List of works by Anton Graff

Anton Graff (1736–1813) was a Swiss painter who worked for the greater part of his artistic life as a Saxon court painter at the Dresden Art Academy . He was a master of portrait art in the classicism of the late 18th and early 19th centuries and was groundbreaking for the further development of this profession. Graff created almost two thousand works, of which about 1250 paintings, as well as numerous replicas and several hundred drawings. Occasionally he also painted landscapes.

List of works

The list contains a selection of his works. Those are included that are marked as public domain in Wikipedia and its sister projects. Copies and engravings of Graff's pictures that were made by other artists are not included. As far as the pictures can be verified on the website of the current owners (museums), a link has been created. The information comes from the article Anton Graff or from other Internet resources accessible via Wikipedia and is supplemented by the information from Berckenhagen (1967) on the respective images. Slight deviations in the information on the picture description pages , the linked information from the museums and the information from Berckenhagen can be determined.

The works are arranged roughly chronologically according to the time they were created, sometimes there are doubts about the exact time they were created or the information differs according to the sources.

The links refer to the individual works, so there are numerous multiple links across the entire list.

image	Title (date of origin)	Material, size	collection	Remarks
	Self-Portrait (1765)	Oil on canvas 100 × 78.5 cm	Old Masters Picture Gallery in Dresden	Graff's admission piece as an aggregated member of the Dresden Art Academy helped him to be appointed court painter to the Elector of Saxony .
	Johann Caspar Füessli (1765)			Johann Caspar Füessli , also Füssli , (1706–1782), Swiss painter and writer, first biographer of Anton Graff (1770)
	Salomon Gessner (1765/66)	Oil on canvas 80.5 × 61 cm	National Museum Zurich	Salomon Gessner (1730–1788), Swiss poet, painter and graphic artist. In his right hand Gessner is holding a small book with the index finger pushed between the pages. With his left hand, which is hidden by the right forearm, he is holding a reed instrument (flute). This is considered a reference to his pastoral poems.
	Juditha Gessner-Heidegger (1765/66)	Oil on canvas 80.5 × 61 cm	National Museum Zurich	Juditha Gessner (1736–1818), née Heidegger, wife of Salomon Gessner and sister of the publisher Johann Heinrich Heidegger
	Elisabeth Sulzer (1765/66)	Oil on canvas 100.5 × 82.5 cm		Elisabeth Sulzer (1732–1797), b. Reinhart, from Winterthur. Elisabeth Sulzer and Oskar Reinhart have common ancestors. His art collection in the Oskar Reinhart Museum also includes works by Anton Graff.
	Adolph Christian Wendler (1766)	Oil on canvas 75.5 × 59.5 cm	City History Museum Leipzig	Adolph Christian Wendler (1734–1794), Mayor of Leipzig
	Christian Wilhelm Ernst Dietrich (1767)	Oil on canvas 85.0 × 69.0 cm	Gemäldegalerie Berlin	Christian Wilhelm Ernst Dietrich (1712–1774), German painter, etcher and engraver. The half-length portrait shows the proud Dresden gallery inspector, restorer and the royal Polish and Electoral Saxon court painter, who had been appointed since 1741, in a work smock and with a casual Polish headgear, as he seems to be giving up his occupation. A distant body language was achieved through the folded arms, which at least suggests the difficult character of the court painter.
	Gottlieb Wilhelm Rabener (1767)	Oil on canvas oval 48 × 37 cm	Castle Museum in Weimar	Gottlieb Wilhelm Rabener (1714–1771), German writer and publicist
	Elector Friedrich August III. of Saxony (1768)	Oil on canvas 85.5 × 68.5 cm	Briner and Kern collection in Winterthur	Friedrich August III. von Sachsen (1750–1827), portrayed with the breast star and the shoulder ribbon of the White Eagle Order , in the background on the left the red elector's coat and the ermine cap on it
	Johann Georg of Saxony (1768)	Oil on canvas 142 × 119.5 cm		Knight Johann Georg von Sachsen (1704–1774) , natural son of Augustus the Strong and Countess Ursula Katharina von Lubomirska , Saxon field marshal
	Georg Detlev von Flemming (around 1768)	Oil on canvas 61 × 48.5 cm		Count Georg Detlev von Flemming (1699–1771), Saxon-Polish general of the artillery, Grand Treasurer of Lithuania and Grand Voivode of Pomerania .
	Christian August Clodius (1769)	Oil on canvas 62 × 51 cm		Christian August Clodius (1737–1784), German poet and philosopher
	Maria Kunigunde of Saxony (1769)	Oil on canvas 91 × ​​73 cm		Princess Maria Kunigunde of Saxony (1740–1826), daughter of Elector Friedrich August II of Saxony , princess of the imperial monasteries of Essen and Thorn
	Christian Felix Weisse (1769)	Oil on canvas 64 × 52 cm	Gleimhaus in Halberstadt Replica in the art collection of the University of Leipzig	Christian Felix Weisse (1726–1804), writer
	Christian Fürchtegott Gellert (after 1769)	Oil on canvas 64.5 × 52 cm	Art collection of the University of Leipzig Replicas in the Gemäldegalerie Alte Meister in Dresden and in the Gemäldegalerie Berlin	Christian Fürchtegott Gellert (1715–1769), writer. The painting is one of around nine replicas of the portrait that Graff painted in 1769 for the friendship gallery of the Leipzig publisher Philipp Erasmus Reich .
	Christlieb Ehregott Gellert (before 1770)	Oil on canvas 80 × 60 cm		Christlieb Ehregott Gellert (1713–1795), metallurgist and mineralogist
	Adam Friedrich Oeser (around 1770)	Oil on canvas 57 × 49 cm	Museum of Fine Arts in Leipzig	Adam Friedrich Oeser (1717–1799), painter and sculptor
	Johanna Sophie von Fritsch (before 1770)	Oil on canvas 81 × 65.5 cm		Johanna Sophie Freifrau von Fritsch (1710–1777), née Winckler, wife of Thomas von Fritsch (1700–1775), Saxon statesman
	Friedrich Wilhelm von Wedel-Jarlsberg (around 1770)	Oil on canvas 66.5 × 54 cm	Frederiksborg Castle in Hillerød	Friedrich Wilhelm von Wedel-Jarlsberg (1724–1790), Danish privy councilor and writer, with the pectoral cross of the Dannebrog Order
	Moses Mendelssohn (1771)	Oil on canvas 65.5 × 53.5 cm	Art collection of the University of Leipzig	Moses Mendelssohn (1729–1786), philosopher. Mendelssohn is shown as a portrait of a mature man in front with his upper body turned slightly to the right. Its cohesion is indicated by the imperceptibly raised right shoulder and the slight, seemingly natural inclination of the head towards it. Mendelssohn found his portrait idealized. The oval is framed by dark, curly hair that has been combed back and the low-set goatee and whiskers.
	Gotthold Ephraim Lessing (1771)	Oil on canvas 56.7 × 47.7 cm	Art collection of the University of Leipzig	Gotthold Ephraim Lessing (1729–1781), poet. Graff depicts the poet with a powdered wig and a red skirt, his gaze directed straight to the viewer. Lessing is said to have said about the portrait: “Do I look so devilishly friendly?” Graff's hand has a total of five copies of the motif (Winterthur, Gotha, Mainz, Berlin, Leipzig).
	Carl Gottfried von Winkler (1771)	Oil on canvas 75.5 × 59.5 cm	City History Museum Leipzig	Carl Gottfried von Winkler (1722–1790), lawyer and mayor of Leipzig
	Johann Nepomuk von Schaffgotsch in uniform (1771)	Oil on canvas 78.5 × 64.5 cm	National Museum in Warsaw	Count Johann Nepomuk Gotthard von Schaffgotsch (1713–1775), Prussian secret state and war minister, commander of the Order of Malta , with the Maltese cross
	Johann Nepomuk von Schaffgotsch in a housecoat (1771)	Oil on canvas 78.5 × 64 cm	National Museum in Warsaw	Count Johann Nepomuk Gotthard von Schaffgotsch (1713–1775)
	Philipp Erasmus Reich (1771/1772)	Oil on canvas 62 × 50.7 cm	Art collection of the University of Leipzig	Philipp Erasmus Reich (1717–1787), bookseller and publisher. In 1769, Reich began to build up a portrait collection of learned contemporaries, which at his death comprised at least 40 works. Anton Graff is commissioned with the majority of the portraits.
	Karl Wilhelm Ramler (1772)	Oil on canvas 65 × 53.3 cm	Art collection of the University of Leipzig Unfinished replica in the Gemäldegalerie Berlin	Karl Wilhelm Ramler (1725–1798), poet
	Christian Ludwig von Hagedorn (1772)	Oil on canvas 64.3 × 52.5 cm	Art collection of the University of Leipzig	Christian Ludwig von Hagedorn (1712–1780), art theorist and diplomat
	Thomas von Fritsch (1772)	Oil on canvas 76 × 62 cm	Art collection of the University of Leipzig	Baron Thomas von Fritsch (1700–1775), Saxon statesman
	Friedrich Anton von Heynitz (1772)	Oil on canvas 143 × 106.5 cm		Friedrich Anton von Heynitz (1725–1802), Saxon general mining commissioner and Prussian chief miner and minister, reformer of the Berlin art academy
	Christian Gottlob Frege (1772)	Oil on canvas 122 × 597 cm	City History Museum Leipzig	Christian Gottlob Frege the Elder (1715–1781), banker and councilor in Leipzig
	Elisabetha Sophie Augusta Graff (1772)	Oil on canvas 58 × 48 cm		Elisabetha Sophie Augusta Graff (1753–1812), née Sulzer, daughter of Johann Georg Sulzer , wife of Anton Graff
	Johann Jakob Engel (1773)	Oil on canvas 71 × 60 cm		Johann Jakob Engel (1741–1802), German writer and philosopher
	Johann August Ernesti (1773)	Oil on canvas 63 × 5 cm	Art collection of the University of Leipzig	Johann August Ernesti (1707–1781), theologian and philologist
	Georg Joachim Zollikofer (1773)	Oil on canvas 63.8 × 52 cm	Art collection of the University of Leipzig	Georg Joachim Zollikofer (1730–1788), theologian
	Susanne Magdalene von Baudissin (1773)	Oil on canvas oval 67 × 54 cm	Museumsberg Flensburg	Countess Susanne Magdalene Elisabeth von Baudissin (1723–1785), wife of Count Heinrich Christoph von Baudissin (1709–1786)
	Charles of Saxony (1774)	Oil on canvas on oval zinc sheet 64 × 52 cm	Old National Gallery in Berlin	Prince Karl of Saxony (1733–1796) , with shoulder ribbon and star of the White Eagle Order
	Johann Georg Sulzer (1774)	Oil on canvas 55 × 44.5 cm	Gleimhaus in Halberstadt	Graff's father-in-law Johann Georg Sulzer (1720–1779), Swiss theologian and philosopher. The portrait was commissioned by Johann Wilhelm Ludwig Gleim . The present one, which exists in several copies, is the most intimate of Graff's portraits of his father-in-law and perhaps of his extensive work in general. Sulzer appears in a short bust, his head almost in profile, without a wig and with short hair. The color is limited to a warm brown, the upper body is strictly subordinate to the face in terms of brightness. Due to the thickness of the application of paint, the face has almost gained a material presence.
	Conrad Ekhof (1774)	Oil on canvas 61 × 50 cm		Conrad Ekhof (1720–1778), actor
	Carl Wilhelm Müller (1774)	Oil on canvas 63 × 53 cm	City History Museum Leipzig	Carl Wilhelm Müller (1728–1801), Mayor of the City of Leipzig
	Johann Friedrich von and zum Stein (1774)	Oil on canvas 83 × 66 cm		Johann Friedrich von und zum Stein (1749–1799), officer and diplomat in the Prussian service, in the armor and coat of the Teutonic Knights
	Esther Charlotte Brandes (1775)	Oil on canvas 124 × 94 cm	Wahn Castle in Cologne	The actress Esther Charlotte Brandes (1746–1786), née Koch, wife of Johann Christian Brandes , in the role of Ariadne auf Naxos with the words: “Terrible imagination! How it churns up my brain! ”A varied copy of the lost original portrait from 1775. In 1781, the engraver Heinrich Sintzenich (1752–1812) made a copper engraving in dotted style based on the original portrait . Instead of a rocky landscape with a view of the sea, the copy shows a tree landscape in the background.
	Gertrud Elisabeth Mara (1775)	Oil on canvas 58 × 48 cm	Classic Foundation Weimar	Gertrud Elisabeth Mara (1749–1833), née Schmeling, opera singer
	Henry XIII. Reuss to Greiz (1775)	Oil on canvas 112.6 × 84.0 cm	New Pinakothek in Munich	Henry XIII. Reuss zu Greiz (1747–1817), ruling Prince Reuss zu Greiz and older brother of Heinrich XIV. Reuss zu Greiz , Austrian ambassador to Prussia
	Heinrich Christoph von Baudissin (around 1775)	Oil on canvas oval 66 × 53 cm	Museumsberg Flensburg	Count Heinrich Christoph von Baudissin (1709–1786), electoral Saxon general and governor of the Königstein Fortress , with the shoulder band of the White Eagle Order
	Peter August von Schönberg (1775)	Oil on canvas 105.3 × 83.5 cm	Germanic National Museum in Nuremberg	Peter August von Schönberg (1732–1791), House Marshal of the Elector of Saxony
	Daughters of Julius Vieth von Golssenau (around 1775)	Oil on canvas	State Art Gallery Karlsruhe	Daughters of the secret council of war, master of ceremonies and art collector Johann Julius von Vieth and Golßenau (1713–1784). Depicted are Juliane Caroline, Edle von der Planitz (1752–1832), Sophie Juliane Elisabeth, Countess d'Agrollo (1748–1832) and Juliane Charlotte, Countess von Todtleben (1754–1840).
	Electress Maria Amalie Auguste (1770/75)	Oil on canvas 78 × 60 cm		Electress Maria Amalie Auguste (1752–1828), daughter of Count Palatine Friedrich Michael von Pfalz-Birkenfeld-Bischweiler , wife of Elector Friedrich August III. of Saxony . Unfinished portrait
	Friederike Sophie Seyler (1775)	Oil on canvas oval 80.5 × 63 cm	Kunsthalle Hamburg in Hamburg	Friederike Sophie Seyler (1737 or 1738–1790), b. Sparmann, actress, first marriage to Friederike Sophie Hensel , second marriage to the acting director Abel Seyler (1730–1800)
	Adam Friedrich Oeser (1776)	Oil on canvas 66.5 × 56 cm	Musée des Beaux-Arts de Strasbourg	Adam Friedrich Oeser (1717–1799), painter and sculptor
	Self-Portrait in a Green Velvet Skirt (between 1767 and 1776)	Oil on canvas 46.5 × 38.2 cm
	Self-portrait (between 1770 and 1780)	Silver pen drawing 8.8 × 7.2 cm	Swiss Institute for Art Research in Zurich
	Johann Gottlob Böhme (around 1775)	Oil on canvas 90 × 68 cm		Johann Gottlob Böhme (1717–1780), historian and rector of the University of Leipzig
	Julius Christian von Schauroth (1777)	Oil on canvas oval 75 × 61 cm		Julius Christian von Schauroth (died 1794), Saxon appellate judge and Canon of Naumburg
	Johanna Luise von Werthern (1777/78)	Oil on canvas 83 × 67 cm	Goethe House in Frankfurt am Main	Countess Johanna Luise von Werthern (1752–1811), née Freiin vom und zum Stein , wife of the Saxon diplomat Jacob Friedemann von Werthern (1739–1806)
	Elector Friedrich August III. of Saxony (1779)	Oil on canvas 224 × 123 cm	City History Museum Leipzig	Elector Friedrich August III. von Sachsen (1750–1827) in armor with an ermine purple coat and blue sash, the right hand on the command staff, the left on the dagger basket. For the full-length portraits of the princes, Graff resorted to Silvestre's canon of forms and others. In the portrait of the first Saxon king, he also adheres to this canon, especially with regard to the pose and decoration of the sitter.
	Elector Friedrich Christian of Saxony (before 1780)	Oil on canvas 225 × 123 cm	City History Museum Leipzig	Elector Friedrich Christian of Saxony (1722–1763) leaning on the marshal's baton, in front of him is a throne chair on which the ermine cloak is spread, with the electoral hat on top . The portrait shows changes in the history of costume: while the traditional spa coat is draped over the table in front of the prince, he wears a more fashionable red velvet skirt with ermine cuffs on the sleeves over a breastplate. The wig has become shorter and tied at the neck.
	Electress Maria Antonia Walpurgis of Saxony (before 1780)	Oil on canvas 79 × 63 cm		Electress Maria Antonia Walpurgis of Saxony (1724–1780), daughter of Elector Karl of Bavaria, wife of Elector Friedrich Christian of Saxony (1722–1763), also distinguished herself as a painter, composer and writer
	Johanna Henriette von Bestucheff-Rumin (before 1780)	Oil on canvas 60 × 50 cm		Johanna Henriette Louise Countess von Bestucheff-Rumin (1717–1787), wife of Mikhail Graf von Bestucheff-Rumin, Russian privy councilor and high court marshal, founder of the Bestucheff scholarship at the University of Leipzig
	Carl Christoph von Hoffmann and his second wife Friederike (around 1780)	Oil on canvas 180 × 136 cm	Lucerne Art Museum	Carl Christoph von Hoffmann (1735–1801), Chancellor of the University of Halle
	Andrew of Riaucour (1780)	Oil on canvas 150 × 110 cm		Count Andreas von Riaucour (died 1794), Saxon envoy to the Palatinate court
	Family of the Rittmeister Ludwig Wilhelm von Stieglitz (1780/82)	Oil on canvas 204.5 × 165.5 cm	Oskar Reinhart Museum in Winterthur	Rittmeister Wilhelm Ludwig von Stieglitz (1736–1796) with his wife, mother and his four children
	Prince Heinrich of Prussia (around 1780)	Oil on canvas 73.5 × 62.5 cm	Goethe House in Frankfurt am Main	Heinrich von Prussia (1726–1802) , in armor with shoulder strap of the Order of the Black Eagle . Prince Heinrich was a younger brother of Frederick II of Prussia . Handwritten replica by Anton Graff based on his first version from 1777, which was created at Rheinsberg Castle and shows the prince with a black collar.
	Self-Portrait (1781)	Oil on canvas 52.50 x 41.00 cm	Gemäldegalerie Berlin	The unfinished composition is designed in the taste of Anton van Dyck . This is a replica of a painting that once belonged to Daniel Nikolaus Chodowiecki , which he confirmed in writing in 1782.
	Frederick the Great (1781/86)	Oil on canvas 350 × 286 cm	Sanssouci Palace in Potsdam	Friedrich II of Prussia (1712–1786), portrayed in a uniform with the breast star of the Order of the Black Eagle . A replica of the picture that used to be in Charlottenburg Palace is exhibited in Friedrich's death room in Sanssouci Palace. The original portrait was shown at the Berlin anniversary exhibition in 1886 and has been lost since 1898.
	Johann Georg Zimmermann (medic) (1782)	Oil on canvas 54 × 46 cm	Gemäldegalerie Berlin	Johann Georg Zimmermann (physician) (1728–1795), Swiss doctor and writer
	Marie Chodowiecka (1782)	Oil on canvas 71.5 × 58 cm		Jeanne Marie Chodowiecka (1728–1785), née Barez, wife of Daniel Nikolaus Chodowiecki (1726–1801)
	Georg Graff (1783)	Oil on canvas 79.5 × 64.5 cm		Anton Graff's son Georg (1777–1801) playing with soap bubbles. Inscribed on the reverse: A. Graff pinx./1783. The painting was owned by Salomon Hegner in 1815 .
	Carl Anton Graff (1783)	Oil on canvas 79.5 × 64.5 cm		Anton Graff's son Carl Anton (1774–1832), drawing
	Johann Ludwig von Reventlow (1783)	Oil on canvas 71.5 × 52 cm	Danish National History Museum Frederiksborg Castle in Hillerød	The philanthropist Johann Ludwig von Reventlow (1751–1801) was the owner of the Brahetrolleborg Palace and Estate and a promoter of agricultural reforms and the school system. He was therefore also called the Rousseau of Denmark .
	Isabella von Broizem (1783)	Oil on canvas	Old National Gallery in Berlin	Anton Graff chose an oval format for the portrait of Johanna Isabella von Broizem (1748–1832), née Brunier de Clarefond, wife of the Braunschweig nobility, lawyer Carl August Victor von Broizem. The sitter looks to the side with a tender smile. She wears a head veil over her tufted hair, her narrow upper body looks overly long.
	Self-Portrait (1783)	Chalk drawing 129 × 152 cm		Inscribed by Graff himself: “Dreßden, 23 Oct. 1783 "with signature" Anton Graff "
	Henriette Crayen (around 1783)	Oil on canvas 62.5 × 52 cm		Henriette Crayen (1755–1832), née Leveaux, wife of the banker August Wilhelm Crayen (1751–1803), Prussian consul in Leipzig, Salonnière
	Henriette Crayen (1783/85)	Oil on canvas oval 72 × 58 cm		Henriette Crayen (1755–1832), née Leveaux, wife of the banker August Wilhelm Crayen (1751–1803), Prussian consul in Leipzig, Salonnière
	Johann Christian von Hofenfels (1783/84)	Oil on canvas 149 × 110 cm	City Museum Zweibrücken	Created in Dresden in 1783/84 together with the counterpart, which the wife of Johann Christian von Hofenfels , Friederike Auguste von Hofenfels, née. Baroness von Closen on Haydenburg, shows.
	Elisa von der Recke (1784)	Oil on canvas oval 44 × 33 cm		Elisa von der Recke (1754–1833), daughter of Count Friedrich von Medem , writer, stepsister of Dorothea von Biron and patroness of Graff's later son-in-law Karl Ludwig Kaaz
	Self-portrait (1784/85)	Oil on canvas, relined 62.5 × 52.5 cm	Kunstmuseum Winterthur Gleimhaus in Halberstadt
	Self-portrait with family (1785)	Oil on canvas 196 × 184 cm	Oskar Reinhart Museum in Winterthur	In the background Anton Graff with the emerging portrait of his father-in-law Johann Georg Sulzer on the easel, in the foreground the two sons Carl Anton and Georg, who leans his arm on the tabletop to hold his head turned towards the viewer, next to Graff's wife Elisabetha Sophie Augusta with the daughter Caroline Susanne. As a commissioned work for Peter von Biron from 1786 in his possession at Schloss Friedrichsfelde or in his Berlin city palace, the Palais Kurland , from 1881 in the Schloss zu Sagan .
	Johann Gottfried Herder (1785)	Oil on canvas 52.2 × 42.5 cm	Gleimhaus in Halberstadt	On July 24, 1787 , Friedrich Schiller wrote to Christian Gottfried Körner about the Herder portrait : “I come from Herder. If you have seen his picture at Graff's, you can imagine him quite well, only that in the painting he is too light-hearted, more serious in his face (...) He is not very satisfied with his picture of Graff. He fetched it for me and made me compare it with him. He says that it looks like an Italian abbe. "
	Michael Hieronymus Prince Radziwiłł (1785)	Oil on canvas oval 65 × 49 cm	Nieborów Castle	Michael Hieronymus Prince Radziwiłł (1744–1831), Lithuanian-Polish magnate and art collector
	Stanisław Kostka Potocki (1785)	Oil on canvas oval 68.5 × 55.0 cm	National Museum in Warsaw	Count Stanisław Kostka Potocki (1755–1821) with the breast star and shoulder ribbon of the White Eagle Order . The painting was initially in the Potocki Palace and has been on display in the Wilanów Palace , another former seat of the Potocki family , since 1821 .
	Jan Potocki (1785)	Oil on canvas 66 × 51 cm	Warsaw Royal Castle	Count Jan Potocki (1761–1815), Polish writer
	Juliane Wilhelmine Bause (1785)	Oil on canvas 70 × 56 cm	Old National Gallery in Berlin	Juliane Wilhelmine Bause (1768–1837), daughter of the engraver Johann Friedrich Bause
	Minna Körner (1785)	Oil on canvas (on wood) 68 × 51 cm		Minna Körner (1762–1843), daughter of the copper engraver Johann Michael Stock , painter and writer, wife of Christian Gottfried Körner
	Minna Körner (1785/86)	Oil on canvas 69 × 56.5 cm	Dresden City Museum	Minna Körner (1762–1843), daughter of the copper engraver Johann Michael Stock , painter and writer, wife of Christian Gottfried Körner
	Sara Levy (1785/86)	Silver pen drawing oval 100 × 80 cm		Sara Levy (1761–1854), daughter of the banker Daniel Itzig , wife of the banker Samuel Salomon Levy (1760–1806), harpsichordist and music collector
	Prince Heinrich of Prussia (1786)	Oil on canvas 122 × 86 cm	Ansbach Castle	Prince Heinrich of Prussia (1726–1802) , with breast star of the Order of the Black Eagle
	Carl Adolph Gottlob von Schachmann (1786)	Oil on canvas 72 × 60 cm		Carl Adolph Gottlob von Schachmann (1725–1789), German painter and naturalist
	Corona Schröter (1787)	Oil on canvas oval 82 × 65 cm	Castle Museum in Weimar	Corona Elisabeth Wilhelmine Schröter (1751–1802), German singer and actress
	Self-Portrait (1787)	Oil on canvas 76.5 × 64 cm	Replicas in the Kunstmuseum Luzern and the Gemäldegalerie Berlin
	Wilhelmine von Lichtenau (1787/88)	Oil on canvas 73 × 56 cm	Berlin Museum in Berlin	Wilhelmine von Lichtenau (1752–1820), née Enke, mistress of Friedrich Wilhelm II of Prussia , portrayed in a black mourning dress shortly after the death of their son Alexander von der Mark , who was presumably poisoned.
	Thomas Bruce, 7th Earl of Elgin (1788)		in Broomhall House ( Scotland )	Thomas Bruce, 7th Earl of Elgin and Kincardine (1766–1841), British general, in the uniform of an officer of the 3rd Scottish Guard Regiment. Lord Elgin was a British peer , general, and diplomat . He was best known for the Elgin Marbles named after him . The portrait was shown at the exhibition of the Berlin Art Academy, which opened on September 25, 1788. Daniel Chodowiecki described the painting as an English gentleman , a 23-year-old youth, portraying an extremely determined expression, a broad high chest, broad shoulders, and beautiful loins and calves. The portrait is in Broomhall , the seat of the Earls of Elgin and Kincardine.
	Ernst Platner (around 1789)	Oil on canvas 62.5 × 52 cm	Old Masters Picture Gallery in Dresden	Ernst Platner (1744–1818), physician and philosopher
	Queen Friederike Luise (1788/89)	Oil on canvas (color sketch) 46 × 36 cm	Charlottenburg Palace in Berlin	Queen Friederike Luise (1751–1805), daughter of Landgrave Ludwig IX. von Hessen-Darmstadt , wife of King Friedrich Wilhelm II of Prussia
	Heinrich XIV. Reuss zu Greiz (1789)	Oil on canvas 150.5 × 99.5 cm	Gemäldegalerie Berlin	Prince Heinrich XIV. (1749–1799), Austrian envoy to Prussia. This picture is about one of the knee pieces which, according to Anton Graff's contract of employment (1766), received higher wages than usual at the court of Electoral Saxony.
	Queen Elisabeth Christine in widow costume (1789)	Oil on canvas 148 × 98 cm	Schönhausen Palace in Berlin	Queen Elisabeth Christine of Prussia (1715–1797), daughter of Prince Ferdinand Albrecht II of Braunschweig-Wolfenbüttel-Bevern , wife of Frederick the Great
	Konstancja Rzewuska (1789)		Art gallery in Lviv	Konstancja Rzewuska (1761–1840), née Countess Lubomirska
	Konstancja Rzewuska (around 1790)	Oil on canvas oval 86 × 62 cm	Warsaw National Museum in Warsaw ( Wilanów Palace )	Konstancja Rzewuska (1761–1840), née Countess Lubomirska
	Elisa von der Recke (before 1790)	Oil on canvas 136.5 × 96 cm		Elisa von der Recke (1754–1833), writer. Gustav Parthey on the creation of the portrait: “Once she had a dinner with Goeckingk , Zollikofer and other notables at Nicolai's , and afterwards had to go to court. With her left she picked up the train of her gray silk dress, made a graceful greeting with her right and said: 'Well, gentlemen, I must recommend myself.' Enthusiastic about the indescribable dignity of this apparition, Goeckingk exclaimed: 'This is how Graff must paint it!' This idea was actually carried out later (…) “There were three versions of the portrait.
	Joseph Friedrich von Racknitz (1790)	Oil on canvas 82.5 × 67 cm	Old Masters Picture Gallery in Dresden	Joseph Friedrich von Racknitz (1744-1818), Saxon court marsachall, with the Johanniterkreuz
	Dorothea Schlegel (around 1790)	Oil on canvas 44.2 × 37.5 cm	Old National Gallery in Berlin	Dorothea Schlegel (1764–1839), daughter of Moses Mendelssohn , wife of Friedrich Schlegel (1772–1829), writer
	Graff's wife with daughter Caroline (1790)	Oil on canvas 136 × 100 cm	Winterthur Art Museum	1793 greatly reduced repetition of the picture in the Winterthur art museum dated 1790.
	Friedrich Christian II of Schleswig-Holstein (around 1790)	Oil on canvas 71 × 57 cm	Danish National History Museum Frederiksborg Castle in Hilleröd	Friedrich Christian II. (1765–1814), Duke of Schleswig-Holstein-Sonderburg-Augustenburg, with the breast star of the Elephant Order
	Louise Auguste of Denmark (1791)	Oil on canvas 197 × 118 cm	Rosenborg Castle in Copenhagen	Duchess Louise Auguste of Denmark (1771–1843), legitimate daughter of King Christian VII of Denmark, wife of Friedrich Christian II of Schleswig-Holstein-Sonderburg-Augustenburg
	Christoph Urbanowski (1791)	Oil on canvas 112 × 91 cm	Musee du Louvre in Paris	Count Christoph Urbanowski (d. 1830), Polish art collector
	Carl Friedrich Christian Fasch (after 1790)	Oil on canvas 52 × 42 cm		Carl Friedrich Christian Fasch (1736–1800), musician, composer and founder of the Sing-Akademie zu Berlin
	Friedrich Schiller (1786–1791)	Oil on canvas 71 × 57 cm	Kügelgenhaus - Museum of the Dresden Romanticism in Dresden	Friedrich Schiller (1759–1805), poet. This portrait took from 1786 to 1791 to be completed. The painting was often copied. The Schillerhaus in Weimar has a copy of the portrait made by Johann Christian Xeller. The names Schiller collar and Schillerlocke go back to this portrait.
	Self-portrait (1790/1791)	Oil on oak wood 70 × 55.8 cm	Germanic National Museum in Nuremberg	Graff's self-portrait was a gift to Christian Gottfried Körner .
	Dorothea of ​​Courland (1791)	Oil on canvas 226.5 x 135.5 cm	National Museum in Warsaw	Dorothea von Biron (1761–1821), née von Medem , Duchess of Courland and Semigallia and Sagan , with an ermine coat and ducal hat to the left
	Friedrich Wilhelm II. (1792)	Oil on canvas 76 × 61 cm		Friedrich Wilhelm II. (1744–1797), King of Prussia, with the breast star of the Order of the Black Eagle . On his behalf in 1788, Minister Friedrich Anton von Heynitz tried to poach Anton Graff to Berlin.
	Maximilian of Saxony (1792)	Oil on canvas 70 × 56 cm	National Gallery of Parma	Prince Maximilian of Saxony (1759-1838)
	Caroline of Bourbon-Parma (1792)	Oil on canvas 70.5 × 56 cm	National Gallery of Parma	Caroline von Bourbon-Parma (1770–1804), daughter of Duke Ferdinand of Parma , wife of Prince Maximilian of Saxony (1759–1838)
	Henriette Herz (1792)	Oil on canvas 83 × 65 cm	Old National Gallery in Berlin	Henriette Herz (1764–1847), Salonnière, wife of the doctor Marcus Herz (1747–1803), who personally thanked Graff for the portrait of his wife in his letter of March 5, 1792. After her death in 1847, Schadow acquired the painting from the estate. From the possession of the sculptor's descendants, the portrait came into the collection of the National Gallery in 1889.
	Detmar Basse (around 1792)	Etching after an oil painting		Detmar Basse (1764–1836), entrepreneur and art collector. Engraving after one of the rare etchings by Anton Graff. Graff made the etching based on his portrait of Basse from 1792. Basse owed Graff the portrait with a poem. The original copper plate, 19 cm × 12 cm, was sold in the 125th auction at Boerner in Leipzig on March 21, 1914, cat. 228, auctioned.
	Carl Wilhelm Benno von Heynitz (1793)	Oil on canvas 62.5 × 52.5 cm		Carl Wilhelm Benno von Heynitz (1738–1801), Saxon mining captain
	Dietrich von Miltitz (1793)	Oil on canvas 81 × 66 cm		Dietrich Freiherr von Miltitz (1769–1853), Saxon and Prussian officer
	Franz Volkmar Reinhard (1793)	Oil on canvas 79 × 56.5 cm	Tartu University Library	Franz Volkmar Reinhard (1753–1812), Protestant theologian
	Christoph Martin Wieland (1794)	Oil on canvas 70.5 × 56.5 cm		Christoph Martin Wieland (1733–1813), writer
	Adrian Ivanovich Diwow (1794)	Oil on canvas 132 × 99 cm	Pushkin Museum in Moscow	Adrian Iwanowitsch Diwow (1749–1814), privy councilor, senator and envoy
	Elisabeth Petrovna Diwowa (1794)	Oil on canvas 132 × 99 cm	Pushkin Museum in Moscow	Elisabeth Petrovna Diwowa (1762–1813), née Buturlina, lady-in-waiting, wife of Adrian Ivanovich Diwow
	Christian Gottlob Einert (1794)	Oil on canvas 75.5 × 59.5 cm	City History Museum Leipzig	Christian Gottlob Einert (1747–1723), lawyer and mayor of Leipzig
	Self-portrait (1794/1795)	Oil on canvas 168x 105 cm	Old Masters Picture Gallery in Dresden	Anton Graff presented this self-portrait in 1795 at the annual exhibition at the Dresden Art Academy . Presumably from the estate of Carl Anton Graff , the painting was purchased in 1832 for the Dresden Gemäldegalerie .
	Self-Portrait (1795)		Old Masters Picture Gallery in Dresden . A copy of an earlier motif-like picture (around 1776) is in the State Museums in Berlin.	Handwritten partial replica of self-portraits by 1794. Goethe commented on this picture when he Johann Gotthard von Müller attended in Stuttgart, which the Hüftporträt in copper stood out: I found "Professor Müller'n at the Graf fish portrait Graff Painted itself. The head is quite excellent, the artistic eye has the highest brilliance; I just don't like the position in which he leans over the back of a chair, all the less since this back is broken and the picture seems to be perforated below. The copper is also on the way to becoming very perfect. "
	Johann Rudolf Burckhardt (1795)	Oil on canvas 114.5 × 84 cm	Basel Historical Museum in the Haus zum Kirschgarten	Johann Rudolf Burckhardt (1750–1813), silk manufacturer and politician. Books and a statuette of Apollo can be seen in the background of the painting .
	Friedrich August III. of Saxony (1795)	Oil on canvas 226 × 137 cm	Old Masters Picture Gallery in Dresden	Elector Friedrich August III. von Sachsen (1750–1827) in a white uniform skirt with the blue shoulder band of the Order of the White Eagle , on the right on the table the hermelin-studded purple coat with elector's hat and command staff
	Friedrich August von Sivers (1795)	Oil on canvas 74.5 × 59.0 cm	Kadrioru Art Museum in Tallinn	Friedrich August von Sivers (1766–1823), Baltic landowner
	Juliane Wilhelmine von Sivers (1795)	Oil on canvas 74.5 × 58.8 cm	Kadrioru Art Museum in Tallinn	Juliane Wilhelmine Sophie von Sivers, wife of Friedrich August von Sivers (1766–1823), Baltic landowner
	Christoph Kaufmann (1794)	Oil on canvas 70 × 55 cm		Christoph Kaufmann (1753–1795), Swiss physician and philosopher
	Elise Kaufmann (1795)	Oil on canvas 71 × 56 cm	Winterthur Art Museum	Elise Kaufmann, née Ziegler, wife of Christoph Kaufmann (1753–1795), Swiss physician and philosopher
	Heinrich Gottfried Bauer (around 1795)	Oil on canvas 71 × 56.5 cm	Old Masters Picture Gallery in Dresden	Heinrich Gottfried Bauer (1733–1811), legal scholar and rector of the University of Leipzig
	Johann Gottlieb Naumann (around 1795)	Chalk drawing 269 ​​× 209 cm	Kupferstichkabinett Dresden	Johann Gottlieb Naumann (1741–1801), composer
	Christian Gottfried Körner (around 1795)	Oil on canvas 69.5 × 55.5 cm	Dresden City Museum	Christian Gottfried Körner (1756–1831), lawyer and writer
	Christoph Johann Friedrich Count of Medem (1796)	Oil on canvas 70 × 56 cm	Hermitage in Saint Petersburg	Christoph Johann Friedrich Graf von Medem (1763–1838), Imperial Russian Chamberlain
	Adrian Zingg (around 1796)	Oil on canvas 160.5 × 98 cm	Art Museum St. Gallen	Adrian Zingg (1734–1816), Swiss painter and engraver. Presumably Graff portrayed his friend Zingg in the Loschwitz area with a view from above of the Elbe and the right bank of the Elbe, the row of hills disappearing in the haze. In the background, two of Zingg's students serve as accessories.
	Carl von Brühl (1796)	Oil on canvas 133 × 96.5 cm	Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden	Count Carl von Brühl (1772–1837), general manager of the theater and museums in Berlin
	Hans Moritz von Brühl (1796)	Oil on canvas 134.5 × 97 cm	Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden	Count Hans Moritz von Brühl (1746–1811), Prussian Colonel and General Manager of the Chausseen
	Tina von Brühl (1796)	Oil on canvas 134 × 98.5 cm	Old Masters Picture Gallery in Dresden	Countess Johanna Margarethe Christine ("Tina") von Brühl (1756–1816), wife of Count Hans Moritz von Brühl (1746–1811)
	Wilhelmine Henry (1796)	Oil on canvas 49 × 43 cm	City Museum Berlin Foundation	Wilhelmine ("Minette") Henry (1789–1864), granddaughter of Daniel Chodowiecki , wife of Felix du Bois-Reymond (1782–1865)
	Johann Heinrich Ziegler (1796)	Oil on canvas 71 × 57 cm		Johann Heinrich Ziegler (1738–1818), Swiss doctor, chemist and entrepreneur
	Georg Leopold Gogel (1796)	Oil on canvas 130 × 95 cm	Hermitage in St. Petersburg	Georg Leopold Gogel, writer
	Elisa von der Recke (1797)	Oil on canvas 97.5 × 76 cm	Gemäldegalerie in Berlin	Elisa von der Recke (1754–1833), daughter of Count Friedrich von Medem , writer, depicted outdoors, leaning on a piece of wall. She wears a simple white chemise dress with a green-blue bosom band and a yellow scarf. Based on the English portrait painting, Graff gave her an arm posture that is supposed to illustrate her noble mood.
	Johann Adolf von Thielmann (1797)	Oil on canvas 200.0 × 114.0 cm	Germanic National Museum in Nuremberg	Baron Johann Adolf von Thielmann (1765–1824), officer in the Saxon, Russian and Prussian services
	Portrait of a Man (1798)		Hermitage in St. Petersburg
	Heinrich Friedrich Innocenz Apel (1798)	Oil on canvas 75.5 × 59.5 cm	City History Museum in Leipzig	Heinrich Friedrich Innocenz Apel (1732–1802), Saxon lawyer and mayor of the city of Leipzig
	August Wilhelm Iffland (1800)	Oil on canvas 240 × 160 cm	Charlottenburg Palace in Berlin	August Wilhelm Iffland (1759–1814), actor, as Pygmalion in the melodrama by Jean-Jacques Rousseau (inscribed below: A. Graff pinx: 1800). Iffland, dressed in a gray tunic and a light blue toga , is facing the statue of a woman and is about to say: “But you lack a soul, your figure cannot do without it.” The hand movement of the right arm follows the motif of Michelangelo's inspiration for Adam God the Father up. A cave entrance and the statue of Apollo Belvedere can be seen in the background .
	Probst Johann Joachim Spalding in housecoat (1800)	Oil on canvas 70 × 57 cm	Old National Gallery in Berlin	Johann Joachim Spalding (1714–1804), theologian. Handwritten replica by Anton Graff after his first version of this portrait. Graff is said to have considered the first version to be his best portrait. A color study for this picture is in the Gemäldegalerie Berlin.
	Daniel Chodowiecki (1800)	Oil on canvas 71.0 × 56.4 cm	Gemäldegalerie in Berlin Neue Pinakothek in Munich	Daniel Chodowiecki (1726–1801), engraver, friend and business partner of Anton Graff. On the left edge of the table is a grave stylus . After Chodowiecki's death, Graff received the portrait back in December 1801, presumably to make replicas of it .
	Philipp Karl von Alvensleben (1800)	Oil on canvas 133 × 101 cm		Philipp Karl von Alvensleben (1745–1802), Prussian minister and envoy in Saxony, with the Cross of St. John and the Order of the Black Eagle
	Henriette Herz (around 1800)			Henriette Herz (1764–1847), Salonnière, wife of the doctor Marcus Herz (1747–1803)
	Praying Old Man (1802)	Oil on canvas 71.5 × 57 cm	Museum of Fine Arts in Leipzig	Shoemaker Johann Gottlob Reinhardt from Dresden. Philipp Otto Runge said in 1802 at the exhibition of the Dresden Art Academy: "Von Graff, a head of an old cobbler, quite incomparable ..."
	Tomorrow (The Elbe near Blasewitz) (around 1800)	Oil on canvas 40 × 49 cm	Old Masters Picture Gallery in Dresden	Elbe loop above Dresden near Blasewitz
	Midday (Plauen near Dresden) (around 1800)	Oil on canvas 38 × 48.5 cm	Old Masters Picture Gallery in Dresden	Houses on the Weißeritz in Plauen near Dresden
	Evening (entrance in Plauenschen Grund near Dresden) (around 1800)	Oil on canvas 38 × 50 cm	Old Masters Picture Gallery in Dresden	Entrance in the Plauenschen Grund near Dresden, the waterfall at the Hegereiterbrücke
	Night (Blasewitz near Dresden) (around 1800)	Oil on canvas 39 × 48 cm	Old Masters Picture Gallery in Dresden	Moonlight on the Elbe in Blasewitz near Dresden
	Female portrait (around 1800)	Oil on canvas 65 × 51 cm
	Johann Christoph Adelung (1803)	Oil on canvas 73 × 58 cm	Saxon State Library - Dresden State and University Library	Johann Christoph Adelung (1732–1806), German librarian and linguist
	Karl Wilhelm Ferdinand von Funck (1804)	Oil on canvas 77.5 × 61 cm	Old Masters Picture Gallery in Dresden	Karl Wilhelm Ferdinand von Funck (1761–1828), Saxon general
	Self-Portrait (1804)	Oil on canvas 58.5 × 48 cm	Old National Gallery in Berlin	No artist portrayed himself as often in the 18th century as Anton Graff. Graff suffered from poor eyesight at an advanced age. Several self-portraits therefore show him wearing a visor or glasses.
	Carl Adolf von Carlowitz (1805)	Oil on canvas 224 × 133 cm	Old Masters Picture Gallery in Dresden	Carl Adolf von Carlowitz (1771-1837), Heir to Großhartmannsdorf and Liebstadt , in the uniform of a captain of the Saxon Garde du Corps , right in the background Castle Kuckuckstein . The lower part of the painting was largely destroyed and painted over. When Johann Georg Meusel states: "Supports up with both hands on his sword basket." The sitting now visible, painted by a later restorer sword so wrong. The picture was shown at the exhibition of the Kunstakademie Dresden, which opened on March 5, 1806, after which Hans Georg von Carlowitz wrote to his brother on March 16, 1806: “The art exhibition is excellent (...) Your picture causes a great sensation and it deserves it also, it is really painted con amore (...) Tell me what kind of picture Graff takes like yours. Maybe I'll have myself painted for my wife, who has plagued me amazingly since she saw you. "
	Maria Josepha von Carlowitz (1805)	Oil on canvas 223 × 114 cm	Saxon State Library - Dresden State and University Library	Maria Josepha von Carlowitz (1775–1834), née Countess von Pötting and Persing, wife of Carl Adolf von Carlowitz
	Self-Portrait (1805)	Oil on canvas 71 × 56.6 cm	Old Masters Picture Gallery in Dresden
	Johann Friedrich Bause (1807)	Oil on canvas 71 × 57.5 cm	Moritzburg Art Museum in Halle (Saale)	Johann Friedrich Bause (1738–1814), German engraver, made over 40 copper engravings from Graff's paintings. The picture shows Bause in three-quarter profile to the left in Graff's preferred section of the bust. He is portrayed doing his typical job, a copper plate in front of him, the grave stylus in his right hand, as if he were looking up from work. Goethe wrote about the portrait: "Fortunately there is the picture after Graff von Bause, which perfectly depicts the man as he appeared to us, with his gaze of contemplation and contemplation."
	Siegfried August Mahlmann (1807)	Oil on canvas 71 × 57 cm		Siegfried August Mahlmann (1771–1826), German writer
	Self-Portrait (1808)	Oil on canvas, relined 69 × 56 cm	Swiss Institute for Art Research in Zurich
	Karl Ludwig Kaaz (1808)	Oil on canvas 76 × 62.5 cm	Kunsthalle Hamburg	Karl Ludwig Kaaz (1773–1810), German painter, son-in-law of Anton Graff
	Friedrich Wilhelm Heinrich von Trebra (1808)	Chalk drawing 377 × 277 cm		Friedrich Wilhelm Heinrich von Trebra (1740–1819), Saxon mining captain
	Self-Portrait (1809)	Oil on canvas 200 × 118 cm	Museum of Fine Arts in Leipzig	Graff in front of the easel, resting his left knee on an upholstered chair. This picture was in the possession of Konstantin Karl Falkenstein , Johan Christian Clausen Dahl and Carl Anton Graff and was acquired in 1906 from the possession of the von Savigny family. The museum also owns the composition study for this painting, a white charcoal and chalk drawing on brown paper.
	Carl Anton Graff (1809)	Oil on canvas 152.5 × 98 cm	National Museum Oslo	Carl Anton Graff (1774–1832), painter, son of Anton Graff
	Karl Friedrich Demiani (1810)	Oil on canvas 61.8 × 49.5 cm	Gemäldegalerie Berlin	Karl Friedrich Demiani (1768–1823), German painter, first inspector of the Old Masters Picture Gallery in Dresden . In her right hand, Demiani seems to be holding a miniature indicated by a few lines of paint. A study drawing by Graff, created in 1810 and depicting this hand, is preserved in the Leipzig Museum of Fine Arts .
	Johann Jakob Mesmer (1810)	Oil on canvas 67 × 52 cm		Johann Jakob Mesmer (1740–1814), Reformed preacher in Dresden
	Johann Georg Friedrich von Einsiedel	Oil on canvas 93 × 73 cm		Johann Georg Friedrich von Einsiedel (1730–1811), Saxon Minister
	Portrait of a Man (1810)	Oil on canvas 68.5 × 53.5 cm
	Detlev Carl von Einsiedel (before 1813)	Oil on canvas 84 × 64.5 cm	Picture gallery Dresden	Detlev Carl von Einsiedel (1737–1810), Saxon minister and entrepreneur
	Detlev von Einsiedel (before 1813)	Oil on canvas 69.5 × 52 cm		Detlev von Einsiedel (1773–1861), Saxon statesman and ironworker
	Dora Stock (before 1813)	Oil on canvas oval 70 × 55 cm	Goethe House in Frankfurt am Main	Johanna Dorothea Stock (1759–1832), painter
	Johann Gottlob Reinhardt (before 1814)	Oil on canvas	Art collection of the University of Göttingen	Johann Gottlob Reinhardt, shoemaker in Dresden, model for the "praying old man" from 1802
	Duchess Philippine Charlotte of Braunschweig	Oil on canvas 137 × 99 cm		Duchess Philippine Charlotte von Braunschweig (1716–1801), daughter of Friedrich Wilhelm I of Prussia, wife of Karl I of Braunschweig-Wolfenbüttel
	Self-portrait "with the green umbrella" (1813)	Oil on canvas 65 × 51 cm	Old National Gallery in Berlin	Graff's biographer Ulrich Hegner wrote in 1815 in the XI. New Year's piece of the Zürcher Künstler-Gesellschaft (p. 15) about the last self-portrait: “Only a few months before his end he was still painting his own picture, which in terms of mental treatment and resemblance is inferior to none, although more with the eyes of the mind than with the physical sight taken and thrown down with a trembling hand. "

See also

List of the people portrayed by Anton Graff

literature

• Ekhart Berckenhagen: Anton Graff - life and work. German publishing house for art history, Berlin 1967.

Web links

Commons : Painting by Anton Graff  - Collection of images, videos and audio files

Individual evidence

1. ^ Dresden State Art Collections
2. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 152.
3. ^ National Museum Zurich
4. ^ National Museum Zurich
5. ^ City History Museum Leipzig
6. ↑ State Museums in Berlin
7. ↑ State Museums in Berlin
8. ↑ museum-digital saxony-Anhalt
9. ^ Art collection of the University of Leipzig
10. ^ Art collection of the University of Leipzig
11. ↑ Staatliche Kunstsammlungen Dresden ( Memento of the original from January 21, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
12. ↑ ^{a b} National Museums in Berlin
13. ^ Museum of Fine Arts Leipzig
14. ^ National History Museum Frederiksborg Castle
15. ↑ ^{a b} Art Collection of the University of Leipzig
16. ^ Art collection of the University of Leipzig
17. ^ City History Museum Leipzig
18. ^ National Museum Warsaw
19. ^ National Museum Warsaw
20. ↑ ^{a b} Art Collection of the University of Leipzig
21. ^ Art collection of the University of Leipzig
22. ↑ State Museums in Berlin
23. ^ Art collection at the University of Leipzig
24. ^ City History Museum Leipzig
25. ^ Art collection at the University of Leipzig
26. ^ Art collection at the University of Leipzig
27. ↑ State Museums in Berlin
28. ↑ ^{a b} museum-digital saxony-Anhalt
29. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 352.
30. ↑ ^{a b c} City History Museum Leipzig
31. ↑ Munich City Museum
32. ↑ New Pinakothek Munich
33. ↑ ^{a b c} Germanisches Nationalmuseum
34. ↑ State Art Gallery Karisruhe
35. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 260.
36. ^ City History Museum Leipzig
37. ^ City History Museum Leipzig
38. ↑ Lucerne Art Museum
39. ↑ State Museums in Berlin
40. ↑ State Museums in Berlin
41. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 119.
42. ↑ State Museums in Berlin
43. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 176.
44. ↑ ^{a b} National Museums in Berlin
45. ↑ museum-digital
46. ↑ Swiss Institute for Art Research
47. ↑ museum-digital saxony-Anhalt
48. ^ Museum Oskar Reinhart
49. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 168.
50. ↑ museum-digital
51. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, pp. 200f.
52. ^ Wilanów Palace Museum
53. ↑ Wilanów Palace Museum, Warsaw: Archive of Wilanów Palace and directory of the collected pictures by Potocki from 1798
54. ↑ State Museums in Berlin
55. ↑ Lucerne Art Museum
56. ↑ State Museums in Berlin
57. ↑ Prussian Palaces and Gardens Foundation
58. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 104f.
59. ↑ Staatliche Kunstsammlungen Dresden ( Memento of the original from January 21, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
60. ↑ []
61. ↑ ^{a b} National Museums in Berlin
62. ↑ Gustav Parthey: Jugenderinnerungen. Handwriting for Friends Volume 1, Berlin Schade 1871, p. 39.
63. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 303.
64. ↑ State Museums in Berlin
65. ↑ Swiss Institute for Art Research
66. ^ National History Museum Frederiksborg Castle
67. ^ Rosenborg Castle Collection
68. ↑ Musee du Louvre
69. ↑ Prussian Palaces and Gardens Foundation
70. ^ National Gallery of Parma
71. ↑ National Gallery Parma ( Memento of the original from January 4, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
72. ↑ ^{a b} National Museums in Berlin
73. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, pp. 203f.
74. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 55.
75. ^ Pushkin Museum
76. ^ City History Museum Leipzig
77. ^ Dresden State Art Collections
78. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 158.
79. ↑ State Museums in Berlin
80. ^ Goethe's posthumous works (third volume). From a trip to Switzerland via Frankfurt, Heidelberg, Stuttgart and Tübingen in 1797. JG Cotta'sche Buchhandlung , Stuttgart and Tübingen, 1833, p. 87.
81. ↑ Basel Historical Museum
82. ↑ Staatliche Kunstsammlungen Dresden ( Memento of the original from January 21, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
83. ↑ Kadrioru Art Museum
84. ↑ Kadrioru Art Museum
85. ^ Dresden State Art Collections
86. ↑ Otto Waser: Anton Graff. Published by Huber & Co., Frauenfeld and Leipzig 1926, p. 68.
87. ^ Hermitage St. Petersburg
88. ↑ State Museums in Berlin
89. ^ Germanisches Nationalmuseum
90. ^ City History Museum Leipzig
91. ↑ Prussian Palaces and Gardens Foundation
92. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 216.
93. ↑ State Museums in Berlin
94. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 339.
95. ↑ State Museums in Berlin
96. ↑ State Museums in Berlin
97. ↑ New Pinakothek Munich
98. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 87.
99. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 308.
100. ^ Dresden State Art Collections
101. ^ Dresden State Art Collections
102. ^ Dresden State Art Collections
103. ↑ Staatliche Kunstsammlungen Dresden ( Memento of the original from January 21, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
104. ↑ Staatliche Kunstsammlungen Dresden ( Memento of the original from January 21, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
105. ↑ State Museums in Berlin
106. ↑ State Museums in Berlin
107. ↑ Staatliche Kunstsammlungen Dresden ( Memento of the original from January 21, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
108. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 81.
109. ^ Saxon State Library
110. ↑ Staatliche Kunstsammlungen Dresden ( Memento of the original from January 21, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. 
111. ↑ ^{a b} museum-digital saxony-Anhalt
112. ↑ Johann Wolfgang von Goethe : From my life. Poetry and Truth (Part Four, Book Eighteenth). Goethe's works. Complete edition last hand. JG Cotta'schen Buchhandlung, Stuttgart and Tübingen, 1833.
113. ↑ Swiss Institute for Art Research
114. ↑ Ekhart Berckenhagen: Anton Graff - life and work. Deutscher Verlag für Kunstwissenschaft, Berlin 1967, p. 164.
115. ^ National Museum Oslo
116. ↑ State Museums in Berlin
117. ↑ State Museums in Berlin
118. ↑ Goethe House Frankfurt
119. ↑ State Museums in Berlin
120. ↑ Otto Waser: Anton Graff. Published by Huber & Co., Frauenfeld and Leipzig 1926, p. 65.