Academy of Fine Arts Nuremberg
Academy of Fine Arts Nuremberg | |
---|---|
founding | 1662 |
Sponsorship | state |
place | Nuremberg |
state | Bavaria |
country | Germany |
president | Holger Felten |
Students | 316 WS 2018/19 |
Employee | 61 |
including professors | 19th |
Website | www.adbk-nuernberg.de |
The Academy of Fine Arts Nuremberg is a state art college in Nuremberg that was founded in 1662 as the first art academy in German-speaking countries. With around 320 students, it is one of the smaller universities in Germany and, with its courses of study, fine art, graphic design / visual communication, fine art / gold and silversmiths, art education, teaching art at grammar school and artistic activity in public spaces (post grad .) various study options in the free and applied field.
history
The Nuremberg Academy of Fine Arts was founded in 1662 by the councilor Joachim Nutzel von Sündersbühl , the copper engraver Jacob von Sandrart and the architect Elias von Gedeler (1620–1693), making it the oldest art academy in German-speaking countries.
In 1674, after a few changes of location, the academy was housed in a room in the former Franciscan monastery. In 1699 the academy was recognized as an institution of the imperial city and placed under the supervision of the building authority. In the same year, the engraver and astronomer Georg Christoph Eimmart was given management and the move to St. Catherine's Monastery . The main areas of study were life drawing and the study of antiquities. Based on the model of the Paris Protectorate Constitution, the City Council issued the "Regulations at the Painting Academy" in 1704.
After the death of Georg Christoph Eimmart, Johann Daniel Preissler became director of the academy from 1705 to 1737 . In 1716 he founded the drawing school for craft apprentices, attendance of which was free and from 1766 mandatory for apprentices of the building trade. In the following years the management of the academy was taken over by Johann Martin Schuster from 1737 to 1738, from 1738 to 1742 by Paul Decker and from 1742 to 1771 by Johann Justin Preissler. In 1788, under the direction of the director Johann Eberhard Ihle, conflicts arose over the organization of the academy, which were discussed publicly.
After the end of the imperial city period in 1806, the academy became an institution of the Kingdom of Bavaria . In the years from 1813 to 1817, under the direction of Albert Christoph Reindel , it was relocated to the Hertelshof on Paniersplatz and in 1818 to the Nuremberg Castle . From 1835 to 1897, the School of Applied Arts and parts of the municipal art collection were located in the premises of the Landauer Twelve Brothers House . In 1897, the School of Applied Arts moved into a spacious neo-renaissance building specially designed for it by Professor Conradin Walther in Bottlehofstrasse.
In order to promote Munich as a city of art, the Bavarian King Ludwig I downgraded the Nuremberg Academy to an art school. The curriculum was expanded to include lessons in oil painting and some lectures in architecture were given; however, it was no longer possible to train architects. Since then, the art school has served as a training institute for traditional Nuremberg trades, especially for the graphic arts and porcelain and tin painting.
From 1853, under the direction of August von Kreling (1853–1874), the arts and crafts school and the curriculum were reformed with great success. The Nuremberg School of Applied Arts was considered exemplary for other institutions in Germany.
In 1823 plaster casts of the Aeginetes from the legacy of Carl Haller von Hallerstein were added to the study collection. In the following decades the school was renamed several times: in 1833 in "Applied Arts School", in 1928 in "State School for Applied Arts". In 1940, under the direction of Hermann Gradl, the elevation to the "Academy of Fine Arts in the city of the Nazi party rallies" took place. In 1943, the academy building in Bottle Hofstrasse was bombed and the academy relocated to the Teutonic Order Castle in Ellingen . Some politically charged professors were suspended after the Second World War and the academy was renamed the “Academy of Fine Arts”.
In the post-war years from 1945 to 1948, Max Körner was temporarily entrusted with the management until Fritz Griebel was appointed director. In 1954 the academy moved into the new buildings designed by Sep Ruf in Bingstrasse, in the wooded area between Mögeldorf and Zerzabelshof , at the Nuremberg zoo . The transparent pavilion architecture is the first listed post-war architecture in southern Germany. Ruf's new building, in which natural and architectural spaces merge, is one of the few jewels of early German post-war architecture alongside the Berlin Philharmonic.
In relation to subjects such as silver and goldsmith's art, interior design, textile art, applied painting and commercial graphics, the liberal arts painting, sculpture and graphics had equal weight.
In 1960 the presidential constitution was introduced and formal equality with the Munich Academy was achieved. Art teacher exams have been held in Nuremberg since 1973. In 1985, the art education department moved to the Wenzel Castle in Lauf an der Pegnitz and forms the branch office for student teachers. In 2010, the Bavarian state parliament approved the expansion of the Nuremberg buildings, so that the academy was able to give up the castle as a branch in 2013. The design for the extension to the academy comes from the Berlin architectural office Hascher Jehle Architektur and was completed in April 2013.
Violent criticism of the 2001 plan to give up the interior design class resulted in the conversion of the full course into a postgraduate course with an international degree.
Ottmar Hörl was the Academy President from 2005 until his retirement in 2017 . At that time he succeeded Ulla Mayer and Karlheinz Lüdeking .
In July 2011, an art historian conference was held at the Academy of Fine Arts in preparation for the 350th anniversary of its existence. The conference "The Academy of Fine Arts in the City of the Nazi Party Rallies" examined u. a. the interweaving of the academy's teachers with the National Socialist regime and the extent to which artistic work was beneficial to the regime. Participants were u. a. Hans Ottomeyer , Birgit Schwarz, Doris Gerstl, Thomas Heyden, Frank Matthias Kammel .
In 2012 the Academy of Fine Arts celebrated its 350th anniversary. To mark the anniversary, the devoted Painting and Sculpture Collection of the City Museums, the early days of the Nuremberg Academy of Fine Arts, a special exhibition (May 16 to September 2 in the town museum , it seemed to an extensive, scholarly catalog). The exhibition "Geartete Kunst" in the Documentation Center Nazi Party Rally Grounds was dedicated to the time of the academy in the 1940s, the exhibitions "return" and "b.east" showed graduates since 1980 and students from Nuremberg in cooperation with other art schools on AEG. The exhibition "Curtain up ..." presented the 14 classes and postgraduate courses in the New Museum in Nuremberg . The highlight of the anniversary year was a ceremony in the State Theater in Nuremberg .
With the exhibition hall and the Academy Gallery Nuremberg, the Academy of Fine Arts has both a spacious exhibition room at the main building and gallery rooms in the city center of Nuremberg.
In 2017, graphic designer Holger Felten was elected President of the Academy by the University Council.
architecture
In 1954 the Academy moved into the first building designed by Sep Ruf (1908–1982), which was originally designed for 150 students. The transparent pavilion architecture successfully combines all studios, workshops and central facilities such as library, cafeteria and administration. After the training was expanded to include art education in particular, the lack of space could only be remedied with an alternative accommodation in the Kaiserburg in Lauf and so the academy with its almost 300 students has been housed in two locations since 1985. With a view to greater synergies and efficiency in training, the planning for a new building next to the Ruf's pavilion architecture was started and completed in spring 2013.
During the Second World War, the academy was moved from Nuremberg to Ellingen . The university was still located in Ellingen Castle in 1947 when Sep Ruf was appointed professor of architecture and urban planning. The established architect was known for his light-flooded buildings that faced the sun and blended harmoniously into the surrounding landscape. Sep Ruf won the architectural competition for the new academy building on the eastern outskirts of Nuremberg, which was announced in the spring of 1950 . However, the start of construction was delayed by two years and so the first phase of construction was not completed until June 1954. The academy was able to inaugurate and move into the first part of the new building. In 1956 the Ruf'schen Pavilions on Bingstrasse were finally completed, so that the university could return to Nuremberg.
Sep Ruf's design for the new building for the Academy of Fine Arts in Nuremberg shows the characteristic language of his later work for the first time: lightness of appearance, minimized construction, transparent walls and slim roofs. The building anticipates the concept of the German Pavilion for the 1958 World Exhibition in Brussels (1956–1958), which Ruf carried out together with Egon Eiermann , and which brought him international recognition.
Ruf's later works with his partner, the designer Wilhelm Schaupp (1922–2005) included a. a. the residential and reception building of the Federal Chancellor in Bonn ( Chancellor's Bungalow , 1963–1964), a mature work in proportion and detail. Sep Ruf became the dominant Munich architect of the 1950s and 1960s and left behind an extensive body of work of residential buildings, buildings for administration, education, offices and representation. In 1971 he founded an office partnership with four colleagues (Alfred Goller, Helmut Mayer, Hanns Oberberger, Ludwig Thomeier), which was continued after his death.
Complementary extension
The renowned architects Hascher Jehle Architektur designed the extension to the Nuremberg Academy after a limited open competition in spring 2009. After almost two years of construction, the building was put into operation in the 2013 summer semester. Thus, for the first time, the courses in fine and applied arts, art education and postgraduate courses are combined in one location.
The art academy on the outskirts of Nuremberg is surrounded by wooded landscape areas, into which the single-storey, listed building from the 1950s by Sep Ruf is harmoniously integrated. At a respectful distance from the existing buildings, the extension rounds off the entire area and creates the new campus with a calm architectural formulation.
An elongated, single-storey structure was created along Bingstrasse, which, with its openings and the roof floating above, stands in the architectural context of the existing buildings. The new studios and seminar rooms are positioned in three separate pavilions under one roof landscape. The center of the new facility is the so-called communication pavilion with a room for large-format, interdisciplinary work, a picture store and multifunctional room with a stage and cinema. The entrance and at the same time the new access to the site is an open courtyard. From here, the students can access the adjoining studio and seminar rooms. The art pedagogue's studios are located in the west of the new building; they are grouped around an inner courtyard and - in analogy to the Ruf's studio pavilions - connected to one another via an open, covered corridor. In the third part of the building, on the other side of the “communication pavilion”, the seminar rooms are also arranged around a courtyard. However, the corridors are located in the building and are separated from the inner courtyard by large glass facades. The horizontally continuous roof landscape is made possible by the natural slope of the site despite the different room heights.
The materiality in particular supports the workshop character of the new building. Exposed concrete surfaces alternate with glass surfaces and closed sheet steel elements and thus form the outer shell of the building. Due to the movable sliding elements made of expanded metal, which are placed in front of the glass facades as sun protection, the appearance of the facade changes depending on its positioning. In this way, the new building deliberately sets itself apart from the Ruf buildings in terms of its materials and surface properties.
As the new building extends parallel to the historic pavilions and along the street, it develops a new view of Sep Ruf's architecture. Lines of sight and paths connect the two buildings, revealing both architectural analogies and individualities. Together they form a campus that follows Sep Ruf's democratic and logical architectural idea.
Directors / Presidents
- 1661/62 Private Academy - loose association, few members: Jacob von Sandrart (1630–1708), Georg Christoph Eimmart (1638–1705), Willem van Bemmel (1630–1708), Johann Franz Ermels (1641–1693), Johann Murrer (1644–1713), Joachim Nutzel (1629–1671), Elias von Gedeler (1620–1693), Joachim von Sandrart (1606–1688)
- 1672–1688 Joachim von Sandrart (management), with the help of Georg Christoph Eimmart and Johann Paul Auer (1638–1687)
- 1688–1699 Georg Christoph Eimmart and Johann Paul Auer alternately / side by side directors
- 1699–1704 Georg Christoph Eimmart
- 1704–1737 Johann Daniel Preissler (1666–1737)
- 1737/38 Johann Martin Schuster (1667–1738)
- 1738–1742 Paulus Decker the Elder J. (1685-1742)
- 1742–1771 Johann Justin Preissler (1698–1771)
- 1771–1811 Johann Eberhard Ihle (1727–1814)
- 1811–1853 Albert Reindel (1784–1853)
- 1853–1876 August von Kreling (1819–1876)
- 1877–1884 Adolf Gnauth (1840–1884)
- 1885–1897 Karl Hammer (1845–1897)
- 1897–1920 Franz Brochier (1852–1926)
- 1920–1939 Eduard Brill (1877–1968)
- 1939–1945 Hermann Gradl (removed from office)
- 1945–1948 Max Körner (acting)
- 1948–1957 Fritz Griebel
- 1957–1965 Otto Michael Schmitt
- 1965–1967 Karl Hans Walter
- 1967–1968 Otto Michael Schmitt
- 1969–1975 Wunibald Puchner
- 1975–1984 Günther Voglsamer
- 1984–1987 Wilhelm Uhlig
- 1987-1995 Rainer Beck
- 1995–1998 Hanns Herpich
- 1998–2001 Karlheinz Lüdeking
- 2001-2005 Ulla Mayer
- 2005–2017 Ottmar Hörl
- since 2017 Holger Felten
Course offer
Subjects / artistic classes
- Photography - Katja Eydel
- Free art - Heike Baranowsky
- Free art with a focus on painting - Michael Hakimi
- Fine arts (sculpture) - Marko Lehanka
- Fine Arts - Eva von Platen-Hallermund
- Sculpture - Michael Stevenson , Michael Sailstorfer
- Free painting and art education - Michael Munding
- Free art and art education - Jochen Flinzer , Lena Ziese
- Jewelry and equipment - Suska Mackert
- Graphic design / communication design - Friederike Girst and Holger Felten
- Free painting - Susanne Kühn , Katharina Wulff
- Project class interactive media / dynamic acoustics - Jan St. Werner
Art related sciences
- Art history - Lars Blunck
- Art theory and art education - Kerstin Stakemeier
Postgraduate course
- Artistic action in public space - Johannes Paul Raether
workshops
- Bronze casting
- Digital workshop
- photography
- Gypsum foundry
- Gold and silversmiths
- interactive media
- Lithography and screen printing
- Painting technique
- Media laboratory
- Metal and welding technology
- Carpentry and model making
- Gravure and etching
University partnerships
- Jan Matejko Academy of Arts in Krakow ( Akademia Sztuk Pięknych w Krakowie ), Poland
- Academy of Arts in Budapest ( Magyar Képzőművészeti Egyetem ), Hungary
- Academy of Arts in Palermo ( Accademia di belle Arti di Palermo ), Italy
- Accademia di Belle Arti di Urbino, Urbino, Italy
- Universidad de Castilla-La Mancha ( Universidad de Castilla-La Mancha ), Cuenca, Spain
- Academy of Fine Arts ( Kuvataideakatemia ), Helsinki, Finland
- Latvian Academy of Arts ( Latvijas Makslas Akademija ), Riga, Latvia
- University of Applied Arts Vienna , Vienna, Austria
- Academy of Fine Arts Vienna , Vienna, Austria
- École Supérieure d'Art d'Aix-en-Provence , Aix-en-Provence, France
Well-known former students and professors
A.
- Herbert Achternbusch
- Eduard Aigner
- Michael Ammann
- Peter Angermann (2002–2010), professor of painting; Studied at the academy 1966–1968
- Hermann Anselment (1948–1955), lecturer in color and form
- Armen Avanessian (2012/2013), visiting professor for architecture and urban research
B.
- Ernst von Bandel
- Heike Baranowsky , Professor of Fine Art since 2009
- Anton Baur
- Rainer Beck (1983–1995), professor of art history
- Timo Behn , visual artist
- Hermann Bek-Gran , professor
- Willem van Bemmel
- Benjamin Bergmann (2008/2009), visiting professor
- Hans Joachim Berndt (1993–2002), professor of graphic design
- Diego Bianconi (1988-1995)
- Irmgard Biernath
- Michaela Biet
- Lars Blunck , Professor of Art History since 2013
- Oliver Boberg
- Christian von Borries (2010/2011), visiting professor for architecture and urban research
- Friedrich von Borries , 2003 professor for architecture and urban research; 2007/2008 together with Matthias Böttger visiting professor for art and public space
- Arno Brandlhuber (2003–2017), professor for architecture and urban research
- Eduard Brill , director of the State School for Applied Arts
- Franz Brochier , director of the School of Applied Arts
- Jacob Daniel Burgschmiet
- Claus Bury (2003–2011), professor of sculpture
D.
- Björn Dahlem (2008), visiting professor of architecture and urban research
- Gabriela Permaner
- Simone Decker (2008–2015), Professor for Artistic Concepts / Art in Public Space
- Johann Adam Delsenbach
- Christian Demand (2006–2011), professor of art history
- Alf Depser (1899–1990), chemist, painter, draftsman, wood cutter and graphic artist
- Rolf-Gunter Dienst (1992–2008), professor of free graphics and painting
- Manfred G. Dinnes
- Gerhard G. Dittrich
- Günter Dollhopf (1973–1997), professor
- Gerald Domenig (2011), visiting professor
- Roland Dörfler
- Helmut Draxler , Professor of Art Theory and Art Education
E.
- Georg Eberlein (1858–1878), teacher / professor
- Otto Eckmann (1882-1885)
- Martin Eder (1993-1995), student
- Matthias Egersdörfer
- Georg Christoph Eimmart
- Hermann Erbe-Vogel
- Margareta Erichsen (1916–2006), student
- Stephan Eusemann , Professor of Textile Art and Surface Design
- Julius Exter
F.
- Jesko Fezer (2015), visiting professor of architecture and urban research
- Alfred Finsterer
- Ralph Fleck (2003–2014), professor of free painting
- Jochen Flinzer , professor since 2008
G
- Johannes Gachnang , visiting professor
- Andreas Gering
- Tita Giese
- Angela Glajcar
- Adolf Gnauth
- Irma Goecke
- Johannes Götz , sculptor
- Hermann Gradl , teacher from 1907; from 1926 professor at the arts and crafts school, (1939–1945) director
- Otto Grau (1934–1939)
- Tamara Grcic (2010), visiting professor
- Fritz Griebel (1946–1966), professor of painting and graphics; Director 1948–1957
- Gerd Grimm
- Tassilo von Grolman , visiting professor of design history
- Andreas Grote
- Johannes Grützke (1992–2002), professor of painting
- Friedrich Gurschler
H
- Carl Haag
- Michael Hakimi , professor since 2011
- Blalla W. Hallmann
- Thomas Hartmann , Professor of Free Painting since 2005
- Adolf Heer
- Heinrich Heidner
- Max Heilmaier (from 1907), professor
- Andreas Heiszenberger
- Karl Helbig
- Karl Hemmeter
- Wolfgang Herrndorf
- Hanns Herpich , professor of textile art and surface design
- Friedrich Heubner
- Adolf von Hildebrand
- Gregor Hiltner (* 1950)
- Johannes Peter Hölzinger (1991–2002), professorship for three-dimensional design / art and public space
- Ottmar Hörl , professor of sculpture since 1999, (2005–2017) President of the Academy
- Erhard Hößle, professor for silversmiths
- Leni Hoffmann (1982–1987), studies, (1997), visiting professor
- Karl-Heinz Hoffmann
- Hermann Hosaeus
I.
- Walter Ibscher
- Johann Eberhard Ihle (1771–1811), director
- Heinrich Ilgenfritz
J
- Karl Jäger , painter
K
- Friedrich August von Kaulbach
- Georg Kemper
- Philipp Kittler (1877-1880)
- Eitel Klein (1924–1929), studied
- Gisela Kleinlein
- Bernd Klötzer
- Werner Knaupp (1986-2001), professor
- Rudolf Koch , type artist
- Alfred Kohler (1933–1935)
- Oskar Koller (1954–1959)
- Max grains
- Andreas Krämmer (1982–1988), studies
- Elke Krasny (2013), visiting professor of architecture and urban research
- August von Kreling (1853–1874), director
- Ursula Kreutz
- Christian Kruck
- Susanne Kühn , Professor of Free Painting
- Johann Michael Kupfer
L.
- Marko Lehanka , Professor of Fine Arts since 2006
- Arnold Leissler
- Wilhelm Leuschner
- Richard Lindner
- Ludwig von Löfftz
- Bart Lootsma (2003–2004), visiting professor of architecture and urban research
- Karlheinz Lüdeking (1997–2001) Professor of Art History; (1998–2001) Academy President
M.
- Suska Mackert , professor of fine arts / gold and silversmiths since 2013
- Friedrich Carl Mayer (from 1855), professor
- Thomas Mayfried (2012–2014) Substitute Professor of Graphic Design; (2015) Visiting Professor Architecture and Urban Research
- Dore Meyer-Vax
- Ortwin Michl
- Christian Mischke
- Julius Mössel
- Christian Philipp Müller (2016–2017), Professor of Art and Public Space
- Michael Munding (1983–1988), student, since 1998 professor of painting and art education
N
O
P
- Daniel Pauluzzi
- Georg Karl Pfahler (1984–1992), professor in the free painting class
- Chris Petit (2012) Visiting Professor Architecture and Urban Research
- Eva von Platen , professor of fine arts and design principles since 2005
- Christian Posthofen
- Johann Daniel Preissler
- Eduard Posch (1881/1882)
- Michael Mathias Prechtl (1926-2003)
- Bernhard Prince
- Christoph Preisel
- Rupert Preissl
- Johann Daniel Preissler (from 1705), director of the academy
- Wunibald Puchner (1969–1975), President of the Academy
R.
- Wilhelm Manfred Raumberger (1951–1954)
- Karl Raupp (1868–1879), professor
- Luis Rauschhuber
- Dan Reeder
- Carsten Recksik
- Albert Reich (1881–1942), pupil (1898–1902)
- Franz Reichel
- Hans Peter Reuter (1985–2007), professor of fine arts and art education
- Heiner Riepl , student
- Lorenz Ritter
- Paul Ritter
- Paul Ritter the Younger (1859-1888)
- Wilhelm Ritter
- Fritz Röll
- Stefan Römer , visiting professor of art theory and communication
- August Johann Rösel from Rosenhof
- Christopher Roth (2011/2012), visiting professor for architecture and urban research
- Ernst Moritz Roth (1921–1923)
- Georg Röttinger (1880–1882)
- Sep Ruf (1947-1952), Professor
- Ludwig Ruff
S.
- Jacob von Sandrart
- Diet Sayler
- Paul Schad-Rossa (1877-1880)
- Rudolf Schiestl
- Stefan Schilling (1986-1991)
- Heinz Schillinger (1979–1991), professor of graphic design
- Karlheinz Schmid (1998/99), visiting professor
- Otto Michael Schmitt
- Barbara Schock-Werner
- Karl Schricker
- Johann Jacob Schübler
- Alf Schuler (1964–1970)
- Karl Schwenzer
- Anton Seitz (painter)
- Albrecht Staedtler (1881/82)
- Ruth Stahl
- Kerstin Stakemeier , professor for art theory and art criticism since 2015
- Jules Stauber
- Werner Stein (sculptor)
- Michael Stevenson (artist) , professor of sculpture since 2011
- Hans Stubenrauch
T
- Juergen Teller , Professor of Photography since 2015
- Peter Tomschiczek
- Peter Trummer (2005), visiting professor of architecture and urban research
- Florian Tuercke
U
V
- Günter Voglsamer (1967–1984), Professor of Great Composition and Wall Painting; (1975–1984), President of the Academy
- Georg Vogt (1881–1956), (1911–1948) Academy professor
W.
- Thomas Wagner , Professor of Art History
- Stephan Walter
- Friedrich Wanderer (from 1868), professor
- Hubert Weber (artist)
- Ernst Weil (1965–1981), professor of painting
- Gerd Weiland
- Gerhard Wendland
- Jan St. Werner , Professor of Interactive Media since 2017
- August Wilckens
- Hermann Wilhelm
- Hans Peter Willberg studied from 1952, type and book designer from 1957, professor of typography and book art from 1975
- Hans Wimmer (1949–1972), professor of sculpture
- Georg Winter (artist) (2003–2007), professor for art and public space
- Georg Philipp Woerlen
- Josef Wittmann , studied at the then royal arts and crafts school around 1900
Z
Honorary Senators and Honorary Members
Honorary senators
- Günther Beckstein
- Anton Wolfgang Count von Faber-Castell
- Siegfried Lingel
- Karl Gerhard Schmidt
- Max Streibl
- Bruno Schnell
Honorary members
- Elfriede Bauer
- Rainer Beck (art historian)
- Julius Bissier
- Marianne and Hansfried Defet
- Joseph E. Drexel
- Hans Ehard
- Fritz Griebel
- Ludwig Grote
- Erich Heckel
- Hans Hofmann (painter)
- Volker Koch
- Richard Lindner
- Gerhard Marcks
- Marino Marini
- Bernhard Meyer-Rutz
- Irmgard Mueller
- Carl Orff
- Georg Karl Pfahler
- Wunibald Puchner
- Hans Purrmann
- Elke Schloter
- Robert Seiler
- Andreas Urschlechter
- Günter Voglsamer
- Georg von der Vring
- Christian Wallenreiter
literature
- Andrea M. Kluxen: The history of the art academy in Nuremberg 1662-1998. In: Yearbook for Franconian State Research. 59: 167-207 (1999).
- Edith Luther: Academy of Fine Arts . In: Michael Diefenbacher , Rudolf Endres (Hrsg.): Stadtlexikon Nürnberg . 2nd, improved edition. W. Tümmels Verlag, Nuremberg 2000, ISBN 3-921590-69-8 ( online ).
- Franz Winzinger (Red.): 1662–1962, Three Hundred Years of the Academy of Fine Arts in Nuremberg . Nuremberg 1962.
- Christian Demand : The Art Academy. A management report. In: Mercury . Issue 09/10 / September 2011, p. 933.
- Matthias Henkel, Ursula Kubach-Reutter (Eds.): 1662–1806. The early days of the Nuremberg Art Academy. An exhibition of the painting and sculpture collection of the museums of the city of Nuremberg in the city museum Fembohaus. Nuremberg 2012, ISBN 978-3-940594-42-6 .
- Academy of Fine Arts Nuremberg (ed.): Geartete Kunst: The Nuremberg Academy in National Socialism , Nuremberg 2012, ISBN 978-3-86984-375-9
- Academy of Fine Arts Nuremberg (Ed.): 350: Academy of Fine Arts in Nuremberg, Nuremberg 2012, ISBN 978-3-86984-351-3
Web links
- Internet presence of the Academy of Fine Arts in Nuremberg
- Andrea M. Kluxen: Academy of Fine Arts in Nuremberg . In: Historical Lexicon of Bavaria
Individual evidence
- ↑ Federal Statistical Office: Number of students by type of university, state and university, WS 2012/13, pp. 66–113 (accessed on November 3, 2013)
- ↑ Cf. Georg von Schuh: The city of Nuremberg in the anniversary year 1906 . Contributions to the history and culture of the city of Nuremberg. Nuremberg 1906, p. 154 .
- ↑ Kurt Pilz: Kreling, August von. In: New German Biography (NDB). Volume 12, Duncker & Humblot, Berlin 1980, ISBN 3-428-00193-1 , p. 745 ( digitized version ).
- ↑ https://n-land.de/lokales/lok-detail/daten/2010/07/14/wer-kauf-die-laufer-kaiserburg.html (link not available)
- ↑ kunsthistoriker.org
- ^ Vita Rainer Beck on the homepage of the Dresden University of Fine Arts , accessed on November 7, 2011.
- ^ Page on the person of Karlheinz Lüdeking on the homepage of the UdK Berlin ( memento from February 7, 2016 in the Internet Archive ), accessed on February 7, 2016.
- ^ Report on Ulla Mayer in the Nürnberger Nachrichten , accessed on November 7, 2011.
- ↑ adbk-nuernberg.de ( Memento from February 7, 2016 in the Internet Archive )
- ↑ a b cf. Georg von Schuh: The city of Nuremberg in the anniversary year 1906 . Contributions to the history and culture of the city of Nuremberg. Nuremberg 1906, p. 362 .
Coordinates: 49 ° 26 ′ 45.7 " N , 11 ° 8 ′ 11.3" E