List of orchestral works by Johann Strauss (son)

The list of orchestral works by Johann Strauss (son) is a directory of the compositions (excluding stage works) by Johann Strauss (son) that have appeared in print.

Preliminary remark: The spelling of the work titles essentially follows the spelling on the title pages of the respective first editions and therefore may differ. U. from other or more well-known spellings, although a revision may be possible in individual cases. The op. Counting uses the more commonly known "Viennese counting".

From the beginning of Johann Strauss (son )’s first stay in Russia in 1856, his Russian publishers (especially A. Büttner in St. Petersburg) have a. T. different counting used. The waltzes also appeared in Russia a. U. with changed titles.

waltz

See also : List of waltzes by Johann Strauss (son)

• Epistles op.1 (1844)
• Favorers op. 4 (1844)
• Seraglio Dances op.5 (1844)
• The Young Viennese op.7 (1845)
• Carnival songs op.11 (1845)
• Youth Dreams op.12 (1845)
• Bouquet op.15 (1845)
• Berglieder op.18 (1845)
• Lind-Gesänge op. 21 (1846),dedicatedto the Swedish opera singer Jenny Lind
• The Austrians op. 22 (1845)
• Zeitgeister op.25 (1846)
• The Sanguine Op. 27 (1846)
• The Zillerthaler op. 30 (1846)
• Irenen Waltz op.32 (1847)
• The Jovials op. 34 (1846)
• Architecten Ball Dances op.36 (1847)
• Singer Rides op. 41 (1847), dedicated to the Vienna Male Choir Association
• Wild roses op.42 (1847)
• Harvest Dances op.45 (1847)
• Village stories op.47 (1847)
• Sounds from Wallachia op.50 (1848)
• Liberty Songs op.52 (1848)
• Boys songs op.55 (1848)
• New Styrian Dances op.61 (1848)
• Unity Sounds op.62 (1849)
• Fantasy pictures op.64 (1849)
• D'Woaldbuama op.66 (1849)
• Aeols-Töne op.68 (1849)
• Die Gemüthlichen op.70 (1850)
• Frohsinns-Donations op.73 (1850)
• Lava-Ströme op. 74 (1850), written for the "Ball in Vesuvius" in the Sofiensaal
• Maxing Dances op. 79 (1850), composed for the 18th birthday of Archduke Ferdinand Maximilian (1832–1867)
• Luisen Sympathie Klänge op. 81 (1850) This waltz is actually called that. The spaces belong to the correct title.
• Johannis-Käferln op.82 (1850)
• Heimaths-Kinder op.85 (1850)
• Aurora-Ball-Tänze op.87 (1851), composed for a ball of the Winer Artists Association Aurora .
• Shepherd Games op.89 (1850)
• Oracle Proverbs op.90 (1851)
• Rhadamantus Sounds op.94 (1851)
• Idylls op.95 (1851)
• Gambrinus Dances op.97 (1851)
• Fraunkäferln op.99 (1851)
• Mephisto's calls to hell op.101 (1851)
• Windsor Sounds op. 104 (1852) dedicated to Queen Victoria of Great Britain.
• Five paragraphs from the Waltz Codex op. 105 (1852) Dedicated to law students at the University of Vienna
• The lovebirds op.108 (1852)
• Love songs op.114 (1852)
• Decoys op.118 (1852)
• Folk singer op.119 (1852)
• Phoenix wings op.125 (1853)
• Solon Proverbs op.128 (1853)
• Wiener Punch-Lieder op.131 (1853), dedicated to the Austrian writer Moritz Gottlieb Saphir
• Vermählungs-Toaste op. 136 (1853), dedicated to the future King Prince Albert of Saxony on the occasion of his wedding to Carola von Wasa-Holstein-Gottorp
• Knallkügerln op.140 (1853)
• Waves and Waves op.141 (1853)
• Snow Bell op. 143 (1854), dedicated to the pianist Countess Maria Kalergis-Muchanow, b. Nesselrode (1822–1874)
• Novellas op. 146, (1854) Dedicated to law students at the University of Vienna.
• Sound waves op.148 (1854) Dedicated to the techn. Students at the University of Vienna
• Ballg'schichten op.150 (1854)
• Myrtle wreaths op.154 (1854), written for the wedding of Emperor Franz Joseph I to Elisabeth of Bavaria (called Sisi)
• Moth, op.157 (1855)
• Panacea-Klänge op. 161 (1855) Dedicated to the medical students of the University of Vienna
• Glosses op. 163 (1855) Dedicated to law students at the University of Vienna
• Sirens op.164 (1855)
• You Only Live Once op.167 (1855)
• Freuden-Salven op. 171 (1855) Written on the occasion of the return of Emperor Franz Josef from a trip to Galicia.
• Thoughts on the Alps op. 172 (1855), dedicated to Duke Max Joseph in Bavaria , patron of Bavarian folk music
• Heightened Pulse op. 175 (1856) Dedicated to medical students at the University of Vienna.
• Juristenball-Tänze op. 177 (1856) Dedicated to law students at the University of Vienna.
• Farewell Calls op. 179 (1856), dedicated to the Austro-Hungarian composer Franz Liszt
• Dragonfly Waltz op.180 (1856) Dedicated to techn. Students at the University of Vienna.
• Grand Duchess Alexandra-Waltz op. 181 (1856), dedicated to the Russian Grand Duchess Alexandra Iosifovna
• Coronation songs op.184 (1856), dedicated to the Russian Empress Marija Alexandrovna
• Paroxysms op. 189 (1857) Dedicated to medical students at the University of Vienna.
• Controversen op. 191 (1857) Dedicated to law students at the University of Vienna.
• Vienna, my sense! op. 192 (1857)
• Phenomena op. 193 (1857) Dedicated to technical students at the University of Vienna
• Telegraphic Depeschen op. 195 (1857), in the Russian edition dedicated to Johann Promberger (1810–1890)
• Souvenir de Nice op.200 (1857)
• Vibrationen op. 204 (1858) Dedicated to medical students at the University of Vienna
• The Extravagants op.205 (1858)
• Cycloiden op. 207 (1858) Dedicated to techn. Students at the University of Vienna.
• Jux Brothers op.208 (1858)
• Spirals op.209 (1858)
• Farewell to St Petersburg op.210 (1858)
• Flight of Thoughts op.215 (1858)
• Hell und voll op. 216 (1859) Dedicated to medical students at the University of Vienna.
• Irrlichter op. 218 (1859) Dedicated to engineering students at the University of Vienna.
• German op.220 (1859)
• Doctorates op. 221 (1859) Dedicated to law students at the University of Vienna
• Flywheels op. 223 (1859) Dedicated to engineering students at the University of Vienna.
• Travel Adventure op.227 (1859)
• Lebenswecker op. 232 (1860) Dedicated to medical students at the University of Vienna.
• Sentences op. 233 (1860) Dedicated to law students at the University of Vienna
• Accelerationen op. 234 (1860), written for the engineering student ball in the Sofiensaal and dedicated to engineering students in Vienna
• Always cheerful op. 235 (1860)
• Thermen op. 245 (1861), written for the medical student ball in the Sofiensaal and dedicated to medical students in Vienna
• Cricket banner , waltz (in the country style) op. 247 (1861), dedicated to the Austrian major general Prince Leopold of Saxe-Coburg and Gotha
• Wahlstimmen op. 250 (1861) Dedicated to law students at the University of Vienna
• Sound figures op.251 (1861) dedicated to the techn. Students at the University of Vienna
• Dividends op.252 (1861)
• Enthusiasm , concert waltz op. 253 (1861), dedicated to the Russian composer Anton Rubinstein
• The First Cures op. 261 (1862) Dedicated to medical students at the University of Vienna.
• Colonnen op. 262 (1862) Dedicated to law students at the University of Vienna.
• Patroness op.264 (1862)
• Motoren op.265 (1862) Dedicated to the techn. Students at the University of Vienna.
• Concurrences op. 267 (1862)
• Wiener Chronik op.268 (1862)
• Carnevals Ambassador op. 270 (1862)
• Editorial op. 273 (1863), written for the Concordia Ball in the Sofiensaal and dedicated to the Concordia Press Club
• Morgenblätter op. 279 (1864), written a year later for the same occasion and with the same dedication
• Studentenlust op. 285 (1864), dedicated to the patrons of the student ball in the Redoutensaal
• Aus den Bergen op. 292 (1864), dedicated to the Austrian music critic Eduard Hanslick
• Feuilleton op.293 (1865), occasion and dedication as in opp. 273 and 279
• Bürgersinn op. 295 (1865), dedicated to the representative committee of the Citizens Ball in the Redoutensaal
• Court Ball Dances op.298 (1865), written for the court ball in the Hofburg and dedicated to the Emperor of Russia Alexander II.
• Pamphlets op.300 (1865), occasion and dedication as in opp. 273, 279 and 293
• Citizens' ways op. 306, occasion and dedication as in op. 295
• Wiener Bonbons op. 307 (1866), dedicated to the Austrian Salonnière Princess Pauline von Metternich
• Fairy Tales op.312 (1866)
• On the beautiful blue Danube op.314 (1867)
• Künstlerleben op. 316 (1867), written for the Hesperus Ball in the Dianasaal and dedicated to the Hesperus Ball Committee
• Telegrams op.318 (1867), occasion and dedication as in opp. 273, 279, 293 and 300
• Die Publicisten op. 321 (1868), same as above
• Stories from the Vienna Woods op. 325 (1868), dedicated to the Prince and General Konstantin zu Hohenlohe-Schillingsfürst
• Remembrance of Covent-Garden op.329 (1867), premiered there
• Illustrations op.331 (1869), occasion and dedication as in opp. 273, 279, 293, 300 and 321
• Wein, Weib und Gesang op. 333 (1869), dedicated to the Austrian conductor Johann von Herbeck
• Königslieder op. 334 (1869), dedicated to the Austrian Horticultural Society and King Luís I of Portugal (1838–1889)
• Reuet dich des Lebens op.340 (1870), dedicated to the Society of Friends of Music in Vienna and in 1873 to the abdicated King of Spain Amadeus I.
• Neu-Wien op. 342 (1870), dedicated to the patron of musical life in Vienna Nikolaus Dumba
• A Thousand and One Nights op. 346 (1871) based on his operetta Indigo and the 40 Robbers
• Wiener Blut op. 354 (1873), also included in the operetta Wiener Blut (1899), written for the ball of the court opera in the Wiener Musikverein and dedicated to the King of Denmark Christian IX.
• Carnevalsbilder Waltz, op.357 (1873), based on his operetta The Carnival in Rome
• With us z'Haus , waltz for male choir and orchestra op. 361 (1873), dedicated to the patron Princess Marie zu Hohenlohe-Schillingsfürst
• Where the lemons bloom! op. 364 (1874), first performed at the Teatro Regio in Turin
• Du und Du op. 367 (1874), based on themes from the operetta Die Fledermaus
• Cagliostro-Waltz op. 370 (1875), based on his operetta Cagliostro in Vienna
• O beautiful May! op. 375 (1877) based on his operetta Prinz Methusalem
• Do you know me? op. 381 (1878) based on his operetta Blinde Kuh
• Into the center op.387 (1880)
• Roses from the South op.388 (1880), based on his operetta Das Spitzentuch der Königin and dedicated to the King of Italy Humbert I.
• North Sea Pictures op.390 (1880)
• Myrthenblüthen , waltz for male choir and orchestra op. 395 (1881), dedicated to the Crown Prince Rudolf of Austria-Hungary and his wife Princess Stephanie of Belgium
• Kiss-Walzer op. 400 (1882), dedicated to his second wife Angelika, b. Dittrich (1850-1919); after the divorce in the same year the dedication was removed
• Italian waltz op. 407 (1881) based on motifs from the operetta The Merry War
• Voices of Spring, Op. 410 (1883)
• Lagunen-Walzer op.411 (1883) based on the operetta One Night in Venice
• Schatz-Waltz op. 418 (1885) based on the operetta Der Zigeunerbaron
• Wiener Frauen op.423 (1886), first performed in Saint Petersburg , first performed in Vienna in 1887 at the Concordia Ball in the Sofiensaal
• Adelen-Walzer op. 424 (1886), dedicated to his third wife Adele, b. German (1856-1930)
• Donauweibchen op.427 (1887), based on his operetta Simplicius
• Kaiser Jubilee . Jubel-Waltz op.434 (1888), premiered on December 2nd in the Musikverein for the 40th anniversary of the throne of Emperor Franz Joseph I.
• Sinnen und Minnen op. 435 (1888), dedicated to the Queen of Romania Elisabeth zu Wied
• Kaiser-Waltz op.437 (1888)
• Rathausball-Tänze op.438 (1890), premiered in the New Vienna City Hall and dedicated to the City of Vienna
• Groß-Wien , waltz for male choir and orchestra op.440 (1891), dedicated to Archduke Karl Ludwig of Austria
• Pásmán Waltz (1892), based on his opera Ritter Pásmán (op.441)
• Be embraced millions op. 443 (1892, first performed in 1893), dedicated to the composer Johannes Brahms
• Fairy tales from the Orient op.444 (1892), dedicated to the Sultan of the Ottoman Empire Abdülhamid II.
• Ninetta-Waltz op. 445 (1893) Based on motifs from the operetta Fürstin Ninetta
• Wedding dance op. 453 (1893), dedicated to Princess Marie Louise of Bourbon-Parma on her wedding to Prince Ferdinand I , who later became King of Bulgaria
• I am good to you! op 455 (1894) Based on motifs from the operetta Jabuka
• Gartenlaube-Walzer op. 461 (1895), dedicated to the readers of the journal Die Gartenlaube
• Klug Gretelein op. 462 (1895), written for the 25th anniversary of the Wiener Musikverein
• Trust, look who! op. 463 (1895), based on his operetta Waldmeister and dedicated to the German painter Franz von Lenbach
• Today is today ' ' Op. 471 (1897), based on his operetta The goddess of reason and dedicated to the portrait painter Leopold Horovitz
• An der Elbe op. 477 (1897), his last waltz

Waltz without opus number

• Farewell Waltz (in F) (Posthumous Waltz No. 1)
• Ischler Waltz (in A) (Posthumous Waltz No. 2)
• Odeon Waltz (Posthumous Waltz No. 3)
• Posthumous Waltz No. 4
• First thought by Johann Strauss (Salmannsdorf August 1831)
• Old German waltz
• Pásmán Waltz
• Eva Waltz (Arranged by Kapellmeister Josef Schlar)
• Waltz bouquet no 1
• Jubilee Waltz
• Strauss' autograph Waltzes *
• Strauss' Engagement Waltzes *
• Strauss' Centennial Waltzes *
• Strauss' Enchantement Waltz *
• Colliseum Waltzes *
• Farewell to America Waltz *
• Greeting to America Waltz *
• New York Herald Waltz
• Sounds from Boston Waltzes *
• Manhattan Waltzes (with the exception of the coda identical to Waltz Bouquet No. 1)
• * = Strauss' authorship is doubtful.

Polkas

Silhouette of Otto Böhler

Silhouette of Hans Schliessmann

• Herzenslust op. 3 (1844), premiered at his first concert with his own works on October 15th in Dommayers Casino
• Amazon Polka op.9 (1845)
• Czechen-Polka op.13 (1845) premiered in the Sperl
• Jux-Polka op. 17 (1846), written for the industrial ball in Goldenen Strauss in Josefstadt
• Fidelen-Polka op.26 (1846)
• Hopser Polka op.28 (1846)
• Bachus Polka op.38 (1847)
• Explosions-Polka op.43 (1847)
• Liguorianer-Seufzer-Polka Scherz-Polka op.57 (1848), premiered in the Blue Bottle
• Flagellated Polka op.60 (1848)
• Joke Polka op.72 (1849)
• Heiligenstädter Rendez-vous-Polka op. 78 (1850), premiered in Kugler-Park , today Heiligenstädter Park
• Heski-Holki-Polka op. 80 (1850) [ hezky holki (Czech) = pretty girls ]
• Warsaw Polka op.84 (1850)
• Hermann Polka op.91 (1851)
• Vöslauer Polka op.100 (1851)
• Albion-Polka op.102 (1851), dedicated to Prince Albert of Saxe-Coburg and Gotha , later British Prince Consort
• Harmony Polka op.106 (1852)
• Electro-magnetic-Polka op. 110 (1852), dedicated to the Viennese engineering students
• Flower Festival Polka op.111 (1852)
• Annen-Polka op. 117 (1852), dedicated to Maria Anna , Empress of Austria.
• Zehner-Polka op.121 (1852)
• Satanella-Polka op.124 (1853), written for the Satanella-Ball in the Sofiensaal
• Happy Greetings Polka, Op. 127 (1853)
• Aesculap-Polka op. 130 (1853), dedicated to the Viennese medical students
• Violet Polka op.132 (1853)
• Tanzi-Bäri-Polka op. 134 (1853), dedicated to Countess Julia Batthyány , née Countess von Apraxin
• Neuhauser Polka op.137 (1853)
• Pepita-Polka op. 138 (1853)
• Reunion Polka op.142 (1853)
• La Viennoise-Polka -Mazurka op.144 (1854)
• Bürgerball-Polka op.145 (1854)
• Muses-Polka op.147 (1854)
• Elisen-Polka Polka française op.151 (1854)
• Haute volée-Polka op.155 (1854), written to celebrate the 24th birthday of Emperor Franz Joseph I.
• Schnellpost-Polka op.159 (1854)
• Ella-Polka op.160 (1855)
• Souvenir Polka op.162 (1855)
• Aurora-Polka op.165 (1855), written for the Aurora-Ball in the Sperl
• Leopoldstädter-Polka op.168
• Night Violet Polka Mazurka op.170 (1855)
• Marie Taglioni-Polka op.173
• Le Papillon-Polka -Mazurka op.174 (1855)
• Armen-Ball-Polka op. 176 (1856), written for the Armen-Ball in Schwender's Colosseum
• Sans-souci-Polka op.178 (1856)
• L'Inconnue-Polka -française op.182 (1856)
• Demi-Fortune-Polka -française op.186 (1857), written for the artists' ball in the Sperl
• Une Bagatelle-Polka -Mazur op.187 (1857), written for the Aurora-Ball in the Sperl
• Herzel-Polka op.188 (1857), written for the charity ball in the Sperl
• Something Small-Polka Polka française op.190 (1857)
• Olga-Polka op. 196 (1857), dedicated to Archduchess Olga Fjodorovna von Baden (1839-1891)
• Spleen-Polka Polka-Mazur op.197 (1857)
• Alexandrine-Polka op. 198 (1857), first performance in Pavlovsk, first performance in Vienna in the Gasthaus Zum Großen Zeisig on Spittelberg
• L'Enfantillage-Polka (zapperl polka) op. 202 (1858), written for the charity ball in the Sofiensaal
• Hellenic Polka ( fast ) op. 203 (1858), written for the Greek Ball in Sperl and dedicated to Maria Freiin von Sina zu Hodos and Kizdia
• Concordia-Polka -Mazur op. 206 (1858), written for the Protestant Ball in the Redoutensaal
• Champagner-Polka (musical joke) op. 211 (1858), dedicated to Carl Freiherr von Bruck
• Bonbon-Polka (française) op.213 (1858)
• Tritsch-Tratsch-Polka op.214 (1858)
• La Favorite-Polka (française) op. 217 (1858)
• Aurora Ball Polka (française) op. 219 (1859)
• Nachtigall-Polka op. 222 (1859), premiered in Unger's Casino , the first Viennese musical hall
• Greetings to Vienna Polka française op. 225 (1859), premiered in the Volksgarten
• The Kobold Polka-Mazur op.226 (1859)
• Niko-Polka op. 228 (1859), dedicated to Niko Dadiani , Prince of Mingrelien (1847–1903)
• Jäger-Polka Polka française op. 229 (1859) composed and premiered in Pavlovsk, Russia.
• Chamber ball polka op.230
• Drollerie-Polka , Op. 231
• Pigeon Mail Polka française op.237
• The Parisian Polka française op.238
• Polka-Mazurka champêtre Polka Mazurka op.239
• Mask train polka Polka française op.240
• Fantasy flower Polka Mazurka op.241
• Bijoux-Polka française op.242
• Diabolin-Polka op. 244
• Rokonhangok ( sounds of sympathy) Polka française op. 246 (1861), written for the Hungarian Student Ball in the Dianasaal and dedicated to the Hungarian youth studying in Vienna; today mostly referred to as sympathy sounds
• Camelien-Polka (fast) op. 248 (1861), written for the Camelien-Ball in the Dianasaal
• Hesperus Polka op.249 (1861)
• Secunden-Polka (française) op. 258 (1861), dedicated to Josef Hellmesberger senior
• Furioso-Polka (quasi gallop) op.260 (1861)
• Studenten-Polka française op. 263 (1862), written for the student ball in the Redoutensaal and dedicated to the students in Vienna
• Lucifer Polka (fast) op. 266
• Demolirer Polka française , Op. 269
• Bluette op. 271 (1862), written for the masked ball before St. Catherine Day, the Kathrein dance in the Redoutensaal, and dedicated to his first wife Henriette Strauss
• Patriot Polka op.274
• Peasant Polka française op.276
• Invitation a la Polka-Mazur op.277
• New Life Polka française op.278 (1863)
• Juristenball-Polka (fast) op.280
• Pleasure train Polka (fast) op. 281 (1864), written for the ball of the industrial companies in the Redoutensaal
• Good bourgeois française op.282
• Patroness polka française op.286
• Neva-Polka (française) op.288 (1864), first performed in Pavlovsk, but dedicated to the Queen of Spain Isabella II.
• There's only one imperial city, there's only one Vienna Schnellpolka op. 291
• Proceß-Polka (fast) op. 294 (1865), written for the law students' ball in the Redoutensaal and dedicated to law students in Vienna
• Episode-Polka (française) op. 296 (1865), dedicated to the representative committee of the student ball
• Electrofor-Polka op. 297, written for the engineering student ball in the Redoutensaal and dedicated to engineering students in Vienna
• Kreuzfidel op. 301 (1865)
• The Timeless Polka (française) op. 302 (1865)
• Children's games (française) op. 304 (1865), written for a court concert in the Hofburg
• Lady donation op. 305 (1866), premiered at the student ball in the Redoutensaal
• Par force! (Schnell) op. 308 (1866), premiered at Ball for the Blind in the Redoutensaal
• Sylphen-Polka op. 309 (1866), written for the Hesperus Ball in the Dianasaal
• Flirtation Polka-Mazur op.310 (1866)
• Express-Polka (fast) op.311 (1866)
• Wildfire Polka (française) op.313 (1866)
• In Praise of Women Polka-Mazur op.315 (1867)
• Postillon d'amour Polka (française) op.317 (1867)
• Leichtes Blut Polka (fast) op. 319 (1867)
• Figaro-Polka op. 320 (1867), premiered at the World Exhibition in Paris and dedicated to Hippolyte de Villemessant (1810–1879), founder of the Le Figaro newspaper
• Stadt und Land Polka-Mazur op. 322 (1868), dedicated to the Austrian Horticultural Society
• Ein Herz, ein Sinn Polka-Mazur op. 323 (1868), dedicated to the committee of the citizens' ball
• Under Donner und Blitz Polka (Schnell) op. 324 (1868) originally performed as “Sternschnuppe”, written for the Hesperus ball in the Dianasaal
• Free balls Polka (fast) op.326 (1868)
• Sängerslust-Polka (française) op. 328 (1868), dedicated to the Vienna Men's Singing Association
• Fata Morgana Polka-Mazur op.330 (1869)
• Éljen a Magyar! Polka (fast) op. 332 (1869), dedicated to the Austrian Horticultural Society and the Hungarian Nation
• Im Krapfenwald'l op.336 (1869)
• From the Börse Polka (française) op. 337 (1869), written for the Concordia Ball in the Sofiensaal and dedicated to the Concordia Press Club
• Louischen Polka (francaise) op.339 (1869)
• Shawl-Polka Polka (française) op. 343 (1871) Based on motifs from the operetta Indigo and the 40 Robbers
• Polka at large (française) op. 345. Based on motifs from the operetta Indigo and the 40 robbers
• From Heimath Polka-Mazur op. 347. Based on motifs from the operetta Indigo and the 40 Robbers .
• In the storm step Polka (fast) op. 348 (1871) Based on motifs from the operetta Indigo and the 40 robbers .
• Lust'ger Rath Polka (francaise) op. 350. Based on motifs from the operetta Indigo and the 40 Robbers .
• The Bajadere Polka (fast) op. 351 (1871), premiered in the Volksgarten. Based on motifs from the operetta Indigo and the 40 robbers .
• Vom Donaustrande Polka (fast) op. 356 (1873), based on his operetta The Carneval in Rome
• Take it Polka (francaise) op. 358 Based on motifs from the operetta Carnival in Rome
• Greetings from Austria Polka-Mazur op. 359. Based on motifs from the operetta Carnival in Rome
• Fledermaus-Polka op. 362, based on motifs from the operetta of the same name
• Tik-Tak-Polka Polka (fast) op. 365 (1874), based on motifs from his operetta Die Fledermaus
• At the Moldau Polka française op. 366, based on motifs from his operetta Die Fledermaus
• Happy is he who forgets! Polka-Mazurka op. 368 (1874), based on motifs from his operetta Die Fledermaus
• There you go Polka française op. 372, based on motifs from the operetta Cagliostro in Vienna
• On the Hunt Polka (fast) op. 373, based on motifs from the operetta Cagliostro in Vienna
• Licht und Schatten Polka-Mazur op. 374 (1875), dedicated to the Austro-British painter Marianne Preindlsberger-Stokes based on motifs from the operetta Cagliostro in Vienna
• I-Tipferl-Polka Polka française op. 377 based on motifs from the operetta Prince Methuselah
• Bandit Gallop Polka (fast) op. 378 (1877) based on motifs from the operetta Prince Methuselah
• Kriegers Liebchen Polka-Mazur op. 379 based on motifs from the operetta Prince Methuselah
• Ballsträusschen Polka (fast) op.380 .
• Parisian Polka Polka française op. 382 based on motifs from the operetta Blinde Kuh
• Nur fort Polka (fast) op. 383 based on motifs from the operetta Blinde Kuh
• Waldine Polka-Mazurka op. 385 based on motifs from the operetta Blinde Kuh
• Freshly approached Polka (fast) op.386
• Boys' walk Polka française op.389
• Stormy in Love and Dance Schnell-Polka op. 393 (1881), written for the Concordia Ball of the Concordia Press Club in the Sofiensaal. Based on motifs from the operetta The Queen's Lace Scarf
• Liebchen Dich swing Polka-Mazurka op. 394. Based on motifs from the operetta The Queen's Lace Scarf
• What loves each other teases Polka française op. 399. Based on motifs from the operetta The Merry War
• The wiser gives after Polka-Mazurka op. 401. Based on motifs from the operetta The Merry War
• Either - or Schnell-Polka op. 403. Based on motifs from the operetta The Merry War
• Violetta Polka française op. 404. Based on motifs from the operetta The Merry War
• North and South Polka-Mazurka op. 405. Based on motifs from the operetta The Merry War
• Rasch indeed Schnell-Polka op. 409 (1883)
• Pappacoda-Polka Polka française op. 412. Based on motifs from the operetta One Night in Venice
• We're not that afraid of Schnell-Polka, Op. 413. Based on motifs from the operetta One Night in Venice
• The doves of San Marco Polka française op. 414. Based on motifs from the operetta One Night in Venice
• Annina Polka-Mazurka op. 415. Based on motifs from the operetta One Night in Venice
• Bride Show Polka Op. 417. Based on motifs from the operetta Der Zigeunerbaron
• War adventure Schnell-Polka op. 419. Based on motifs from the operetta Der Zigeunerbaron
• The fortune teller Polka-Mazurka op. 420. Based on motifs from the operetta Der Zigeunerbaron
• Hussar Polka op. 421. Based on motifs from the operetta Der Zigeunerbaron
• On the Volga Polka-Mazurka op.425.
• Soldatenspiel Polka française op. 430. Based on motifs from the Simplicius operetta
• Lagerlust Polka-Mazurka op. 431. Based on motifs from the operetta Simplicius
• Muthig Voran Schnell-Polka op. 432. Based on motifs from the operetta Simplicius
• On to the dance of Schnell-Polka, op.436.
• By the telephone Polka op.439
• Impartial criticism Polka-Mazurka op.442
• Queen of Hearts Polka française op.445
• Diplomatic Polka op. 448. Based on motifs from the operetta Princess Ninetta
• New Pizzicato-Polka op.449 (1893). Based on motifs from the operetta Princess Ninetta
• The Comitat is going up! Schnell-Polka op. 457. Based on motifs from the operetta Jabuka
• Dance Polka française op. 458 with the broomstick . Based on motifs from the operetta Jabuka
• Sunflower Polka-Mazurka op. 459. Based on motifs from the operetta Jabuka
• Herrjemineh Polka française op. 464. Based on motifs from the operetta Waldmeister
• Love and marriage Polka-Mazurka op. 465. Based on motifs from the operetta Waldmeister
• Klipp-Klapp-Galopp Schnell-Polka op. 466. Based on motifs from the operetta Waldmeister
• Just don't muck Polka française op. 472. Based on motifs from the operetta Die Göttin der Vernunft
• The gables nod Polka-Mazurka op. 474. Based on motifs from the operetta The Goddess of Reason
• Pásmán polka without opus number, based on motifs from the opera Ritter Pásmán
• Probirmamsell Polka française without opus number, based on motifs from the ballet Cinderella . The question of whether the work is still by Johann Strauss or the editor Josef Bayer is open.
• Promenade adventure Polka-Mazurka , without opus number. Based on motifs from the ballet Cinderella . Probablyarrangedby Josef Bayer .
• Pizzicato Polka Without Opus Number. Joint work by Johann and Josef Strauss

Marches

Contemporary history can be read off of the marches on the basis of the occasions and dedications.

• Patriots March op.8 (1845)
• Austria March op.20 (1846)
• Festival March op.49 (1847)
• Revolution March op.54 ( 1848 )
• Student March op.56 (1848)
• Brno National Guard March op.58 (1848)
• Kaiser-Franz-Joseph-Marsch op.67 (1849), written on the occasion of the 19th birthday of Emperor Franz Joseph I.
• Triumph March op.69 (1850)
• Vienna Garrison March op.77 (1850)
• Ottinger-Reiter-Marsch op.83 (1850), dedicated to Franz Freiherrn von Ottinger , Austrian officer
• Kaiser-Jäger-March op.93 (1851)
• Viribus unitis op. 96 (1851), for the emperor's 21st birthday
• Grand Duke March op. 107 (1852), dedicated to the Russian Grand Duke Nikolai and Michael Romanow
• Saxon Cuirassier March op.113 (1852)
• Wiener Jubel-Greeting-March op.115 (1852)
• Kaiser-Franz-Joseph-I-Rescue-Jubel-March op.126 (1853)
• Caroussel March op.133 (1853)
• Kron-March op.139 (1853)
• Archduke Wilhelm convalescence march op. 149 (1854), dedicated to Archduke Wilhelm of Austria
• Napoleon March op.156 (1854), dedicated to the Emperor of the French Napoleon III.
• Alliance March op.158 (1854)
• Coronation March op. 183 (1856), written for the coronation of Tsar Alexander II of Russia
• Prince Bariatinsky March op. 212 (1858), dedicated to the Russian Prince Alexander Iwanowitsch Bariatinsky (1814–1879)
• German Warrior March op.284 (1864)
• Fraternization March op. 287 (1864), dedicated to the Prussian King Wilhelm I , the later German Emperor
• Persian March op.289 (1864), dedicated to the Shah of Persia Nasreddin
• Egyptischer March op.335 (1869), dedicated to Grand Duke Friedrich I of Baden (dedication added in 1871)
• Indigo March op. 349 (1871), based on the operetta Indigo and the Forty Robbers
• Russian March Fantasy op.353 (1872)
• High Austria! op. 371 (1875) based on the operetta Cagliostro in Vienna
• Jubelfest-Marsch op. 396 (1881), dedicated to Crown Prince Rudolf of Austria-Hungary on his marriage to Stephanie of Belgium
• The Merry War op. 397 (1882), based on the operetta of the same name
• Frisch ins Feld op. 398 (1882), dedicated to Duke Adolph von Nassau Infantry Regiment No. 15, based on the operetta The Merry War
• Matador-March op. 406 (1882) based on the operetta Das Spitzentuch der Königin
• Habsburg high! op. 408 (1882), written for the celebrations "600 Years House of Habsburg "
• Russian March op.426 (1886), dedicated to the Tsar Alexander III. from Russia
• Riding March (1887) op.428 (1887)
• Spanischer Marsch op.433 (1888), dedicated to Maria Christina of Austria , Regent of Spain
• Ninetta-March op.447 based on the operetta Princess Ninetta
• Fest-Marsch (1893) op.452 (1893), dedicated to Ferdinand I , Tsar of Bulgaria
• Živio! op.456 ( Cheers! ) (1894), based on motifs from the operetta Jabuka . Only published in the piano reduction by Kapellmeister Roth. Not really an original Strauss work.
• It was so beautiful op 467, based on the operetta Waldmeister
• Deutschmeister Jubilee March op.470 (1896), dedicated to the infantry regiment Hoch- und Deutschmeister No. 4
• Where our flag blows op. 473 (1897) based on motifs from the operetta The Goddess of Reason
• Auf's Korn op. 478 (1898), Bundesschützen-March for choir and orchestra
• Volunteers before without opus number (1887)
• Kaiser-Franz-Joseph-Jubilee-March without opus number (1898) for the 50th anniversary of the throne of Emperor Franz Joseph I.
• Patriotic march community composition with Josef Strauss

Quadrilles

• Debut Quadrille op. 2 (1844)
• Cytheren Quadrille op.6 (1844)
• Quadrille based on the opera “Der Liebesbrunnen” by MW Balfe op. 10 (1845)
• Serb Quadrille op. 14 (1846), dedicated to the Prince of Serbia Mihailo Obrenović III.
• Elven Quadrille op.16 (1845)
• Demon Quadrille op.19 (1845)
• Zigeunerin-Quadrille op. 24 (1846) based on the opera La Zingara (German title Die Zigeunerin ) by Michael William Balfe .
• Odeon Quadrille op.29 (1846)
• Quadrille based on motifs from the opera “The Siege of Rochelle” by MW Balfe op. 31 (1846)
• Alexander Quadrille op. 33 (1847), in the Serbian edition dedicated to the Serbian prince Aleksandar Karađorđević
• Industrie-Quadrille op. 35 (1847), dedicated to the Committee of the Industrie-Ball
• Wilhelminen Quadrille op.37 (1847)
• Quadrille based on motifs from the opera "The Queen of Leon" by Boisselot op. 40 (1847)
• Festival Quadrille op.44 (1847)
• Martha-Quadrille op. 46 (1848) based on motifs from the opera Martha by Friedrich von Flotow .
• Celadon-Quadrille op. 48 (1847) [ Celadon : here "languishing lover"]
• Marien-Quadrille op. 51 (1847/48), premiered in Bucharest and dedicated to “Princess Marie von Bibesco ”
• Annika Quadrille op.53 (1848)
• Quadrille based on motifs from the opera "Der Blitz" by F. Halévy op. 59 (1848)
• Sanssouci-Quadrille op. 63 (1849), premiered in Café Sans-Souci
• Nikolai Quadrille op.65 (1849)
• Künstler-Quadrille op. 71 (1849), written for a dance pleasure on St. Catherine's Day (November 25) in the Redoutensaal to support the retirees of the Association of Visual Artists
• Sofien-Quadrille op. 75 (1850), premiered in the Sofiensaal
• Attaque-Quadrille op.76 (1850)
• Bonvivant Quadrille op.86 (1850), written to celebrate the 20th birthday of Emperor Franz Joseph I.
• Slaven Ball Quadrille op. 88 (1851), written for the Slaven Ball in the Sofiensaal
• Mask Festival Quadrille op.92 (1851)
• Promenade-Quadrille op. 98 (1851), premiered in the Volksgarten
• Vivat! -Quadrille op.103 (1851)
• Tête-à-Tête-Quadrille op.109 (1852), premiered in Bratislava
• Melodien-Quadrille op.112 (1852) based on melodies by Giuseppe Verdi
• Court Ball Quadrille op.116 (1852)
• Nocturne Quadrille op.120 (1852)
• Indra-Quadrille op. 122 (1852) based on motifs from the opera L'Esclave de Camoëns (German: Title: Indra, the snake girl ) by Friedrich von Flotow
• Satanella-Quadrille op. 123 (1853), written for the Satanella-Ball in the Sofiensaal and dedicated to Marie Taglioni, daughter of the Italian dancer Marie Taglioni
• Motor-Quadrille op. 129 (1853), written for the engineering student ball in the Sofiensaal and dedicated to engineering students in Vienna
• Bouquet-Quadrille op.135 (1853)
• Carnevals-Spectakel-Quadrille op. 152 (1854), premiered in Schwender's Coliseum in Hietzing
• Nordstern-Quadrille op.153 (1854), premiered in Unger's Casino . Based on motifs from the opera L'étoile du nord (German title: The North Star) by Giacomo Meyerbeer .
• Handels-Elite-Quadrille op.166 (1855), premiered in the Sperl
• Bijouterie-Quadrille op.169 (1855)
• Strelna-Terrassen-Quadrille op.185 (1856), first performed in Pavlovsk
• La Berceuse op.194 (1857)
• Le beau monde op.199 (1857)
• Künstler-Quadrille op. 201 (1858), written for the artist ball in the Sofiensaal and dedicated to the artists of Vienna. Based on the motifs of great classical and romantic composers.
• Dinorah-Quadrille op. 224 (1859), based on themes from Giacomo Meyerbeer's opera Dinorah or the pilgrimage to Ploërmel
• Orpheus-Quadrille op. 236 (1860), first performed in the Gasthaus Zum Großen Zeisig on the Spittelberg . Based on motifs from the operetta Orpheus in der Unterwelt by Jacques Offenbach .
• Neue Melodien-Quadrille op. 254 (1861) Based on operatic motifs by Giuseppe Verdi , Gaetano Donizetti and Vincenzo Bellini .
• St. Petersburg op. 255 (1861), Quadrille on Russian Themes, premiered in Pavlovsk
• Chansonette-Quadrille op. 259 (1861), on themes from French ballads
• Un ballo in maschera , Quadrille op. 272 ​​(1862), on themes from Verdi's opera A Masked Ball
• Lieder-Quadrille op. 275 (1863), based on German folk songs
• Faust Quadrille (1864), published only in Russia. Composed based on motifs from the opera Faust by Charles Gounod . Unofficially listed as Opus 277 on occasion. The number is already busy.
• Season Quadrille op. 283 (1864) Based on motifs from musical stage works from the Vienna theater season 1863–64.
• Quadrille sur des airs français op. 290 (1864) Based on French melodies.
• Die Afrikanerin op. 299 (1865) based on motifs from the opera L'Africaine (Die Afrikanerin) by Giacomo Meyerbeer .
• Bal champêtre op. 303 (1865)
• Le premier jour de bonheur op. 327 (1868), dedicated to the Austrian Horticultural Society . Compiled by Daniel-François-Esprit Auber based on motifs from the opera Le premier jour de bonheur (A day of happiness) .
• Slovianka Quadrille op.338 (1869), on Russian melodies
• Festival Quadrille op. 341 (1867), on English themes, premiered in Covent Garden , London
• Indigo-Quadrille op. 344 (1871), based on his operetta Indigo and the Forty Robbers
• Rotunda-Quadrille op. 360 (1873), premiered in the music pavilion at the rotunda in the Prater during the world exhibition and dedicated to its general director Wilhelm Freiherr von Schwarz-Senborn . Based on motifs from the Strauss operetta Carnival in Rome
• Fledermaus-Quadrille op. 363 (1874), based on his operetta Die Fledermaus
• Cagliostro-Quadrille op. 369 (1875), based on his operetta Cagliostro in Vienna
• Methuselah Quadrille op.376 (1877), based on his operetta Prinz Methuselah
• Opera Masked Ball Quadrille op. 384 (1879), based on his operetta Blinde Kuh
• Spitzentuch-Quadrille op. 392 (1881), based on his operetta Das Spitzentuch der Königin
• The Merry War op. 402 (1882), Quadrille on themes from his operetta The Merry War
• A Night in Venice based on motifs from the comic opera “ A Night in Venice ” op. 416 (1884), premiered at the Court Ball in the Hofburg
• Zigeunerbaron-Quadrille op. 422 (1886), based on his operetta Der Zigeunerbaron , performed at the Concordia Ball and dedicated to the Concordia press club
• Simplicius-Quadrille op.429 (1888), based on his operetta Simplicius
• Ninetta-Quadrille op.446 (1893), based on his operetta Fürstin Ninetta
• Jabuka-Quadrille op.460 (1894), based on his operetta Jabuka (Das Apfelfest)
• Waldmeister-Quadrille op. 468 (1896), based on his operetta Waldmeister
• Goddess of Reason op. 476 (1898), his last quadrille, premiered at the Architects' Ball in the Sofiensaal
• Pásmán quadrille based on motifs from the opera Knight Pásmán
• Potpourri Quadrille (1867)
• Quadrille based on motifs from the opera “Des Teufels Antheil” without opus number. Based on the now rather unknown opera La Part du Diable by Daniel-François-Esprit Auber
• Schützen-Quadrille Joint composition of the three Strauss brothers Johann, Josef and Eduard
• Monstre Quadrille Joint composition by the Strauss brothers Johann and Josef
• Behind the Coulissen Quadrille, a joint composition by the Strauss brothers Johann and Josef. Based on motifs from the operetta The Engagement at the Lantern by Jacques Offenbach .

Other works

• Pesther Czárdás op.23 (1846)
• Slaven Potpourri, Op. 39
• New Styrian Dances op.61
• Romance No. 1 op. 243 (1860), dedicated to Ekaterine Dadiani , Princess of Mingrelia (1816–1882)
• Romance No. 2 op. 255 (1860), dedicated to Princess Elisabeth of Saxony-Altenburg
• Perpetuum Mobile (A Musical Joke) op.257 (1861)
• Fest-Polonaise op.352, (1871), dedicated to the German Kaiser Wilhelm I.
• In the Russian Village Fantasy op.355 (1872)
• Gavotte of the Queen op. 391 based on motifs from the operetta The Queen's Lace
• Ninetta-Galopp op.450 based on motifs from the operetta Fürstin Ninetta
• On the dance floor the painter op Musical Illustration. 454 Franz Defregger dedicated
• Wedding Prelude op. 469 Composed on the occasion of the wedding of Alice, the composer's step-daughter.
• Freshly dared gallop op. 475 based on motifs from the operetta Die Göttin der Vernunft
• Sounds from Raimund's time Musical prelude, op.479
• Homage au public Russian potpourri
• Romance from Faust Based on an aria from the opera Faust by Charles Gounod, which is no longer used
• Csardas from “Die Fledermaus” orchestral version
• New csardas for “Die Fledermaus” orchestral version, in a shortened version integrated into the ballet Cinderella
• Ballet music from “Die Fledermaus” music, consisting of five dances, which is rarely played in the operetta performances
• Dedication of a song by Robert Schumann
• Traumbild 1 without opus number from the estate
• Traumbild 2 without opus number from the estate
• Overture Comique without opus number

Works according to opus numbers

• Spiritual poems (waltzes) op.1 (1844)
• Debut Quadrille op. 2 (1844)
• Herzenslust (Polka) op. 3 (1844), premiered at his first concert with his own works on October 15 in Dommayers Casino
• Favor Advertiser (Waltz) op.4 (1844)
• Seraglio Dances (Waltz) op.5 (1844)
• Cytheren Quadrille op.6 (1844)
• The Young Viennese (Waltzes) op.7 (1845)
• Patriots March op.8 (1845)
• Amazon Polka op.9 (1845)
• Quadrille based on the opera “Der Liebesbrunnen” by MW Balfe op. 10 (1845)
• Carnival songs (waltz) op.11 (1845)
• Youth Dreams (Waltz) op.12 (1845)
• Czechen-Polka op.13 (1845) premiered in the Sper
• Serbian Quadrille op. 14 (1846), dedicated to the Prince of Serbia Mihailo Obrenović III.l
• Sträusschen (Waltz) op.15 (1845)
• Elven Quadrille op.16 (1845)
• Jux-Polka op. 17 (1846), written for the industrial ball in Goldenen Strauss in Josefstadt
• Berglieder (Waltz) op.18 (1845)
• Demon Quadrille op.19 (1845)
• Austria March op.20 (1846)
• Lind-Gesänge (Waltz) op. 21 (1846),dedicatedto the Swedish opera singer Jenny Lind
• The Austrians (waltzes) op. 22 (1845)
• Pesther Czárdás op.23 (1846)
• Zigeunerin-Quadrille op. 24 (1846) based on the opera La Zingara (German title Die Zigeunerin ) by Michael William Balfe .
• Zeitgeister (Waltz) op.25 (1846)
• Fidelen-Polka op.26 (1846)
• The Sanguine (Waltz) op.27 (1846)
• Hopser Polka op.28 (1846)
• Odeon Quadrille op.29 (1846)
• The Zillerthaler (Waltz) op. 30 (1846)
• Quadrille based on motifs from the opera “The Siege of Rochelle” by MW Balfe op. 31 (1846)
• Irenen-Walzer (Waltz) op.32 (1847) *
• Alexander Quadrille op. 33 (1847), in the Serbian edition dedicated to the Serbian prince Aleksandar Karađorđević
• The Joviale (Waltz) op.34 (1846)
• Industrie-Quadrille op. 35 (1847), dedicated to the Committee of the Industrie-Ball
• Architecten-Ball-Tänze (Waltz) op.36 (1847)
• Wilhelminen Quadrille op.37 (1847)
• Bachus Polka op.38 (1847)
• Slaven Potpourri, Op. 39
• Quadrille based on motifs from the opera "The Queen of Leon" by Boisselot op. 40 (1847)
• Singer Rides (Waltz) op. 41 (1847), dedicated to the Vienna Men's Singing Association
• Wild roses (waltz) op.42 (1847)
• Explosions-Polka op.43 (1847)
• Festival Quadrille op.44 (1847)
• Harvest Dances (Waltz) op.45 (1847)
• Martha-Quadrille op. 46 (1848) based on motifs from the opera Martha by Friedrich von Flotow .
• Village stories (waltz) op.47 (1847)
• Celadon-Quadrille op. 48 (1847) [ Celadon : here "languishing lover"]
• Festival March op.49 (1847)
• Sounds from Wallachia (Waltz) op.50 (1848)
• Marien-Quadrille op. 51 (1847/48), premiered in Bucharest and dedicated to “Princess Marie von Bibesco ”
• Freedom Songs (Waltz) op.52 (1848)
• Annika Quadrille op.53 (1848)
• Revolution March op.54 ( 1848 )
• Boys songs (waltzes) op.55 (1848)
• Student March op.56 (1848)
• Liguorianer-Seufzer-Polka Scherz-Polka op.57 (1848), premiered in the Blue Bottle
• Brno National Guard March op.58 (1848)
• Quadrille based on motifs from the opera "Der Blitz" by F. Halévy op. 59 (1848)
• Flagellated Polka op.60 (1848)
• New Styrian Dances (Waltz) op.61 (1848)
• Unity Sounds (Waltz) op.62 (1849)
• Sanssouci-Quadrille op. 63 (1849), premiered in Café Sans-Souci
• Fantasiebilder (Waltz) op.64 (1849)
• Nikolai Quadrille op.65 (1849)
• D'Woaldbuama (Waltz) op.66 (1849)
• Kaiser-Franz-Joseph-Marsch op.67 (1849), written on the occasion of the 19th birthday of Emperor Franz Joseph I.
• Aeols-Töne (Waltz) op.68 (1849)
• Triumph March op.69 (1850)
• Die Gemüthlichen (Waltzes) op.70 (1850)
• Künstler-Quadrille op. 71 (1849), written for a dance pleasure on St. Catherine's Day (November 25) in the Redoutensaal to support the retirees of the Association of Visual Artists
• Joke Polka op.72 (1849)
• Frohsinns-Spenden (Waltz) op.73 (1850)
• Lava-Ströme (Waltz) op. 74 (1850), written for the "Ball in Vesuvius" in the Sofiensaal
• Sofien-Quadrille op. 75 (1850), premiered in the Sofiensaal
• Attaque-Quadrille op.76 (1850)
• Vienna Garrison March op.77 (1850)
• Heiligenstädter Rendez-vous-Polka op. 78 (1850), premiered in Kugler-Park , today Heiligenstädter Park
• Maxing Dances (Waltz) op. 79 (1850), composed for the 18th birthday of Archduke Ferdinand Maximilian (1832–1867)
• Heski-Holki-Polka op. 80 (1850) [ hezky holki (Czech) = pretty girls ]
• Luisen Sympathie Klänge (Walzer) op. 81 (1850) This waltz is actually called that. The spaces belong to the correct title.
• Johannis-Käferln (Waltz) op.82 (1850)
• Ottinger-Reiter-Marsch op.83 (1850), dedicated to Franz Freiherrn von Ottinger , Austrian officer
• Warsaw Polka op.84 (1850)
• Heimaths-Kinder (Waltz) op.85 (1850)
• Bonvivant Quadrille op.86 (1850), written to celebrate the 20th birthday of Emperor Franz Joseph I.
• Aurora-Ball-Tänze (Waltz) op. 87 (1851), composed for a ball of the Winer Artists Association Aurora .
• Slaven Ball Quadrille op. 88 (1851), written for the Slaven Ball in the Sofiensaal
• Shepherd Games (Waltz) op.89 (1850)
• Oracle Proverbs (Waltz) op.90 (1851)
• Hermann Polka op.91 (1851)
• Mask Festival Quadrille op.92 (1851)
• Kaiser-Jäger-March op.93 (1851)
• Rhadamantus Sounds (Waltz) op.94 (1851)
• Idylls (Waltz) op.95 (1851)
• Viribus unitis (March) op. 96 (1851), for the emperor's 21st birthday
• Gambrinus Dances (Waltzes) op.97 (1851)
• Promenade-Quadrille op. 98 (1851), premiered in the Volksgarten
• Fraunkäferln (waltz) op.99 (1851)
• Vöslauer Polka op.100 (1851)
• Mephisto's Hell calls (Waltz) op.101 (1851)
• Albion-Polka op.102 (1851), dedicated to Prince Albert of Saxe-Coburg and Gotha , later British Prince Consort
• Vivat! -Quadrille op.103 (1851)
• Windsor Sounds (Waltz) op.104 (1852) dedicated to Queen Victoria of Great Britain.
• Five paragraphs from the Walzer Codex (Walzer) op. 105 (1852) Dedicated to law students at the University of Vienna
• Harmony Polka op.106 (1852)
• Grand Duke March op. 107 (1852), dedicated to the Russian Grand Duke Nikolai and Michael Romanow
• The lovebirds (waltz) op.108 (1852)
• Tête-à-Tête-Quadrille op.109 (1852), premiered in Bratislava
• Electro-magnetic-Polka op. 110 (1852), dedicated to the Viennese engineering students
• Flower Festival Polka op.111 (1852)
• Melodien-Quadrille op.112 (1852) based on melodies by Giuseppe Verdi
• Saxon Cuirassier March op.113 (1852)
• Love songs (waltzes) op.114 (1852)
• Wiener Jubel-Greeting-March op.115 (1852)
• Court Ball Quadrille op.116 (1852)
• Annen-Polka op. 117 (1852), dedicated to Maria Anna , Empress of Austria.
• Decoy (Waltz) (Waltz) op.118 (1852)
• Folk singer (waltz) op.119 (1852)
• Nocturne Quadrille op.120 (1852)
• Zehner-Polka op.121 (1852)
• Indra-Quadrille op. 122 (1852) based on motifs from the opera L'Esclave de Camoëns (German: Title: Indra, the snake girl ) by Friedrich von Flotow
• Satanella-Quadrille op. 123 (1853), written for the Satanella-Ball in the Sofiensaal and dedicated to Marie Taglioni, daughter of the Italian dancer Marie Taglioni
• Satanella-Polka op.124 (1853), written for the Satanella-Ball in the Sofiensaal
• Phoenix Wings (Waltz) op.125 (1853)
• Kaiser-Franz-Joseph-I-Rescue-Jubel-March op.126 (1853)
• Happy Greetings Polka, Op. 127 (1853)
• Solon Proverbs (Waltz) op.128 (1853)
• Motor-Quadrille op. 129 (1853), written for the engineering student ball in the Sofiensaal and dedicated to engineering students in Vienna
• Aesculap-Polka op. 130 (1853), dedicated to the Viennese medical students
• Wiener Punch-Lieder (Waltz) op.131 (1853), dedicated to the Austrian writer Moritz Gottlieb Saphir
• Violet Polka op.132 (1853)
• Caroussel March op.133 (1853)
• Tanzi-Bäri-Polka op. 134 (1853), dedicated to Countess Julia Batthyány , née Countess von Apraxin
• Bouquet-Quadrille op.135 (1853)
• Vermählungs-Toaste (Waltz) op. 136 (1853), dedicated to the later King Prince Albert of Saxony on his wedding to Carola von Wasa-Holstein-Gottorp
• Neuhauser Polka op.137 (1853)
• Pepita-Polka op. 138 (1853)
• Kron-March op.139 (1853)
• Knallkügerln (Waltz) op.140 (1853)
• Waves and Waves (Waltz) op.141 (1853)
• Reunion Polka op.142 (1853)
• Snow Bell (Waltz) op. 143 (1854), dedicated to the pianist Countess Maria Kalergis-Muchanow, b. Nesselrode (1822–1874)
• La Viennoise-Polka -Mazurka op.144 (1854)
• Bürgerball-Polka op.145 (1854)
• Novellas (Waltzes) op. 146, (1854) Dedicated to law students at the University of Vienna.
• Muses-Polka op.147 (1854)
• Sound waves (waltz) op.148 (1854) Dedicated to the techn. Students at the University of Vienna
• Archduke Wilhelm convalescence march op. 149 (1854), dedicated to Archduke Wilhelm of Austria
• Ballg'schichten (Waltz) op.150 (1854)
• Elisen-Polka Polka française op.151 (1854)
• Carnevals-Spectakel-Quadrille op. 152 (1854), premiered in Schwender's Coliseum in Hietzing
• Nordstern-Quadrille op.153 (1854), premiered in Unger's Casino . Based on motifs from the opera L'étoile du nord (German title: The North Star) by Giacomo Meyerbeer .
• Myrtle wreaths (waltzes) op.154 (1854), written for the wedding of Emperor Franz Joseph I to Elisabeth of Bavaria (called Sisi)
• Haute volée-Polka op.155 (1854), written to celebrate the 24th birthday of Emperor Franz Joseph I.
• Napoleon March op.156 (1854), dedicated to the Emperor of the French Napoleon III.
• Moth (waltz) op.157 (1855)
• Alliance March op.158 (1854)
• Schnellpost-Polka op.159 (1854)
• Ella-Polka op.160 (1855)
• Panacea-Klänge (Waltz) op. 161 (1855) Dedicated to medical students at the University of Vienna
• Souvenir Polka op.162 (1855)
• Glosses (Waltz) op. 163 (1855) Dedicated to law students at the University of Vienna
• Sirens (Waltz) op.164 (1855)
• Aurora-Polka op.165 (1855), written for the Aurora-Ball in the Sperl
• Handels-Elite-Quadrille op.166 (1855), premiered in the Sperl
• You Only Live Once (Waltz) op.167 (1855)
• Leopoldstädter-Polka op.168
• Bijouterie-Quadrille op.169 (1855)
• Night Violet Polka Mazurka op.170 (1855)
• Freuden-Salven (Waltz) op. 171 (1855) Written on the occasion of the return of Emperor Franz Josef from a trip to Galicia.
• Thoughts on the Alps (Waltz) op. 172 (1855), dedicated to Duke Max Joseph in Bavaria , promoter of Bavarian folk music
• Marie Taglioni-Polka op.173
• Le Papillon-Polka -Mazurka op.174 (1855)
• Heightened Pulse (Waltz) op. 175 (1856) Dedicated to medical students at the University of Vienna.
• Armen-Ball-Polka op. 176 (1856), written for the Armen-Ball in Schwender's Colosseum
• Juristenball-Tänze (Waltz) op. 177 (1856) Dedicated to law students at the University of Vienna.
• Sans-souci-Polka op.178 (1856)
• Farewell Calls (Waltz) op.179 (1856), dedicated to the Austro-Hungarian composer Franz Liszt
• Dragonfly Waltz (Waltz) op.180 (1856) Dedicated to the techn. Students at the University of Vienna.
• Grand Duchess Alexandra (Waltz) op. 181 (1856), dedicated to the Russian Grand Duchess Alexandra Iosifovna
• L'Inconnue-Polka -française op.182 (1856)
• Coronation March op. 183 (1856), written for the coronation of Tsar Alexander II of Russia
• Coronation Songs (Waltz) op.184 (1856), dedicated to the Russian Empress Marija Alexandrovna
• Strelna-Terrassen-Quadrille op.185 (1856), first performed in Pavlovsk
• Demi-Fortune-Polka -française op.186 (1857), written for the artists' ball in the Sperl
• Une Bagatelle-Polka -Mazur op.187 (1857), written for the Aurora-Ball in the Sperl
• Herzel-Polka op.188 (1857), written for the charity ball in the Sperl
• Paroxysms (Waltz) op. 189 (1857) Dedicated to medical students at the University of Vienna.
• Something Small-Polka Polka française op.190 (1857)
• Controversen (Waltz) op. 191 (1857) Dedicated to law students at the University of Vienna.
• Vienna, my sense! (Waltz) op.192 (1857)
• Phenomena op. 193 (1857) Dedicated to technical students at the University of Vienna
• La Berceuse (Quadrille) op.194 (1857)
• Telegraphic Depeschen (Waltz) op. 195 (1857), in the Russian edition dedicated to Johann Promberger (1810–1890)
• Olga-Polka op. 196 (1857), dedicated to Archduchess Olga Fjodorovna von Baden (1839-1891)
• Spleen-Polka Polka-Mazur op.197 (1857)
• Alexandrine-Polka op. 198 (1857), first performance in Pavlovsk, first performance in Vienna in the Gasthaus Zum Großen Zeisig on Spittelberg
• Le beau monde (Quadrille) op.199 (1857)
• Souvenir de Nizza (Waltz) op.200 (1857)
• Künstler-Quadrille op. 201 (1858), written for the artist ball in the Sofiensaal and dedicated to the artists of Vienna. Based on the motifs of great classical and romantic composers.
• L'Enfantillage-Polka (zapperl polka) op. 202 (1858), written for the charity ball in the Sofiensaal
• Hellenic Polka ( fast ) op. 203 (1858), written for the Greek Ball in Sperl and dedicated to Maria Freiin von Sina zu Hodos and Kizdia
• Vibrationen (Waltz) op. 204 (1858) Dedicated to medical students at the University of Vienna
• The Extravagants (Waltzes) op.205 (1858)
• Concordia-Polka -Mazur op. 206 (1858), written for the Protestant Ball in the Redoutensaal
• Cycloiden (Waltz) op. 207 (1858) Dedicated to the techn. Students at the University of Vienna.
• Jux Brothers (Waltz) op.208 (1858)
• Spiralen (Waltz) op.209 (1858)
• Farewell to St. Petersburg (Waltz) op.210 (1858)
• Champagner-Polka (musical joke) op. 211 (1858), dedicated to Carl Freiherr von Bruck
• Prince Bariatinsky March op. 212 (1858), dedicated to the Russian Prince Alexander Iwanowitsch Bariatinsky (1814–1879)
• Bonbon-Polka (française) op.213 (1858)
• Tritsch-Tratsch-Polka op.214 (1858)
• Flight of Thoughts (Waltz) op.215 (1858)
• Hell und Voll (Waltz) op. 216 (1859) Dedicated to medical students at the University of Vienna.
• La Favorite-Polka (française) op. 217 (1858)
• Irrlichter (Waltz) op. 218 (1859) Dedicated to engineering students at the University of Vienna.
• Aurora Ball Polka (française) op. 219 (1859)
• German (Waltz) op.220 (1859)
• Doctorates (Waltz) op. 221 (1859) Dedicated to law students at the University of Vienna
• Nachtigall-Polka op. 222 (1859), premiered in Unger's Casino , the first Viennese musical hall
• Flywheels (Waltz) op. 223 (1859) Dedicated to engineering students at the University of Vienna.
• Dinorah-Quadrille op. 224 (1859), based on themes from Giacomo Meyerbeer's opera Dinorah or the pilgrimage to Ploërmel
• Greetings to Vienna (Polka) Polka française op. 225 (1859), premiered in the Volksgarten
• The Kobold Polka-Mazur op.226 (1859)
• Travel Adventure (Waltz) op.227 (1859)
• Niko-Polka op. 228 (1859), dedicated to Niko Dadiani , Prince of Mingrelien (1847–1903)
• Jäger-Polka Polka française op. 229 (1859) composed and premiered in Pavlovsk, Russia.
• Chamber ball polka op.230
• Drollerie-Polka , Op. 231
• Lebenswecker (Waltz) op. 232 (1860) Dedicated to medical students at the University of Vienna.
• Sentences (Walzer) op. 233 (1860) Dedicated to law students at the University of Vienna
• Accelerationen (Waltz) op. 234 (1860), written for the engineering student ball in the Sofiensaal and dedicated to engineering students in Vienna
• Always cheerful (waltz) op. 235 (1860)
• Orpheus-Quadrille op. 236 (1860), first performed in the Gasthaus Zum Großen Zeisig on the Spittelberg . Based on motifs from the operetta Orpheus in der Unterwelt by Jacques Offenbach .
• Pigeon Mail Polka française op.237
• The Parisian Polka française op.238
• Polka-Mazurka champêtre Polka Mazurka op.239
• Mask train polka Polka française op.240
• Fantasy flower Polka Mazurka op.241
• Bijoux-Polka française op.242
• Romance No. 1 op. 243 (1860), dedicated to Ekaterine Dadiani , Princess of Mingrelia (1816–1882)
• Diabolin-Polka op. 244
• Thermen (Waltz) op. 245 (1861), written for the medical student ball in the Sofiensaal and dedicated to medical students in Vienna
• Rokonhangok ( sounds of sympathy) Polka française op. 246 (1861), written for the Hungarian Student Ball in the Dianasaal and dedicated to the Hungarian youth studying in Vienna; today mostly referred to as sympathy sounds
• Grillenbanner , (Waltz (in the country style)) op. 247 (1861), dedicated to the Austrian Major General Prince Leopold of Saxe-Coburg and Gotha
• Camelien-Polka (fast) op. 248 (1861), written for the Camelien-Ball in the Dianasaal
• Hesperus Polka op.249 (1861)
• Wahlstimmen (Waltz) op. 250 (1861) Dedicated to law students at the University of Vienna
• Klangfiguren (Waltz) op.251 (1861) dedicated to the techn. Students at the University of Vienna
• Dividends (Waltz) op.252 (1861)
• Schwärmereien , (concert waltz) op. 253 (1861), dedicated to the Russian composer Anton Rubinstein
• Neue Melodien-Quadrille op. 254 (1861) Based on operatic motifs by Giuseppe Verdi , Gaetano Donizetti and Vincenzo Bellini .
• St. Petersburg (Quadrille) op. 255 (1861), Quadrille on Russian themes, premiered in Pavlovsk (Op. 255 is awarded twice)
• Romance No. 2, Op. 255 (1860), dedicated to Princess Elisabeth of Saxony-Altenburg (Op. 255 is awarded twice)
• Veilchen op. 256 (1861) Mazurka on Russian themes.
• Perpetuum Mobile (A Musical Joke) op.257 (1861)
• Secunden-Polka (française) op. 258 (1861), dedicated to Josef Hellmesberger senior
• Chansonette-Quadrille op. 259 (1861), on themes from French ballads
• Furioso-Polka (quasi gallop) op.260 (1861)
• The first Curen (waltzes) op. 261 (1862) Dedicated to medical students at the University of Vienna.
• Colonnen (Waltz) op. 262 (1862) Dedicated to law students at the University of Vienna.
• Studenten-Polka française op. 263 (1862), written for the student ball in the Redoutensaal and dedicated to the students in Vienna
• Patroness (Waltz) op.264 (1862)
• Motoren (Walzer) op.265 (1862) Dedicated to the techn. Students at the University of Vienna.
• Lucifer Polka (fast) op. 266
• Concurrenzen (Waltz) op. 267 (1862)
• Wiener Chronik (Waltz) op.268 (1862)
• Demolirer Polka française , Op. 269
• Carnevals Ambassador (Waltz) op. 270 (1862)
• Bluette (Polka) op. 271 (1862), written for the masked ball before St. Catherine Day, the Kathrein dance in the Redoutensaal, and dedicated to his first wife Henriette Strauss
• Un ballo in maschera , Quadrille op. 272 ​​(1862), on themes from Verdi's opera A Masked Ball
• Editorial (Waltz) op. 273 (1863), written for the Concordia Ball in the Sofiensaal and dedicated to the Concordia Press Club
• Patriot Polka op.274
• Lieder-Quadrille op. 275 (1863), based on German folk songs
• Peasant Polka française op.276
• Invitation a la Polka-Mazur op.277
• Faust Quadrille (1864), published only in Russia. Composed based on motifs from the opera Faust by Charles Gounod . Unofficially listed as Opus 277 on occasion. The number is already busy.
• New Life Polka française op.278 (1863)
• Morgenblätter (Walzer) op. 279 (1864), written a year later for the same occasion and with the same dedication
• Juristenball-Polka (fast) op.280
• Pleasure train Polka (fast) op. 281 (1864), written for the ball of the industrial companies in the Redoutensaal
• Good bourgeois française op.282
• Season Quadrille op. 283 (1864) Based on motifs from musical stage works from the Vienna theater season 1863–64.
• German Warrior March op.284 (1864)
• Studentenlust (Walzer) op. 285 (1864), dedicated to the patroness of the student ball in the Redoutensaal
• Patroness polka française op.286
• Fraternization March op. 287 (1864), dedicated to the Prussian King Wilhelm I , the later German Emperor
• Neva-Polka (française) op.288 (1864), first performed in Pavlovsk, but dedicated to the Queen of Spain Isabella II.
• Persian March op.289 (1864), dedicated to the Shah of Persia Nasreddin
• Quadrille sur des airs français op. 290 (1864) Based on French melodies.
• There's only one imperial city, there's only one Vienna Schnellpolka op. 291
• Aus den Bergen (Walzer) op. 292 (1864), dedicated to the Austrian music critic Eduard Hanslick
• Feuilleton (Waltz) op.293 (1865), occasion and dedication as in opp. 273 and 279
• Proceß-Polka (fast) op. 294 (1865), written for the law students' ball in the Redoutensaal and dedicated to law students in Vienna
• Bürgersinn (Walzer) op. 295 (1865), dedicated to the representative committee of the Citizens Ball in the Redoutensaal
• Episode-Polka (française) op. 296 (1865), dedicated to the representative committee of the student ball
• Electrofor-Polka op. 297, written for the engineering student ball in the Redoutensaal and dedicated to engineering students in Vienna
• Court Ball Dances (Waltz) op.298 (1865), written for the court ball in the Hofburg and dedicated to the Emperor of Russia Alexander II.
• Die Afrikanerin (Quadrille) op. 299 (1865) After motifs from the opera L'Africaine (Die Afrikanerin) by Giacomo Meyerbeer .
• Pamphlets (Waltz) op.300 (1865), occasion and dedication as in opp. 273, 279 and 293
• Kreuzfidel (Polka) op. 301 (1865)
• The Timeless Polka (française) op. 302 (1865)
• Bal champêtre (Quadrille) op. 303 (1865)
• Children's games (polka) (française) op. 304 (1865), written for a court concert in the Hofburg
• Ladies donation (Polka) op. 305 (1866), premiered at the student ball in the Redoutensaal
• Citizens' Wise Men (Waltz) op. 306, occasion and dedication as in op. 295
• Wiener Bonbons (Waltz) op. 307 (1866), dedicated to the Austrian Salonnière Princess Pauline von Metternich
• Par force! (Schnell) op. 308 (1866), premiered at Ball for the Blind in the Redoutensaal
• Sylphen-Polka op. 309 (1866), written for the Hesperus Ball in the Dianasaal
• Flirtation Polka-Mazur op.310 (1866)
• Express-Polka (fast) op.311 (1866)
• Fairy Tales (Waltz) op.312 (1866)
• Wildfire Polka (française) op.313 (1866)
• On the Beautiful Blue Danube (Waltz) op.314 (1867)
• In Praise of Women Polka-Mazur op.315 (1867)
• Künstlerleben (Waltz) op. 316 (1867), written for the Hesperus Ball in the Dianasaal and dedicated to the Hesperus Ball Committee
• Postillon d'amour Polka (française) op.317 (1867)
• Telegramme (Waltz) op.318 (1867), occasion and dedication as in opp. 273, 279, 293 and 300
• Leichtes Blut Polka (fast) op. 319 (1867)
• Figaro-Polka op. 320 (1867), premiered at the World Exhibition in Paris and dedicated to Hippolyte de Villemessant (1810–1879), founder of the Le Figaro newspaper
• Die Publicisten (Waltz) op. 321 (1868), same as above
• Stadt und Land Polka-Mazur op. 322 (1868), dedicated to the Austrian Horticultural Society
• Ein Herz, ein Sinn Polka-Mazur op. 323 (1868), dedicated to the committee of the citizens' ball
• Under Donner und Blitz Polka (Schnell) op. 324 (1868) originally performed as “Sternschnuppe”, written for the Hesperus ball in the Dianasaal
• Tales from the Vienna Woods (Waltz) op. 325 (1868), dedicated to the Prince and General Konstantin zu Hohenlohe-Schillingsfürst
• Free balls Polka (fast) op.326 (1868)
• Le premier jour de bonheur (Quadrille) op. 327 (1868), dedicated to the Austrian Horticultural Society . Compiled by Daniel-François-Esprit Auber based on motifs from the opera Le premier jour de bonheur (A day of happiness) .
• Sängerslust-Polka (française) op. 328 (1868), dedicated to the Vienna Men's Singing Association
• Remembrance of Covent-Garden (Waltz) op.329 (1867), premiered there
• Fata Morgana Polka-Mazur op.330 (1869)
• Illustrations (waltz) op.331 (1869), occasion and dedication as in opp. 273, 279, 293, 300 and 321
• Éljen a Magyar! Polka (fast) op. 332 (1869), dedicated to the Austrian Horticultural Society and the Hungarian Nation
• Wein, Weib und Gesang (Waltz) op. 333 (1869), dedicated to the Austrian conductor Johann von Herbeck
• Königslieder (Waltz) op. 334 (1869), dedicated to the Austrian Horticultural Society and King Luís I of Portugal (1838–1889)
• Egyptischer March op.335 (1869), dedicated to Grand Duke Friedrich I of Baden (dedication added in 1871)
• Im Krapfenwald'l (Polka) op.336 (1869)
• From the Börse Polka (française) op. 337 (1869), written for the Concordia Ball in the Sofiensaal and dedicated to the Concordia Press Club
• Slovianka Quadrille op.338 (1869), on Russian melodies
• Louischen Polka (francaise) op.339 (1869)
• Reuet dich des Lebens (Waltz) op.340 (1870), dedicated to the Society of Friends of Music in Vienna and in 1873 to the - abdicated - King of Spain Amadeus I.
• Festival Quadrille op. 341 (1867), on English themes, premiered in Covent Garden , London
• Neu-Wien (Waltz) op. 342 (1870), dedicated to Nikolaus Dumba , the patron of musical life in Vienna
• Shawl-Polka Polka (française) op. 343 (1871) Based on motifs from the operetta Indigo and the 40 Robbers
• Indigo-Quadrille op. 344 (1871), based on his operetta Indigo and the Forty Robbers
• Polka at large (française) op. 345. Based on motifs from the operetta Indigo and the 40 robbers
• A Thousand and One Nights (Waltz) op. 346 (1871) based on his operetta Indigo and the 40 Robbers
• From Heimath Polka-Mazur op. 347. Based on motifs from the operetta Indigo and the 40 Robbers .
• In the storm step Polka (fast) op. 348 (1871) Based on motifs from the operetta Indigo and the 40 robbers .
• Indigo March op. 349 (1871), based on the operetta Indigo and the Forty Robbers
• Lust'ger Rath Polka (francaise) op. 350. Based on motifs from the operetta Indigo and the 40 Robbers .
• The Bajadere Polka (fast) op. 351 (1871), premiered in the Volksgarten. Based on motifs from the operetta Indigo and the 40 robbers .
• Fest-Polonaise op.352, (1871), dedicated to the German Kaiser Wilhelm I.
• Russian March Fantasy op.353 (1872)
• Wiener Blut (Waltz) op. 354 (1873), also included in the operetta Wiener Blut (1899), written for the ball of the court opera at the Wiener Musikverein and dedicated to the King of Denmark Christian IX.
• In the Russian Village Fantasy op.355 (1872)
• Vom Donaustrande Polka (fast) op. 356 (1873), based on his operetta The Carneval in Rome
• Carnevalsbilder (Waltzes) op.357 (1873), based on his operetta The Carnival in Rome
• Take it Polka (francaise) op. 358 Based on motifs from the operetta Carnival in Rome
• Greetings from Austria Polka-Mazur op. 359. Based on motifs from the operetta Carnival in Rome
• Rotunda-Quadrille op. 360 (1873), premiered in the music pavilion at the rotunda in the Prater during the world exhibition and dedicated to its general director Wilhelm Freiherr von Schwarz-Senborn . Based on motifs from the Strauss operetta Carnival in Rome
• Bei uns z'Haus , (waltz for male choir and orchestra) op. 361 (1873), dedicated to the patron Princess Marie zu Hohenlohe-Schillingsfürst
• Fledermaus-Polka op. 362, based on motifs from the operetta of the same name
• Fledermaus-Quadrille op. 363 (1874), based on his operetta Die Fledermaus
• Where the lemons bloom! (Waltz) op. 364 (1874), premiered in the Teatro Regio in Turin
• Tik-Tak-Polka Polka (fast) op. 365 (1874), based on motifs from his operetta Die Fledermaus
• At the Moldau Polka française op. 366, based on motifs from his operetta Die Fledermaus
• Du und Du (Waltz) op. 367 (1874), based on themes from the operetta Die Fledermaus
• Happy is he who forgets! Polka-Mazurka op. 368 (1874), based on motifs from his operetta Die Fledermaus
• Cagliostro-Quadrille op. 369 (1875), based on his operetta Cagliostro in Vienna
• Cagliostro-Waltz op. 370 (1875), based on his operetta Cagliostro in Vienna
• High Austria! (March) op. 371 (1875) based on the operetta Cagliostro in Vienna
• There you go Polka française op. 372, based on motifs from the operetta Cagliostro in Vienna
• On the Hunt Polka (fast) op. 373, based on motifs from the operetta Cagliostro in Vienna
• Licht und Schatten Polka-Mazur op. 374 (1875), dedicated to the Austro-British painter Marianne Preindlsberger-Stokes based on motifs from the operetta Cagliostro in Vienna
• O beautiful May! (Waltz) op. 375 (1877) based on his operetta Prinz Methusalem
• Methuselah Quadrille op.376 (1877), based on his operetta Prinz Methuselah
• I-Tipferl-Polka Polka française op. 377 based on motifs from the operetta Prince Methuselah
• Bandit Gallop Polka (fast) op. 378 (1877) based on motifs from the operetta Prince Methuselah
• Kriegers Liebchen Polka-Mazur op. 379 based on motifs from the operetta Prince Methuselah
• Ballsträusschen Polka (fast) op.380 .
• Do you know me? (Waltz) op. 381 (1878) based on his operetta Blinde Kuh
• Parisian Polka Polka française op. 382 based on motifs from the operetta Blinde Kuh
• Nur fort Polka (fast) op. 383 based on motifs from the operetta Blinde Kuh
• Opera Masked Ball Quadrille op. 384 (1879), based on his operetta Blinde Kuh
• Waldine Polka-Mazurka op. 385 based on motifs from the operetta Blinde Kuh
• Freshly approached Polka (fast) op.386
• Into the center (waltz) op.387 (1880)
• Roses from the South (Waltz) op.388 (1880), based on his operetta The Queen's Lace and dedicated to the King of Italy Humbert I.
• Boys' walk Polka française op.389
• North Sea Pictures (Waltz) op.390 (1880)
• Gavotte of the Queen op. 391 based on motifs from the operetta The Queen's Lace
• Spitzentuch-Quadrille op. 392 (1881), based on his operetta Das Spitzentuch der Königin
• Stormy in Love and Dance Schnell-Polka op. 393 (1881), written for the Concordia Ball of the Concordia Press Club in the Sofiensaal. Based on motifs from the operetta The Queen's Lace Scarf
• Liebchen Dich swing Polka-Mazurka op. 394. Based on motifs from the operetta The Queen's Lace Scarf
• Myrthenblüthen , (waltz for male choir and orchestra) op. 395 (1881), dedicated to Crown Prince Rudolf of Austria-Hungary and his wife Princess Stephanie of Belgium
• Jubelfest-Marsch op. 396 (1881), dedicated to Crown Prince Rudolf of Austria-Hungary on his marriage to Stephanie of Belgium
• The Merry War (March) op. 397 (1882), based on the operetta of the same name
• Frisch ins Feld (Marsch) op. 398 (1882), dedicated to Duke Adolph von Nassau Infantry Regiment No. 15, based on the operetta The Merry War
• What loves each other teases Polka française op. 399. Based on motifs from the operetta The Merry War
• Kiss-Walzer op. 400 (1882), dedicated to his second wife Angelika, b. Dittrich (1850-1919); after the divorce in the same year the dedication was removed
• The wiser gives after Polka-Mazurka op. 401. Based on motifs from the operetta The Merry War
• The Merry War (Quadrille) op. 402 (1882), Quadrille on themes from his operetta The Merry War
• Either - or Schnell-Polka op. 403. Based on motifs from the operetta The Merry War
• Violetta Polka française op. 404. Based on motifs from the operetta The Merry War
• North and South Polka-Mazurka op. 405. Based on motifs from the operetta The Merry War
• Matador-March op. 406 (1882) based on the operetta Das Spitzentuch der Königin
• Italian waltz op. 407 (1881) based on motifs from the operetta The Merry War
• Habsburg high! (March) op. 408 (1882), written for the celebrations "600 years of the House of Habsburg "
• Rasch indeed Schnell-Polka op. 409 (1883)
• Voices of Spring (Waltz) op.410 (1883)
• Lagunen-Walzer op.411 (1883) based on the operetta One Night in Venice
• Pappacoda-Polka Polka française op. 412. Based on motifs from the operetta One Night in Venice
• We're not that afraid of Schnell-Polka, Op. 413. Based on motifs from the operetta One Night in Venice
• The doves of San Marco Polka française op. 414. Based on motifs from the operetta One Night in Venice
• Annina Polka-Mazurka op. 415. Based on motifs from the operetta One Night in Venice
• One Night in Venice (Quadrille) based on motifs from the comic opera “ One Night in Venice ” op. 416 (1884), premiered at the court ball in the Hofburg
• Bride Show Polka Op. 417. Based on motifs from the operetta Der Zigeunerbaron
• Schatz-Waltz op. 418 (1885) based on the operetta Der Zigeunerbaron
• War adventure Schnell-Polka op. 419. Based on motifs from the operetta Der Zigeunerbaron
• The fortune teller Polka-Mazurka op. 420. Based on motifs from the operetta Der Zigeunerbaron
• Hussar Polka op. 421. Based on motifs from the operetta Der Zigeunerbaron
• Zigeunerbaron-Quadrille op. 422 (1886), based on his operetta Der Zigeunerbaron , performed at the Concordia Ball and dedicated to the Concordia press club
• Wiener Frauen (Walzer) op.423 (1886), first performed in Saint Petersburg , first performed in Vienna in 1887 at the Concordia Ball in the Sofiensaal
• Adelen-Walzer op. 424 (1886), dedicated to his third wife Adele, b. German (1856-1930)
• On the Volga Polka-Mazurka op.425.
• Russian March op.426 (1886), dedicated to the Tsar Alexander III. from Russia
• Donauweibchen (Waltz) op.427 (1887), based on his operetta Simplicius
• Riding March (1887) op.428 (1887)
• Simplicius-Quadrille op.429 (1888), based on his operetta Simplicius
• Soldatenspiel Polka française op. 430. Based on motifs from the Simplicius operetta
• Lagerlust Polka-Mazurka op. 431. Based on motifs from the operetta Simplicius
• Muthig Voran Schnell-Polka op. 432. Based on motifs from the operetta Simplicius
• Spanischer Marsch op.433 (1888), dedicated to Maria Christina of Austria , Regent of Spain
• Kaiser Jubilee (waltz) . Jubel-Waltz op.434 (1888), premiered on December 2nd in the Musikverein for the 40th anniversary of the throne of Emperor Franz Joseph I.
• Sinnen und Minnen (Waltz) op. 435 (1888), dedicated to the Queen of Romania Elisabeth zu Wied
• On to the dance of Schnell-Polka, op.436.
• Kaiser-Waltz op.437 (1888)
• Rathausball-Tänze (Waltz) op.438 (1890), premiered in the New Vienna City Hall and dedicated to the City of Vienna
• By the telephone Polka op.439
• Groß-Wien (waltz) , waltz for male choir and orchestra op. 440 (1891), dedicated to Archduke Karl Ludwig of Austria
• Pásmán Waltz (1892), based on his opera Ritter Pásmán (op.441)
• Impartial criticism Polka-Mazurka op.442
• Be embraced millions (waltzes) op. 443 (1892, first performed in 1893), dedicated to the composer Johannes Brahms
• Fairy Tales from the Orient (Waltz) op.444 (1892), dedicated to the Sultan of the Ottoman Empire Abdülhamid II.
• Queen of Hearts Polka française op.445 (op number awarded twice)
• Ninetta-Waltz op.445 (1893) Based on motifs from the operetta Fürstin Ninetta (op number awarded twice)
• Ninetta-Quadrille op.446 (1893), based on his operetta Fürstin Ninetta
• Ninetta-March op.447 based on the operetta Princess Ninetta
• Diplomatic Polka op. 448. Based on motifs from the operetta Princess Ninetta
• New Pizzicato-Polka op.449 (1893). Based on motifs from the operetta Princess Ninetta
• Ninetta-Galopp op.450 based on motifs from the operetta Fürstin Ninetta
• op. 451 is unoccupied
• Fest-Marsch (1893) op.452 (1893), dedicated to Ferdinand I , Tsar of Bulgaria
• Wedding dance (waltz) op. 453 (1893), dedicated to Princess Marie Louise of Bourbon-Parma on her wedding to Prince Ferdinand I , who later became King of Bulgaria
• On the dance floor the painter op Musical Illustration. 454 Franz Defregger dedicated
• I am good to you! (Waltz) op. 455 (1894) Based on motifs from the operetta Jabuka
• Živio! (March) op.456 ( Prost! ) (1894), based on motifs from the operetta Jabuka . Only published in the piano reduction by Kapellmeister Roth. Not really an original Strauss work.
• The Comitat is going up! Schnell-Polka op. 457. Based on motifs from the operetta Jabuka
• Dance Polka française op. 458 with the broomstick . Based on motifs from the operetta Jabuka
• Sunflower Polka-Mazurka op. 459. Based on motifs from the operetta Jabuka
• Jabuka-Quadrille op.460 (1894), based on his operetta Jabuka (Das Apfelfest)
• Gartenlaube-Walzer op. 461 (1895), dedicated to the readers of the journal Die Gartenlaube
• Klug Gretelein (Waltz) op. 462 (1895), written for the 25th anniversary of the Wiener Musikverein
• Trust, look who! (Waltz) op. 463 (1895), based on his operetta Waldmeister and dedicated to the German painter Franz von Lenbach
• Herrjemineh Polka française op. 464. Based on motifs from the operetta Waldmeister
• Love and marriage Polka-Mazurka op. 465. Based on motifs from the operetta Waldmeister
• Klipp-Klapp-Galopp Schnell-Polka op. 466. Based on motifs from the operetta Waldmeister
• It was so beautiful (March) op 467, based on the operetta Waldmeister
• Waldmeister-Quadrille op. 468 (1896), based on his operetta Waldmeister
• Wedding Prelude op. 469 Composed on the occasion of the wedding of Alice, the composer's step-daughter.
• Deutschmeister Jubilee March op.470 (1896), dedicated to the infantry regiment Hoch- und Deutschmeister No. 4
• Today is today ' ' (Waltz), Op. 471 (1897), based on his operetta The goddess of reason and dedicated to the portrait painter Leopold Horovitz
• Just don't muck Polka française op. 472. Based on motifs from the operetta Die Göttin der Vernunft
• Where our flag is blowing (march) op. 473 (1897) based on motifs from the operetta The Goddess of Reason
• The gables nod Polka-Mazurka op. 474. Based on motifs from the operetta The Goddess of Reason
• Freshly dared gallop op. 475 based on motifs from the operetta Die Göttin der Vernunft
• Goddess of Reason (Quadrille) op. 476 (1898), his last Quadrille, premiered at the Architects Ball in the Sofiensaal
• An der Elbe (Waltz) op. 477 (1897), his last waltz
• Auf's Korn (March) op. 478 (1898), Bundesschützen-March for choir and orchestra
• Sounds from Raimund's time Musical prelude, op.479

Individual evidence

1. ↑ Alexander Weinmann : Directory of all works by Johann Strauss father and son. Musikverlag Ludwig Krenn, Vienna, undated [1956].
2. ↑ A synopsis can be found as table 2 in: Thomas Aigner : The Russian publishers of Johann Strauss (son). In: The bat. Vienna Institute for Strauss Research. Communications No. 6, January 1993. Verlag Hans Schneider, Tutzing, ISBN 3-7952-0749-5 , pp. 13–36.
3. ↑ New acquisition of the music collection: The "Annen-Polka" . In: wien.gv.at. December 30, 2008, accessed November 20, 2010.
4. ↑ New acquisition of the music collection: The "Annen-Polka" . In: wien.gv.at. December 30, 2008, accessed November 20, 2010.