks there was a show in which one of the singers presented several titles and all the others presented one, so that the focus was on a specific participant each week. In the end, a jury selected Karina as the Spanish representative. In 1976 14 singers took part in the preliminary round, each performing two songs. Once again, the audience was allowed to vote by postcard.
2000 and 2001
After a long break, a Spanish preliminary decision was held again in 2000: It consisted of 15 participants who each presented a song. A jury voted and, for the first time, also by telephone voting. In 2001 the concept was repeated, this time with 20 participants.
Operación Triunfo (2002 to 2004)
In the years 2002 to 2004, the casting show Operación Triunfo , whose concept is reminiscent of that of the Fame Academy program , was to determine the Spanish representative for the Eurovision Song Contest. The three finalists finally presented several titles, among which telephone voting in conjunction with a jury vote chose the favorite. The show was a great success, which was shown by the significantly higher audience ratings compared to previous years, both in the preliminary round and in the international final.
2005
In 2005 a more classic preliminary decision was carried out: First, in a semi-final, 10 songs were reduced to six, among which the winner was chosen in the final. For the first time, votes were only taken by telephone.
Misión Eurovisión (2007)
In 2007, Misión Eurovisión was an extremely elaborate concept that dragged on for seven weeks: in the first four weeks, 10 singers each - unknown and well-known - performed and presented well-known songs, similar to casting shows. The five best each reached the semi-finals, where again five singers were selected for the final. During this phase, 15 songs were distributed over the Internet, among which the audience, the Internet users and a jury each selected five titles. In the sixth week, these ten songs were presented by famous Spanish artists and the five best made it to the finals. In the final, each singer presented each title, so that there were 25 combinations, of which the five best reached the final round, in which the song and singer were finally chosen.
Salvemos Eurovisión (2008)
In 2008 a new concept was invented to enhance the Spanish participation in the ESC. All candidates presented themselves on the Internet platform Myspace . From this, five titles were selected by email voting and five titles by a professional jury for the national preliminary decision. There a winner was determined by voting by television viewers by telephone or SMS.
There were disagreements when the candidate who received the most votes in the email voting was disqualified for manipulating the election. The new introduction and voting process also meant that the comedian David Fernández Ortiz's contribution ultimately won. The criticism that Spain was represented at the ESC with a parody title fell silent only after the contribution in the final had a better placement and higher ratings than the Spanish contributions of previous years.
Eurovisión: Pastora Soler (2012)
In 2012 TVE chose Pastora Soler to represent internally from Spain in Baku. Your song was then determined in a preliminary decision with three titles. 50% of the time, the jury and televoting decided the winner's title. In the end, the title Quédate conmigo won the jury and televoting, with which Pastora Soler finally presented the title in Baku.
El Sueño de Morfeo: Destino Eurovisión (2013)
In 2013 TVE used the system from 2012 and internally selected the band El Sueño de Morfeo. The title was chosen again in a preliminary decision with three songs. There, 50% tele and jury voting decided the winner. In the end, the title Contigo hasta el final won tele and jury voting, with which the band finally presented the title in Malmö.
Mira quién va a Eurovisión (2014)
In 2014, after the internal selection of the performers in 2012 and 2013, there was again a classic preliminary decision with five participants. They were invited by TVE and then presented their own five titles. The winner was then determined with 50% jury voting and 50% televoting. In the end there was a tie with 68 points between the jury winner Brequette and the televoting winner Ruth Lorenzo. The rules of the preliminary decision, however, said that in the event of a tie, the televoting wins the winner, so that in the end Ruth Lorenzo won with her song Dancing in the Rain .
Objetivo Eurovisión (2016 and 2017)
After the contribution and interpreter had been selected internally in 2015, TVE held a national preliminary decision in 2016, which took place on February 1, 2016. With 6 participants, the singer Barei won the song Say Yay! prevail and won the preliminary round.
In 2017 there was again a preliminary decision with six titles. However, after the vote there was a tie between the singer Manel Navarro and the singer Mirela. Both had received a total of 58 points, with Mirela winning the televoting and Manel Navarro the jury voting. In the end, however, Navarro was declared the winner because he won the jury voting. On his winning performance there were loud boos and loud accusations of fraud from the studio audience, whereupon Navarro showed a fist. He apologized for this at a press conference two days later.
Operación Triunfo (2018 and 2019)
In 2018 , TVE returned to the casting show Operación Triunfo. However, unlike from 2002 to 2004, a special Eurovision gala of the show was held. In 2018, only five participants took part, who presented nine titles. With 100% televoting, the three best titles then reached a superfinal, where the winner was determined. In 2019 the concept was then slightly changed. Before the broadcast, there was an online voting in which three fixed titles were determined for the Eurovision Gala. The remaining seven titles were selected by a special jury. In the Eurovision Gala broadcast itself there were then ten titles from nine participants. Again, only the televoting determined the winner, but this time only one voting round took place.
languages
Spain has been very faithful to its national language, all contributions with the exception of 2016 were at least partially sung in Spanish. In a few years, English text passages were used (1988, 2002, 2007, 2008, 2009 and 2017). During the earlier participations in particular, the songs were occasionally recorded in other languages, such as English, Italian and German. In 2014, Ruth Lorenzo's contribution contained more English than Spanish text for the first time. The song from 2015 was performed completely in Spanish again, whereas Barei decided in the following year as the first Spanish interpreter to sing her song completely in English, after it contained a few passages in the local language in the preliminary round. Just like Ruth Lorenzo, she had to expose herself to harsh criticism from the country's artistic scene.
Organized competition in 1969
In 1969 the Eurovision Song Contest took place for the first and only time in Spain after winning the previous year. The competition was held in Madrid . The stage design was inspired by works by the artist Salvador Dalí and the pause number can also be classified under modern art: For the first time, a short film was recorded to bridge the vote - it was an audio-visual processing of the four elements . The fact that the competition was being held for the first time in a country with a right-wing dictatorship caused fierce controversy, and Austria even decided not to take part.
Scoring
The following countries received the most points from or awarded the most points to Spain (as of 2019):
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Award of the highest rating
Since 1975 Spain has given the maximum number of points to 21 different countries, nine of which to Italy. In the semifinals, on the other hand, Spain awarded the maximum number of points to twelve different countries, four of them to Portugal.
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various
- Spain has been waiting for another victory since 1969, longer than any other country that has won the competition at least once. The country thus sets the previous record for Austria , which took 48 years from its first to its second victory (1966 to 2014).
- Massiel, the first winner, received by far the highest score from Germany in 1968 : six points. It was also the only country other than Spain itself where la, la, la was a little hit.
- At the Eurovision Song Contest in 1964, a man ran onto the stage between the Swiss and Belgian entries to protest against Francisco Franco and António de Oliveira Salazar . Although he was not in the picture, the calls can be heard on the sound recording.
- At the Eurovision Song Contest 2010, Jimmy Jump ran into Daniel Diges' choreography . Spain was allowed to perform again after the last contribution.
- Spain is the only country in the Big Five that never got over 200 points.
- In addition, Spain is the only country that never won with at least 100 points.
Impressions
literature
- Jan Feddersen: A song can be a bridge . Hoffmann and Campe, 2002
Web links
- National finals geocities.ws