Bruno Ganz
Bruno Ganz (born March 22, 1941 in Zurich ; † February 16, 2019 in Wädenswil ) was an internationally active Swiss actor . Ganz was one of the greatest theater and film actors in German-speaking countries and was the bearer of the Iffland-Ring from 1996 until his death . After his first theater engagements, he met Peter Stein, a director in Bremen , with whom he worked for a long time. The West Berlin Schaubühne , co-founded by Ganz , became the linchpin of European theater life in the 1970s. There, Ganz played the title role in Ibsen’s Peer Gynt and in Kleist’s Dream of Prince Homburg . In the mid-1970s he became one of the most important actors in Young German Cinema . The highlights of his career of over 100 films were his portrayals of the angel Damiel in Der Himmel über Berlin and those of the dictator Adolf Hitler in Der Untergang , with which he became known to a large international audience.
Life
Bruno Ganz was born the son of a Swiss factory worker and a northern Italian woman in Zurich-Seebach and grew up there with his brother Renzo, born in 1947. He discovered acting for himself when he was still a schoolboy, during his first stage appearance in confirmation class. A lighting technician friend of the Zürcher Schauspielhaus gave him access to the theater performances. He left high school shortly before graduating from high school . The worried mother had already got him an apprenticeship contract with a master painter. However, after a short stay in Paris, he completed evening courses at the Zurich stage studio (now the Hochschule der Künste ) and, after passing the entrance exam, sporadically attended classes at the drama school. He also worked as a bookseller and did his military service at a recruit school as a paramedic .
At the age of 19 he played his first film role, the valet in The Gentleman with the Black Melon (1960). In 1961 he played a jazz fan in Chikita . A year later, Ganz went to West Germany and played at the Junge Theater Göttingen , from 1964 to 1969 at the Theater am Goetheplatz in Bremen under the direction of Kurt Hübner . Here he met Peter Zadek and in 1967 Peter Stein . With the latter he was committed to the Schauspielhaus Zürich in 1969 ; the theater troupe was shortly expelled, which led to the founding of Stein's West Berlin Schaubühne on Halleschen Ufer . The Schaubühne ensemble, with its radically democratic artistic production conditions , changed the theater scene. Ganz worked with the innovative directors of his time, such as Claus Peymann , Klaus-Michael Grüber , Luc Bondy , Dieter Dorn , and the ensemble developed into the most famous German theater.
The London Times mentioned the aspiring actor for the first time in a review of the performance of Wedekind's Spring Awakening at London's Aldwych Theater in 1965. Quite played the role of Moritz Stiefel and is described as follows: «Bruno Ganz 'Moritz, with a loosely tied tie and loose gestures, acts more like the rebel against the system than its victim. " Ganz played his first leading role in a movie in Der soft Lauf by Haro Senft (1928–2016), one of the initiators of the film policy initiative “ Oberhausen Manifest ”, which was shot in 1966/1967 in Munich and Prague. It is one of the first six feature films to be funded by the Kuratorium Junge deutscher Film in 1965 as a result of the demands of the Oberhausen Manifesto .
In 1972 Ganz made theater history in the lead role of Kleist's drama Traum vom Prinzen Homburg , the German prince's role par excellence. Peter Stein's adaptation and the performance with Jutta Lampe , Otto Sander , Peter Fitz and Botho Strauss as dramaturgical collaborators was a biographical staging that ended with a pantomime.
In 1972 he played for the first time at the Salzburg Festival under Peymann's direction in the world premiere of Thomas Bernhard's The Ignorant and the Mad . He was named “Actor of the Year” for this performance. He remained on friendly terms with Bernhard until his death in 1989; Bernhard's piece Die Jagdgesellschaft contains the dedication “For Bruno Ganz, who else”. The most intensive collaboration at the theater has developed since the early 1970s with the director Klaus Michael Grüber. Bruno Ganz returned to Salzburg in 1986 with the world premiere of Prometheus, captivated by Aeschylus (translation by Peter Handke ) in Grüber's direction.
Richard Eder of the New York Times mentioned Ganz for the first time in 1976, in connection with an interview with French film director Éric Rohmer on the occasion of the performance of the Marquise von O. in New York in 1976. Rohmer said that he had hired “German stage actors” for the film because he wanted grand gestures that are less common with film actors. He asked the actors to examine the erotic painting by Jean-Honoré Fragonard Le Verrou from 1777 . «Bruno Ganz watched it for a smooth half hour. A very conscientious actor. "
He achieved his international breakthrough in 1977 with Wim Wenders The American Friend at the side of Dennis Hopper . In the film adaptation of Patricia Highsmith's novel , he plays a terminally ill Hamburg-based picture frame maker who is supposed to commit murders against payment for an unscrupulous American so that his wife and child are financially secure after his death. In 1987 Ganz played the angel Damiel in Wenders' Der Himmel über Berlin at the side of Otto Sander and Solveig Dommartin , who renounced his immortality out of affection for the people. It was a script penned by Peter Handke , with music by Nick Cave , who can be seen in the film himself during a live performance. Ganz played the angel Damiel for Wenders a second time in the continuation of the story: Far away, so close! (1993).
In 2000 he played the sad waiter in the award-winning Italian comedy Bread and Tulips by Silvio Soldini . In the same year, Ganz impressed as Faust in Peter Stein's unabridged, 21-hour staging of Goethe's Faust I and Faust II , which premiered at the Expo 2000 in Hanover before a tour to Berlin and Vienna was to take place. Ganz was injured so badly in a rehearsal accident that he couldn't play the premiere. The role took a lot from him physically and mentally. In 2001 he received the Berlin Theater Prize for this. In 2003 he made his debut at the Burgtheater in Vienna under Grübers direction in Oedipus auf Kolonos des Sophokles (set and costumes: Anselm Kiefer ; translation from ancient Greek: Peter Handke). In 2004, his impersonation of the dictator Adolf Hitler in Der Untergang von Oliver Hirschbiegel was, in his own words, a turning point in his artistic work and was mostly described by the press as outstanding.
After that, Ganz often turned to Switzerland: In Vitus (2005) by the author and filmmaker Fredi M. Murer , he played the grandfather of a gifted boy who fights against his overambitious mother. The pianist Teo Gheorghiu played the child prodigy Vitus at the age of 12. In the political satire Der große Kater (2010), Ganz held the highest office in his home country and, alongside Marie Bäumer and Ulrich Tukur, played the Federal President of Switzerland , who is supposed to be ousted from office by an intrigue. In 2015, Ganz played the Alpöhi in the children's film Heidi . At the time, Ganz declared: “I'm Swiss, I'm that age, I have to do this. Otherwise I would have regretted it forever. " In addition to Swiss German and German, Ganz also spoke fluent French and Italian. After a falling out with Peymann, Ganz did not play with the Berliner Ensemble in Botho Strauss ' play Desecration after Shakespeare , as expected , but only in 2006 at the Schauspielhaus Bochum under the direction of Elmar Goerden .
In 2008 he played the BKA President Horst Herold in the Der Baader Meinhof complex produced by Eichinger . He saw the story of the film in close connection with his own life. For a long time he was a sympathizer of the extra-parliamentary left , including Ulrike Meinhof , but quickly distanced himself from the acts of violence committed by the RAF since the mid-1970s.
From 2010 to 2013 Bruno Ganz was President of the German Film Academy together with Iris Berben .
In 2017, Ganz embodied the founder of psychoanalysis Sigmund Freud in Der Trafikant and the 90-year-old GDR functionary Wilhelm Powileit shortly before the fall of the Berlin Wall in the film adaptation of the Eugen Ruge novel In times of waning light .
Bruno Ganz had been married to Sabine Ganz since 1965. The couple lived largely separately and had a son who went blind at the age of four. Bruno Ganz lived for the last few years in Au , municipality of Wädenswil not far from the Au peninsula on the left bank of Lake Zurich, which he loved , had an apartment in Venice and lived in Berlin for a long time . His longtime partner was the theater photographer Ruth Walz .
In the summer of 2018, Ganz was supposed to play the narrator in Mozart's Magic Flute at the Salzburg Festival , but that never happened. He had to stop the samples on medical advice. He died on February 16, 2019 at the age of 77 years at home in the Zurich Wädenswil-Au on colon cancer . The memorial service for Ganz took place on March 20, 2019 in the Fraumünster in Zurich, due to the great sympathy of the population, the memorial service was also transferred to the neighboring church of St. Peter . The urn burial took place at the Rehalp cemetery in the Zurich district of Riesbach , where Bruno Ganz's parents and brother are also buried.
Awards
In February 1996 the actor Josef Meinrad Bruno Ganz bequeathed the Iffland-Ring , an award that has been given for life to the "most important and worthy stage artist in German-speaking theater" for over 100 years. In October 2014 it became known that Ganz had determined Gert Voss as his successor in his will, but he died in July 2014.
As it became known in March 2019, the German actor Jens Harzer is his successor as the bearer of the Iffland-Ring , by order of Bruno Ganz .
On 2 March 2006 was full in Vienna by the Austrian President Heinz Fischer , the Austrian Medal for Science and Art presents. With that, Ganz was accepted into the Austrian Curia for Art.
Further awards

- 1973: Actor of the Year
- 1976: German Film Prize , Gold Film Ribbon , for performance in Die Marquise von O.
- 1979: German Actor Award (Chaplin Shoe)
- 1991: Hans-Reinhart-Ring of the Swiss Society for Theater Culture
- 1998: Officier dans l ' Ordre des Arts et des Lettres
- 1998: Prix Walo
- 1999: Adolf Grimme Prize , for Towards the End of the Night (together with Oliver Storz , Karoline Eichhorn and Stefan Kurt )
- 1999: Bremen Film Prize
- 2000: Knight of Art and Literature (Ordre des Arts et des Lettres)
- 2000: Nomination for the European Film Prize , for bread and tulips
- 2000: David di Donatello , for bread and tulips
- 2001: Lower Saxony Order of Merit (1st class)
- 2001: Berlin Theater Prize
- 2001: Swiss Film Award ( best actor , for bread and tulips )
- 2004: Prix Walo
- 2004: Bambi , for The Downfall
- 2004: SwissAward in the culture category
- 2004: Nomination for the European Film Award , for The Downfall
- 2005: Golden gong , for The Downfall
- 2005: Jupiter , for The Downfall
- 2006: Art Prize of the City of Zurich
- 2006: Federal Cross of Merit 1st class (October 4, 2006)
- 2006: Austrian Decoration for Science and Art
- 2006: Golden Ox - Honorary Prize at the Mecklenburg-Western Pomerania Film Festival
- 2007: Knight of the French Legion of Honor
- 2008: 22nd Braunschweig International Film Festival - European Acting Award "Die Europa"
- 2010: Star on the Boulevard of Stars in Berlin
- 2010: European film award for his life's work
- 2011: Pardo alla Carriera al Festival del film Locarno
- 2013: Prize for Drama ( Festival of German Films , Ludwigshafen)
- 2014: Golden Camera , for his life's work
- 2015: Carl Zuckmayer Medal , for his services to the German language
- 2015: Golden Camera 300 at the Manaki Brothers Film Festival , for his life's work
- 2016: SwissAward - Lifetime Award, for his life's work
- 2016: Bavarian Film Prize 2016: Honorary Prize of the Bavarian Prime Minister
- 2017: two Swiss film awards (best actor, as Arthur Bloch in Un Juif pour l'exemple , and honorary award )
plant
Theater works (selection)
year | title | author | role | Director | theatre |
---|---|---|---|---|---|
1965 | The unadvised | after Thomas Valentin | Jochen Rull | Kurt Huebner | Bremen theater |
1965 | Spring awakening | Frank Wedekind | Moritz boots | Peter Zadek | Bremen theater |
1965 | Hamlet | William Shakespeare | Hamlet | Kurt Huebner | Bremen theater |
1966 | The robbers | Friedrich Schiller | Franz Moor | Peter Zadek | Bremen theater |
1966 | Macbeth | William Shakespeare | Macbeth | Kurt Huebner | Bremen theater |
1967 | Measure for measure | William Shakespeare | duke | Peter Zadek | Bremen theater |
1968 | In the thicket of the cities | Bertolt Brecht | George Garga | Peter Stein | Munich Kammerspiele |
1969 | cabal and Love | Friedrich Schiller | worm | Peter Stein | Bremen theater |
1969 | Torquato Tasso | Johann Wolfgang von Goethe | Torquato Tasso | Peter Stein | Bremen theater |
1970 | The mother | Bertolt Brecht | Wolfgang Schwiedrzik / Frank-Patrick Steckel / Peter Stein | Schaubühne on Halleschen Ufer | |
1971 | Peer Gynt | Henrik Ibsen | Peer # 3 and # 8 | Peter Stein | Schaubühne on Halleschen Ufer |
1971 | The ride across Lake Constance | Peter Handke | Heinrich George | Claus Peymann / Wolfgang Wiens | Schaubühne on Halleschen Ufer |
1972 | Tales from the Vienna Woods | Ödön from Horváth | Oscar | Klaus Michael Grüber | Schaubühne on Halleschen Ufer |
1972 | The ignorant and the madman | Thomas Bernhard | doctor | Claus Peymann | Salzburg Festival , State Theater |
1972 | Kleist's dream of Prince Homburg | after Heinrich von Kleist | Prince of Homburg | Peter Stein | Schaubühne on Halleschen Ufer |
1973 | The Bacchae | Euripides | Pentheus | Klaus Michael Grüber | Schaubühne on Halleschen Ufer |
1973 | Summer guests | Maxim Gorky | Shalimov | Peter Stein | Schaubühne on Halleschen Ufer |
1975 | Death of Empedocles | after Friedrich Hölderlin | Empedocles | Klaus Michael Grüber | Schaubühne on Halleschen Ufer |
1982 | Hamlet | William Shakespeare | Hamlet | Klaus Michael Grüber | Schaubühne on Lehniner Platz |
1984 | The park | Botho Strauss | Oberon | Peter Stein | Schaubühne on Lehniner Platz |
1986 | Prometheus, bound | Aeschylus , translated by Peter Handke | Prometheus | Klaus Michael Grüber | Salzburg Festival, Felsenreitschule |
1986 | The tour guide | Botho Strauss | Teacher | Luc Bondy | Schaubühne on Lehniner Platz |
1987 | The misanthrope | Molière | Alceste | Luc Bondy | Hebbel Theater Berlin |
1993 | Coriolanus | William Shakespeare | Coriolanus | Deborah Warner | Salzburg Festival, Felsenreitschule |
1996 | Ithaca | Botho Strauss | Odysseus | Dieter Dorn | Munich Kammerspiele |
2000 | Faust I u. II | Johann Wolfgang von Goethe | fist | Peter Stein | Expo 2000 Hanover |
2003 | Oedipus on Colonus | Sophocles , translated by Peter Handke | Oedipus | Klaus Michael Grüber | Burgtheater , Vienna |
2006 | desecration | Botho Strauss | Titus Andronicus | Elmar Goerden | Schauspielhaus Bochum |
2012 | Le Retour | Harold Pinter | Max | Luc Bondy | Théâtre Odéon Paris |
Filmography
year | title | Remarks |
---|---|---|
1960 | The gentleman with the black bowler hat | Director: Karl Suter |
1961 | Chikita | Director: Karl Suter |
1962 | It roof over your head | Director: Kurt Früh |
1967 | The gentle run | Director: Haro Senft |
1976 | The Marquise of O. (La Marquise d'O.) | Director: Éric Rohmer |
1976 | The wild duck | Director: Hans W. Geißendörfer |
1976 | In the spotlight (Lumière) | Script and direction: Jeanne Moreau |
1976 | Summer guests | Script: Botho Strauss , director: Peter Stein |
1977 | The American friend | Script and direction: Wim Wenders |
1977 | The left-handed woman | Script and direction: Peter Handke |
1978 | Story of a love | Script and direction: Dagmar Damek |
1978 | The Boys from Brazil | Director: Franklin J. Schaffner |
1978 | Black and white like days and nights | Director: Wolfgang Petersen |
1978 | Knife in the head | Director: Reinhard Hauff |
1979 | Nosferatu - Phantom of the Night | Director: Werner Herzog |
1979 | Return to the Beloved (Le retour à la bien-aimée) | Directed by Jean-François Adam |
1980 | 5 percent risk (5% de risque) | Director: Jean Pourtalé |
1980 | The inventor | Director: Kurt Gloor |
1980 | The Lady of the Camellias (La dame aux camélias) | Director: Mauro Bolognini |
1980 | Denial (La Provinciale) | Director: Claude Goretta |
1981 | Something becomes visible | Director: Harun Farocki |
1981 | Oggetti Smarriti | Director: Giuseppe Bertolucci |
1981 | The fake (Le faussaire) | Director: Volker Schlöndorff |
1982 | Memory - A film for Curt Bois and Bernhard Minetti | Direction and script: Bruno Ganz |
1982 | war and peace | Directors: Alexander Kluge , Volker Schlöndorff, Stefan Aust , Axel Engstfeld |
1983 | In the white city (Dans la ville blanche) | Director: Alain Tanner |
1983 | Florida killer | Script and direction: Klaus Schaffhauser |
1983 | System without shadow | Director: Rudolf Thome |
1985 | The ice cream parlor (De IJssalon) | Director: Dimitri Frenkel Frank |
1986 | The commuter | Director: Bernhard Giger |
1986 | Fathers and sons | four-part, director: Bernhard Sinkel |
1987 | The sky over Berlin | Director: Wim Wenders |
1988 | An almost anonymous relationship (strapless) | Directed by David Hare |
1988 | The sky is far (Un amore di donna) | Director: Nelo Risi |
1988 | Defense speech of Judas | Director: Walter Jens |
1989 | Bank card | Director: Villi Hermann |
1989 | Architecture of Downfall (Undergangens arkitektur) | Director: Peter Cohen - Bruno Ganz as narrator in the German version |
1990 | Tassilo - a case in itself | six-part, directed by Hajo Gies |
1990 | Sazka - The Bet (Sazka) | Director: Martin Walz |
1991 | success | Director: Franz Seitz |
1991 | La Domenica specialmente | Director: Giuseppe Bertolucci |
1991 | Prague (Prague) | Director: Ian Sellar |
1991 | Children of Nature - A Journey (Börn natturunna) | Director: Friðrik Þór Friðriksson |
1991 | Last days at Chez Nous (The Last Days of Chez Nous) | Directed by Gillian Armstrong |
1993 | Fire night | Director: Markus Fischer |
1993 | far away, so Close! | Director: Wim Wenders |
1993 | Asmara | Director: Paolo Poloni |
1994 | The absence (L'absence) | Script and direction: Peter Handke |
1994 | Bright day | Director: Andre Nitzschke |
1995 | A judge in fear | Director: Josef Rödl |
1995 | Il Grande Fausto | Director: Alberto Sironi |
1996 | Deadly silence | Director: Bernd Böhlich |
1996 | Crime scene: shadow world | Director: Josef Rödl |
1997 | Saint-Ex | Directed by Anand Tucker |
1998 | Towards the end of the night | Director: Oliver Storz |
1998 | Eternity and a day (Mia eoniotita ke mia mera) | Director: Theo Angelopoulos |
2000 | WhoFearWolf | Director: Clemens Klopfenstein |
2000 | Bread and Tulips (Pane e Tulipani) | Director: Silvio Soldini |
2001 | Johann Wolfgang von Goethe - Faust | TV version of Peter Stein 's production of Faust |
2002 | Epstein's night | Director: Urs Egger |
2002 | Bruno Ganz - Behind Me | Director: Norbert Wiedmer |
2003 | Luther | Director: Eric Till |
2004 | The Manchurian Candidate (The Manchurian Candidate) | Director: Jonathan Demme |
2004 | The downfall | Director: Oliver Hirschbiegel |
2006 | Do not be afraid! - The life of Pope John Paul II | Director: Jeff Bleckner |
2006 | Vitus | Director: Fredi M. Murer |
2006 | Ode to Joy (Baruto no gakuen) | Director: Masanobu Deme |
2007 | Youth Without Youth (Youth Without Youth) | Directed by Francis Ford Coppola |
2008 | A strong finish | Director: Rainer Kaufmann |
2008 | The Baader Meinhof Complex | Director: Uli Edel |
2008 | The Dust of Time | Director: Theo Angelopoulos |
2008 | Copacabana | Director: Xaver Schwarzenberger |
2008 | The Reader | Directed by Stephen Daldry |
2009 | Giulia's disappearance | Director: Christoph Schaub |
2010 | The big hangover | Director: Wolfgang Panzer |
2010 | The end is my beginning | Director: Jo Baier |
2011 | Rich colors against black | Director: Sophie Heldman |
2011 | loaf | Director: Ahmet Taş |
2011 | Unknown Identity (Unknown) | Directed by Jaume Collet-Serra |
2011 | Wild will (Sport de filles) | Director: Patricia Mazuy |
2013 | Night Train to Lisbon (Night Train to Lisbon) | Directed by Bille August |
2013 | Michael Kohlhaas | Director: Arnaud des Pallières |
2013 | The Counselor | Director: Ridley Scott |
2014 | One after the other | Director: Hans Petter Moland |
2015 | Remember | Directed by Atom Egoyan |
2015 | Heidi | Director: Alain Gsponer |
2016 | A Jew as an example | Director: Jacob Berger |
2017 | The party | Directed by Sally Potter |
2017 | In times of waning light | Director: Matti Geschonneck |
2018 | The House That Jack Built | Director: Lars von Trier |
2018 | The tobacconist | Director: Nikolaus Leytner |
2018 | Fortuna | Directed by Germinal Roaux |
2018 | Guitars don't grow on trees | Director: Luc Quelin - Bruno Ganz as the narrator |
2019 | A hidden life (A Hidden Life) | Directed by Terrence Malick |
2019 | The Witness | Director: Mitko Panov |
Radio plays
- 1981: Franz Kafka : In der penal colony (officer) - Director: Claude Pierre Salmony (radio play - DRS )
- 1986: Johannes Bobrowski : Boehlendorff - Director: Albrecht Surkau (radio play - RB )
- 1990: Gabriel Josipovici : Obituary for LS (Freund) - Director: Robert Matejka (radio play - RIAS Berlin)
- 1990: Patricia Highsmith : The Storyteller (Sydney Bartleby) - Director: Hans Dieter Schwarze (radio play - NDR )
Audio book
- with Otto Sander : Gustave Flaubert , Iwan S. Turgenjew : A friendship in letters. MC cassette , audiobook. No and no, Zurich 1999, ISBN 3-906547-19-1 .
- Holderlin, poems. Disc., ECM Records 1984.
Film portraits
- From Tasso to the crime scene : the actor Bruno Ganz. Documentary, Germany, 1997, director: Helmut Harald Fischer, production: WDR , Claus Spahn .
-
Bruno Ganz - Actor - Stages of a Career. (Alternative title: Bruno Ganz - A European actor. ) Documentary film, Switzerland, Germany, France, 2004, 49:38 min., Script and director: Norbert Wiedmer , production: PS Film, Biograph Film, SRG SSR , arte , summary by ARD and online video from SRF .
A personal, nocturnal conversation with Bruno Ganz in his Zurich apartment, supplemented with archive footage and excerpts from films and theater performances.
literature
- Thomas Blubacher : Bruno Ganz . In: Andreas Kotte (Ed.): Theater Lexikon der Schweiz . Volume 1, Chronos, Zurich 2005, ISBN 3-0340-0715-9 , p. 676 f.
- C. Bernd Sucher : Bruno Ganz, you must have something to do with me. In: Theater Magicians. 1988, ISBN 3-492-03125-0 , pp. 78-86.
- Bruno Ganz in the Munzinger archive ( beginning of article freely accessible)
Web links
- Literature by and about Bruno Ganz in the catalog of the German National Library
- Bruno Ganz in the Internet Movie Database (English)
- Bruno Ganz at filmportal.de
- Audio documents by and about Bruno Ganz in the catalog of the Swiss National Sound Archives
- Bruno Ganz at Erna Baumbauer's agency
Individual evidence
- ↑ a b Urs Bühler: Whether angel or dictator: Bruno Ganz exposed the all too human core of his characters. Obituary in: Neue Zürcher Zeitung of February 16, 2019, accessed on March 10, 2019.
- ↑ a b Michel Imhof: Daniel Rohr experienced the last minutes of the acting legend: "Bruno Ganz died in the presence of his partner and his son". In: Blick.ch of February 16, 2019, accessed on March 3, 2019.
- ↑ Cosima Lutz: Obituary for Bruno Ganz - Now he looks on forever from above. In: Berliner Morgenpost , February 16, 2019.
- ↑ Stefan Zweifel: How does the I speak? In: Neue Zürcher Zeitung , March 19, 2011, accessed on February 17, 2019.
- ↑ Irving Wardle: 'Spring awakening' an unexploded bomb. In: The New York Times , April 25, 1967, p. 6.
- ^ Hajo Kurzenberger: Kleist's dream of Prince Homburg. About Peter Stein's production at the Berlin Schaubühne. In: Spirit and Sign. Festschrift for Arthur Henkel. Edited by Herbert Anton, Bernhard Gajek, Peter Pfaff. Winter, Heidelberg 1977, pp. 235-240.
- ↑ Wolf Dieter Hellberg: Prince Friedrich von Homburg: Reclam XL - Text and Context. Reclam Publishing House, 2015.
- ^ Richard Eder: Rohmer's 'Marquise' Is Talk in Action . In: The New York Times . October 22, 1976, ISSN 0362-4331 ( nytimes.com [accessed February 16, 2019]).
- ↑ SpotOn: Bruno Ganz: The best Almöhi of all time. In: Focus Online . December 10, 2015, accessed January 7, 2017 .
- ↑ Bruno Ganz celebrates theater comeback in Paris . In: Focus Online , October 19, 2012, accessed February 18, 2019.
- ↑ Dirk Kurbjuweit : Bruno Ganz in the RAF film: The Ex-Sympathizer. In: Spiegel Online . September 10, 2008, accessed January 7, 2017 .
- ↑ Conradin Knabenhans: “Ganz loved the Au peninsula” , Zürichsee-Zeitung , February 17, 2019.
- ↑ Peer Teuwsen , Luzi Bernet: Actor Bruno Ganz in conversation: “Zurich is the city that is closest to my heart”. In: NZZ Online . November 7, 2015, accessed January 7, 2017 .
- ↑ The grave of Bruno Ganz. In: knerger.de. Klaus Nerger, accessed April 4, 2019 .
- ↑ Almuth Spiegler: Iffland-Ring: Voss had chosen Ganz as his successor. In: diepresse.com. October 2, 2014, accessed January 7, 2017 .
- ^ Wolfgang Litzenburger: Carl-Zuckmayer-Medal for Bruno Ganz. In: theaterfreunde-mainz.de. December 18, 2014, accessed January 7, 2017 .
- ^ Iffland-Ring goes to German actor Jens Harzer . In: kleinezeitung.at, March 22, 2019, accessed on March 22, 2019.
- ↑ ii: Theater and film career honored: Bruno Ganz receives art award from the city of Zurich. In: NZZ Online. June 26, 2006, accessed January 7, 2017 .
- ↑ Information from the Federal President's Office.
- ↑ Golden Camera for Bruno Ganz and Diane Keaton. In: tz.de. January 24, 2014, accessed January 7, 2017 .
- ↑ Bruno Ganz honored with the Carl Zuckmayer Medal. In: dw.de. January 18, 2015, accessed January 7, 2017 .
- ↑ Gena Teodosievska: Special Award “Golden Camera 300” for Outstanding Contribution to World Cinema Art ( Memento from September 19, 2015 in the Internet Archive ). Manaki Brothers Film Festival .
- ↑ Honorary award for Bruno Ganz. In: Bayerischer Rundfunk . December 15, 2012.
- ↑ In times of waning light. In: film starts . Retrieved May 26, 2017.
- ↑ Guitars don't grow on trees. Retrieved June 16, 2020 (French).
personal data | |
---|---|
SURNAME | Quite, Bruno |
BRIEF DESCRIPTION | Swiss actor |
DATE OF BIRTH | March 22, 1941 |
PLACE OF BIRTH | Zurich |
DATE OF DEATH | 16th February 2019 |
Place of death | Waedenswil |